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Subject: ART & HUMANITIES: Section Performing & Visual Artsclear all
Showing 151-200 of 225 records
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 355-362 pp, DOI:10.5593/SGE
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PHYLOSOPHIC-ARTISTIC ANALYSIS OF THE ARCHITECTURAL MONUMENT – THE MANSION OF P.I. GADALOV IN THE CITY OF KRASNOYARKS AS A METHOD OF STUDYING VISUAL ARTS

(STEF92 Technology, 2017, M. Moskaliuk, A. Kistova, V. Luzan, A. Grischenko, A. Filko)

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The modern big city is a space of visual signs. The key role is played by architecture, which, on the one hand, functions as reference points and guiding volumes, on the other hand, is able to influence the outlook and the state of the people passing by. In this connection, the question of how to identify the potential of architectural monuments as visual texts is important. The work is based on the method of philosophical and artistic analysis of works of architecture as a space of interaction of the viewer and t...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 363-370 pp, DOI:10.5593/SGE
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SOME ASPECTS REGARDING COLOR SCHEMES IN ORDER TO CREATE VISUAL ATTRACTIVE WEBSITES

(STEF92 Technology, 2017, S. Moisa, C. Salasan)

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It is essential to know how color choices influence people, the idea that there is one unique psychological reaction to certain colors being incorrect. Many of the reactions that color psychologists attribute to certain colors are based on personal experience. It is also interesting to note that many cultures have associations of colors with completely different interpretations. Therefore, we will explore some general associations that most people in Western cultures have as a response to certain colors. Although ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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THE CONCEPT OF RUIN IN THE DIALOGUE WITH CONTEMPORARY ARTISTS

(STEF92 Technology, 2017, R. Llamas-Pacheco, de Sousa Jr., M. Anacleto)

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This paper presents the results of a research project seeking to assess how the several possibilities of a social psychology subject – the social representation of the subject – might contribute to the study of conservation and restoration, as well as to further analyse the relationships between the subjects involved in producing, promoting and preserving contemporary art: the artist, the public and the conservator-restorer. The study is part of a research project granted by the Spanish Ministry of Economics and C...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 309-316 pp, DOI:10.5593/SGE
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AGGRESSION AND CATHARSIS IN THE WORK OF THE PAINTER FRANCIS BACON

(STEF92 Technology, 2017, A. Micu)

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The paper aims to highlight the main theories about catharsis, how this transformation occurs in the fine arts, some conclusions drawn from research in psychology that answer the question: what are the conditions under which the sublimation of aggression occurs (catharsis), and when this do not occur - in some cases there is a reverse effect - in fact, increase aggressiveness. The problem could be resolved by the psychologists rather than by aestheticians as follows: Under what circumstances and to what extent, th...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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NEW ART OF ICON IN A NEW CONTEMPORARY ORTHODOX ARCHITECTURE – APPLICATIONS VERSUS SYNTHESIS?

(STEF92 Technology, 2017, J. Uscinowicz)

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Poland, as cultural and religious borderlands which are now, as in the past, a part of Latin, West Roman-Catholic, Greek-Slavic and East Orthodox culture, is a good place to apply comparative analyses of art of both Christian Churches: the Eastern and Western one. This paper presents selected examples of interaction between architecture, iconography and theology in contemporary sacred art of the last decade in Poland. It also shows the process of evolution of traditional spatial and functional structures and appli...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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CRISTIAN MISIEVICI, INTELLECT AND CREATIVE SENSITIVITY OR THE PREVALENCE OF A CONTEMPORARY CREATIVE ACT. OUTLINES OF A PORTRAIT

(STEF92 Technology, 2017, A. Sirbu)

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The portrait depicts the Romanian musician Cristian Misievici as an innovative, sensitive and intelligent composer as can be seen from his first works, the freshness of the techniques used serving the expression. Concerned with the sonorous time and space, the composer juggles with numerological symbolism and with the capacity of modal structures for metamorphosis. This is reflected in the use of proportions, symmetries and other laws of mathematical origin. The technicality of his language easily succeeds in avoi...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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CONSERVATION OF CONTEMPORARY PAINTING: A COMPARTATIVE STUDY OF THE EFFECT OF DRY CLEANING TECHNIQUES

(STEF92 Technology, 2017, K. G. Cordova, R. Llamas-Pacheco, J. Valcarcel-Andres)

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The goal of this study is to determine the effectiveness of different erasers in performing dry cleaning on unvarnished monochrome samples (painted with acrylics, oils, alkyd oils and gouache). These samples are representative of the problem with modern monochrome works lacking any protective film that might prevent dirt from entering the paint surface--they require careful cleaning procedures taking into consideration the painting materials used, which in many cases are sensitive to certain solvents. For this rea...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 485-490 pp, DOI:10.5593/SGE
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THE PSALMS OF DAVID – TEXTUAL CONSENSUS IN THE MUSIC OF THE 20TH CENTURY

(STEF92 Technology, 2017, P. M. Coroiu, A. Belibou)

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The research we propose starts from the premise that the classical music composers of the 20th century turned to religious texts written almost 3 millennia ago, and they rediscovered their essences in spite of the social, territorial, linguistic, and religious changes that took place throughout history. Despite the different musical composition techniques used or the origin of the composers, the subject of David’s Psalms is embodied in the work of some of the most prolific creators of the last century (Arnold Scho...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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THE ROSE AND THE GLOBE PLAYHOUSES: WHICH FORTUNE IS BETTER?

(STEF92 Technology, 2017, D. Khaustova)

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The Rose was the first purpose-built theatre on London Bankside. The playhouse was erected in 1587 as a theatre of Philip Henslowe. At the end of the XVI century, the Lord Admiral's Men moved to the Rose playhouse and performed there, attracting audiences, becoming popular and eventually prosperous. Rose’s repertory included plays of Marlowe, and Shakespeare. The Rose’s success encouraged other theatres to be built on Bankside; these new theatres overtook the Rose, which had been abandoned by 1606. The Globe becam...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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SOFIA GUBAIDULINA’S “DEDICATION TO MARINA TSVETAEVA” AS THE EXAMPLE OF STAGINESS IN CHORAL PERFORMANCE

(STEF92 Technology, 2017, E. Dyganova, N. Shirieva, Z. Yavgildina)

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The article deals with the phenomenon of staginess in choral performance as an artistic device of enlivening academic music and stage performance. The authors’ research attitude is based on the interpretation of staginess as an effective device of enhancing communicative character of music, which manifests itself in the choral arts through the union of music and words, in which words are the script of a composition. The research was carried out on the basis of the following methods: cultural and historical method,...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
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FEMININE TYPOLOGIES IN WAGNER’S OPERAS

(STEF92 Technology, 2017, G. Bulancea, E. T. Bulancea)

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By the total work of art (gesamtkunstwerk) Wagner brings the myth back into focus by illud tempus hoping that in doing so he will re-sacralise the present time and space. Within the framework of the myths he approaches, the present paper deals with the feminine characters whose role is decisive in the unfolding of the Wagnerian drama. Every female character fits a conventional typologies, the present study bringing into question more than twenty such characters. Far from proposing a rigid typology, this analysis o...

ART & HUMANITIES: Section Performing & Visual Arts2017
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CONSOLATION II BY HELMUT LACHENMANN: SYNTHESIS SYSTEM OF THE CONTEMPORARY MUSICAL PERCEPTION

(STEF92 Technology, 2015, C. Tutu)

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The ideatic formulations of Helmut Lachenmann (b. 1935) consecrate specific connotations to the perception/ grasping of linguistic and social-cultural determinants, driving away any poetic fiction (or false sound-paraphrase) from around aesthetics and music. Conceived as a polyphony of syntactic and semantic organisations, Consolation II (for 16 mixed voices) redefines music as a social-cultural phenomenon. Studying his vision in a critical manner, the polarities are perhaps the most important heritage assimilated...

ART & HUMANITIES: Section Performing & Visual Arts2015
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ARTS VIEWED FROM A DIFFERENT „PERSPECTIVE”. ANAMORPHOSIS AS SURPLUS VALUE IN CONTEMPORARY TIMES

(STEF92 Technology, 2015, C. Bartolomei, A. Ippolito)

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Nowadays it has become really difficult to separate the frontiers between the „real” and the „virtual”. We live in a world where millions of images are in the middle between vision and perception. Often we are caught by images built with perspective effects and even better on the anamorphosis. Starting the geometric-projecting bases of anamorphosis in all its aspects, the research studies and analyzes its applications in modern art, presenting all the possible techniques, traditional and innovative. But es...

ART & HUMANITIES: Section Performing & Visual Arts2015
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BUILDING ASSOCIATIONS AS A TOOL TO DEVELOP CREATIVE THINKING OF A STYLIST

(STEF92 Technology, 2015, N. Denisova)

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Creative thinking is an essential component of any artist's activity including the professional work of a stylist. Sharing the view that creativity is mostly determined by genes we are inclined to think that it, nevertheless, could and should be developed. The current work aims to analyze the role making associations plays in the professional activity of a stylist and to confirm the importance of developing associations in mastering creative thinking skills. Conducting personal interviews with practicing stylists,...

ART & HUMANITIES: Section Visual Arts2015
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TELEVISION – A NEW CHALLENGE IN LITERATURE

(STEF92 Technology, 2015, J. Waldnerova)

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The influence of television on literature can be identified in novels of several contemporary writers where it can have two forms. In its explicit form it is usually represented by themes directly dealing with TV, TV broadcasting and programs, but its implicit form seems even more interesting. It manifests itself by the use of brand names instead of descriptions as well as by structural changes present on some level of the text. In the following text, the explicit impact is briefly exemplified by examples from B. ...

ART & HUMANITIES: Section Visual Arts2015
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MUSIC- TEXT SYMBIOSIS IN DANIELA COJOCARU'S EVENING OF BRASS LIED

(STEF92 Technology, 2015, M. Fratila)

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The lied, this small-scale musical genre, is a highly concentrated musical expression of the poetic text. The music of a lied is closely related to poetry, the musical genre being a whole in which each of the two coordinates has the same importance. Music - poetry relationships are intertwined, influencing each other. In the Evening of Brass lied by Daniela Cojocaru the close relationship between text and music is obvious, and this relationship has influenced a number of new ways of artistic expression.

ART & HUMANITIES: Section Visual Arts2015
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MATHEMATICS – A GENERATOR OF SOUND STRUCTURES IN MUSIC

(STEF92 Technology, 2015, M. Fratila)

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Among the composers' searches to find new ways to translate original ideas and feelings in musical language, intonation systems inferable from mathematical proportions concerned twentieth century musicians. Thus, in order to make operations through set theory, musical scales represent modes and modal structures are materialized through melodic and harmonic discourse itself.

ART & HUMANITIES: Section Visual Arts2015
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PROGRESS OR REGRESS? MUSIC EDUCATION IN SLOVAKIA IN THE 21 CENTURY IN THE CULTURAL AND ARTISTIC CONTEXT

(STEF92 Technology, 2015, J. Kupkova)

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The aim of the research has been to examine correlations and discrepancies between music education and major developmental trends in cultural and artistic production (music and multimedia) in Slovakia in the 21st century. Regarding its methodology, the research has been based on the methods of qualitative paradigms (analytical-synthetic, interpretative and comparative). Available results and statistical data of the quantitative research have been also used. The article argues that music education in Slovakia can b...

ART & HUMANITIES: Section Performing & Visual Arts2015
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OPERA IN THE CONTEXT OF RELIGIOUS AND SOCIAL MYTHS: SERGEY DURYLIN ON RICHARD WAGNER AND NIKOLAY RIMSKY-KORSAKOV

(STEF92 Technology, 2015, K. Zenkin)

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The article analyzes the views of Russian literary and theatrical critic, theologian and priest Sergei Durylin on opera theater in connection with the ideas of new mythogenesis and mystery (religious and synthetic art), which were popular in the early 20th century, especially in Russia. The method of presentation corresponds to the method of research and offers a synthesis of methods of art criticism, philosophy of art, philosophy of myth and religion, as well as history of culture, all of which are presented in t...

ART & HUMANITIES: Section Performing & Visual Arts2015
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TIMBRE FEATURES OF MODERN MUSIC AND EMOTION TRAINING MODEL

(STEF92 Technology, 2015, A. Moos, E. Moos)

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At present, immeasurably increased the role of education of young generation in the spirit of humanistic ideas, tolerance, the perception of the news, the formation of inno-vative thinking in the social and educational environment for solving the global chal-lenges of the reality reorganization. One of the possible solution ways to such important tasks are presented to the public means of emotional education through music education. We analyzed the results of a study to extract the sound timbre students and teache...

ART & HUMANITIES: Section Visual Arts2015
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GEORGE CRUMB AND THE MUSIC OF STARS: MAKROKOSMOS

(STEF92 Technology, 2015, O. Velescu)

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Headed perhaps by a personal passion of the zodiac, and also influenced by the opening science to space exploration and the recent conquest of the moon, the American composer George Crumb (b.1929) proposed in the early 70s a series of authentic pieces for piano grouped under the generic name of Makrokosmos. This series of works is a thorough exploration of multiple possibilities of the piano expression. Composer's intention was to write a encompassing work using all the techniques imaginable for this instrument. I...

ART & HUMANITIES: Section Visual Arts2015
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“TREATISE ON MUSIC” BY SAKYA PANDITA AS A VALUABLE SOURCE FOR UNDERSTANDING MEDIEVAL TIBETAN VOCAL SYSTEM AND SINGING TECHNIQUES

(STEF92 Technology, 2015, P. Grokhovskiy, P. Butsyk)

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Among different extant written sources of Tibetan music, namely, theoretical works, notations and manuals, the “Treatise on Music” written in the thirteenth century by prominent Tibetan scholar Sa skya Paṇḍita Kun dga' rGyal mtshan (1182—1251) is the earliest and most informative one. As this work includes three chapters almost entirely dedicated to the theory of vocal music production and composition techniques (with a small part relating to musical instruments), the treatise seems to be very important ...

ART & HUMANITIES: Section Performing & Visual Arts2015
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ELECTRONIC MUSIC: A CONCEPTUAL FRAMEWORK FOR THE PROBLEMS OF MUSICAL STRUCTURE AND SPACE

(STEF92 Technology, 2015, J. Humiecka-Jakubowska)

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In the late 40. of twentieth century, there was discovered the possibility of music creation by means of electronic tools. Ten years later – during the Internationale Ferienkurse fur Neue Musik – there were held lectures of electronic music. The lectures bounced wide repercussions among the participants of meetings in Darmstadt. In the context of whole legacy and available comments of Karlheinz Stockhausen, Luigi Nono, Luciano Berio, or Gyorgy Ligeti, one can be argued that the experience in experimenting with...

ART & HUMANITIES: Section Performing & Visual Arts2015
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THE WORKS OF N. HARNONCOURT: THE DYNAMICS OF STYLE ON THE EXAMPLE OF PERFORMANCES OF MOZART'S OPERA "LA CLEMENZA DI TITO" PERIOD OF THE LATE XX C. AN

(STEF92 Technology, 2015, S. Karkina)

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The present research aims to study the works of outstanding modern conductor N. Harnoncourt during the period of the late XX c. and early XXI c. for example of productions of the opera wrote by Mozart "La Clemenza di Tito" and identify basic principles and regularities of the dynamics of the style. The methodology of the study was the comparative method, that enabled a comparative historical and cultural analysis of the phenomena of Opera art of modern time. N. Harnoncourt in his work the of Mozart's Opera "La Cle...

ART & HUMANITIES: Section Visual Arts2015
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MULTIMEDIA 360В° TECHNOLOGIES IN ART, CULTURE AND CULTURAL HERITAGE

(STEF92 Technology, 2015, N.V. Borisov, A.A. Smolin, D.A. Stolyarov, V. Trushin)

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This article is about different Multimedia 360В° technologies and some examples, how to use of Multimedia 360В° technologies for filming of different events (theatrical performances, musical concerts, city excursions, etc.). Also described the experience of technological base of Multimedia 360В° technology, created by team of center design and multimedia (ITMO University).

ART & HUMANITIES: Section Performing & Visual Arts2015
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RENAISSANCE SCHEMES IN VIDEO ART

(STEF92 Technology, 2015, A. Spiridonova)

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As the title implies the article deals with works of Video art based on paintings of Renaissance epoch. It is spoken in detail about works of Hermine Freed, Bill Viola, the group AES+F. Much attention is given to the detailed analysis of links between paintings and their video transformations. The article shows parallels in composition, color schemes, semantic and formal transformations.

ART & HUMANITIES: Section Visual Arts2015
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COMMEMORATION PRINCIPLES AND MODELS OF WORLD WAR II MEMORIAL SITES IN THE CULTURAL LANDSCAPE OF LATVIA – BELARUS BODERLAND

(STEF92 Technology, 2015, M. Burima, E. Vasiljeva)

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Cultural landscape is the environment where the totality of elements created by both a human and nature interact. This landscape demonstrates the development of the society over time. It testifies to the symbiosis of social, economic and cultural processes. Evidence of different historical events and of social life in various epochs, cult and memorial objects co-exist in the landscape. Historically more significant and valuable environmental elements created by a human acquire the status of a cultural monument or ...

ART & HUMANITIES: Section Visual Arts2015
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NEW STAINED GLASS LIGHTS OF ICON

(STEF92 Technology, 2015, J. Uscinowicz)

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Poland is situated in the area of cultural and religious borderland, in the sphere of Greek-Slavonic and Latin influence. In the past, mutual contacts and attempts to exchange values were limited. Both churches, Roman Catholic and Orthodox, were structures of a rather closed character. However, examples of modern churches in Poland seem to prove that these separation tendencies of both Christian churches and cultures are now being reversed, which is not only a symptom of mutual dialogue, exchange of ideas, values ...

ART & HUMANITIES: Section Visual Arts2015
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ASPECTS OF THE GOLDEN SECTION IN SOME ROMANIAN MUSICAL CREATIONS

(STEF92 Technology, 2015, D. Cojocaru)

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The complementarity or harmony relations of the great works of the universal culture have been the subject of artistic analyses. Proportionality – the golden ratio – is a construction pattern that has always sparked debate, from various structures of nature to many outstanding artistic achievements that include the creation of architecture, art, music. In several works by contemporary Romanian composers, this concept of proportionality is present both in sound organization structures and in the architectonic c...

ART & HUMANITIES: Section Visual Arts2015
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ONSITE EXPERIENCE OF PAST EXHIBITIONS USING REALITY TECHNOLOGY AND DISPLAY OF SCULPTURE

(STEF92 Technology, 2014, T. Inagaki, K. Motoyama)

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In this research, we develop a system, which enables the users to experience past exhibitions on-site, by using AR technology. Our efforts focused on the new methods for using "digital archives" with respect to the spatiality of exhibitions and archives of site-specific or installation art. The purpose of this system is to propose a new use of an archive using AR technology, and to help users acquire various understandings about an exhibition. The system shows interactively the scene of past exhibition on the scre...

ART & HUMANITIES: Section Visual Arts2014
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VARIATIONS FOR SOPRANO AND MIXED CHOIR CIULEANDRA WRITTEN BY VASILE SPATARELU

(STEF92 Technology, 2014, D. Cojocaru)

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The paper †Ciuleandra – Variations' for mixed choir, written by the composer Vasile Spătărelu, highlights a Romanian folkloric play from the region of Muntenia-Argeş, particularly known as a dance and holler song with progressive accelerated rhythm, carrying profound symbols which relate to the folkloric practice of magic. Vasile Spătărelu rearranges the whole composition in variations, by using methods such as melodic, rhythmic, metric, harmonic and improvisational transformation, obtaining a series of v...

ART & HUMANITIES: Section Visual Arts2014
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FATIMA REVISITED: AN INTERACTIVE INSTALLATION

(STEF92 Technology, 2014, R. Alves, M. Madeira, J. Ferrer, S. Costa, D. Lopes, B. M. Silva, L. Sousa, J. Martins, J. Rodrigues)

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Three very young shepherds, on May 13, 1917, reported seeing “... a lady even brighter than the sun\ldots”, floating a meter or so in the air, near an old oak tree, when they were pasturing their little herd in Cova da Iria, Portugal. The story of Our Lady of Fatima has remained one of the most remarkable odes in Portuguese folklore. It is, beyond the religious event in itself, a key episode in the official history and culture of the Portu-guese people. It is a day celebrated every year; more among the faithfu...

ART & HUMANITIES: Section Visual Arts2014
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CONNECTING WITH OBSERVERS, CONNECTING WITH SELF: SYMBOLIC INTERACTIONISM AND INSTALLATION ART

(STEF92 Technology, 2014, T. Houser, J. Kwon)

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This paper presents findings related to symbolic interactionism in the development and interpretation of art installations. It stems from three projects created by the first author: “Attrition,” “Contrition,” and “Babel Amidst an Arising.” This paper looks at symbolic interactionism as a proactive tool used by the artist first to engage the observer; second to construct an environment that communicates through shared meanings and societal experiences; and third to shape future decisions made by the obs...

ART & HUMANITIES: Section Visual Arts2014
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ARTISTIC COMMUNITIES: GRASS-ROOTED SUSTAINABILITY IN EMERGING CREATIVE CITY (CASE-STUDY IN ST. PETERSBURG, RUSSIA)

(STEF92 Technology, 2014, A. Nenko)

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Creativity is widely acknowledged to be the trigger of innovations and urban development after recognition of ideas by R. Florida, R. Landry and others on creative city and creative class though the latter notions are nowadays criticized for unsustainability issues they raise (Kirchberg & Kagan 2013). Moreover, these ideas put the main accent on macro-level of analysis, i.e. economic effects of creativity in the cities; however the micro-level of creativity - grass-rooted interactions of real creative actors - whi...

ART & HUMANITIES: Section Visual Arts2014
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CREATIVITY AS A COLLECTIVE PROJECT. NEW DEVELOPMENTS IN JAPANESE ARTS AFTER 11.3.2011

(STEF92 Technology, 2014, R. Menegazzo)

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The aim of this paper is to investigate the relations between art and social evolution, referring in particular to Japanese experience of the tragic events of March 11th 2011, which had a direct impact on a huge piece of territory along the north eastern coast and indirectly affected the whole society. My focus here is on how, in one form or another, many Japanese artists, designers, architects and filmmakers shifted to a collective and social form of creativity after the Great Earthquake. Several representative e...

ART & HUMANITIES: Section Visual Arts2014
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CREATIVE NETWORKS IN A POST-TRANSITIONAL CITY

(STEF92 Technology, 2014, Z. Tonkovic)

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Although the networking in the cultural and creative industries has been the subject of a number of studies, almost nothing is known about networking in the post-transitional social and cultural context. By studying the personal networks of creative professionals, this paper identifies the different types of sociality that are taking place in a post-transitional artistic and creative sector. Personal networks were reconstructed with the help of eight name generators. Data was collected in the form of structured in...

ART & HUMANITIES: Section Visual Arts2014
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INVOLVEMENT OF DESIGNERS IN CREATION OF FINE ART PHOTOGRAPHY

(STEF92 Technology, 2014, K. Zelenska, D. Lovin)

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Fashion, art and narrative photography are taking one of the main positions in the development of culture and art. Photographs which are obtained as a result of the team work of art figures are the most promising. In this paper our team of photographer, assistants, retoucher, designers, make-up artists, hair stylists and models represents our works in fashion, art and narrative photo industries.

ART & HUMANITIES: Section Visual Arts2014
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HAIGA PAINTING AND WESTERN ARTISTS

(STEF92 Technology, 2014, Codrescu, I.)

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This paper focuses on haiga painting—a Japanese art which unifies painting, poetry and calligraphy on the same surface—and the influence that it had on some of the Western artists in their creations at the end of the 20th century and at the beginning of the 21st century. Haiga painting was created together with the haiku poetry in Japan during the 17th century. The paper is divided into two parts. The first part consists in presenting the appearance of the haiga painting in Japan, its aesthetics, and its evolu...

Performing & Visual Arts2014
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LANDSCAPE CONFIGURATIONS

(STEF92 Technology, 2014, Codrescu, I.)

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During the second semester of 2013-2014, as an associate professor at the Arts Faculty from the Ovidius University in Constantza, I proposed a research project to the masters' degree students in Visual Arts, focussing on the relationship between earth and water in different versions: Waterfall, River, Coast of the Sea, Coast of the Lake, and the Danube Delta. From the beginning, I told the students that this research project had to be completed by an exhibition at one of the art galleries in Constantza—including...

Performing & Visual Arts2014
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PHONEMES TO VIRUSES: AN AESTHETIC TRANSFORMATION

(STEF92 Technology, 2014, T. Breton, E. Armand, Y. Duthen)

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If art and science inspire each other, bringing them together is a real challenge that pushes back the boundaries of knowledge. This paper describes a current project from the artistic motivation to the technical skills it requires and especially how one can contribute to the other. Through our connection to new technologies and even reality, we develop a piece that involves a new vision on different research areas while grouping them together, as in image synthesis, massively parallel programming, artificial life...

Performing & Visual Arts2014
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MONUMENTAL RELIGIOUS PAINTING OF VYATKA

(STEF92 Technology, 2014, Krivosheina, N.)

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The goal of the research is the content, style and specificity of historic monumental paintings in Orthodox churches in Vyatka (now the Kirov region) in Russia. Nowadays many of the villages with the churches are abandoned as people moved to the cities. The wall paintings are on the edge of disappearing both physically and from the realm of academic study. Therefore a significant part of cultural heritage of the region is at stake. Since 1989, we have conducted inspection of more than 150 churches, the monumental ...

Performing & Visual Arts2014
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DEVELOPMENT OF THE ARMENIAN PIANO MUSIC IN THE SECOND HALF OF THE 19TH CENTURY: FIRST ARMENIAN VIRTUOSO CONCERT PIECES IN DIKRAN TCHOUHADJIAN'S PIANO HERITAGE

(STEF92 Technology, 2014, ADAMYAN, A.)

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This article is dedicated to the comprehensive study of virtuosic concert piano pieces of Dikran Tchouhadjian (1837-1898): Armenian classical musician, a genius composer, the founder of Armenian musical theatre, a gifted pianist, a talented conductor, a skillful pedagogue and an active musical and public figure, who lived and worked in Constantinople in the 19th century. We used traditional methods of research, such as study of archives, empiric and theoretical analysis of the pieces. In this article an attempt is...

Performing & Visual Arts2014
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BETWEEN INTUITION AND SCIENCE: SOME EXAMPLES OF ELECTRONIC MUSIC BY IANNIS XENAKIS

(STEF92 Technology, 2014, JAKUBOWSKA, J. H.)

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Every musical style can be characterized by means of probabilistic restrictions imposed upon structures as well as mutual relations between those structures and the mental representation of musical surfaces formed on their basis by listeners. In music, narratives generally result from a culturally embedded musical language that has been established over the course of centuries. There seem to be two factors that contributed to specific way that Xenakis understood music – the free play of the imagination directly ...

Performing & Visual Arts2014
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COMPARATIVE STUDY REGARDING EFFORT DINAMICS ON PERFORMANCE DANCERS, IN PRE-COMPETITIVE STAGE

(STEF92 Technology, 2014, A. UNGUREANU, G. COSMA L. RUSU, C. SAFTA, R. GHETU, L. B. CALINESCU)

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Our current research involves determining effort dynamics on a couple of performance dancers (dancesport - standard dances), in the pre-competitive stages for two successive competitions: Romanian National DanceSport Championship, held in Iasi, on the 1st and 2nd of March, 2014 The WDSF DanceMasters International DanceSport competition, held in Bucharest, on the 29th and 30th of March, 2014. The athletes used in our study are registered members of the Katamis DanceSport Club in Craiova, Romania – official member...

Performing & Visual Arts2014
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THE ARTISTIC EXPERIMENT: A PHENOMENOLOGICAL RESEARCH TOWARDS A PEDAGOGY OF ART

(STEF92 Technology, 2014, Serbanescu, A.)

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The avant-garde movements of the 20th century have emphasized the experiments in artistic creation, building on the experience of abstract movements in visual arts. They introduced new elements such as body movement, materials and unconventional sceneries. All of these have led, later on, to performance art and new media. The artistic experiments of the last century focus more and more on the subjective experience of the artist during the artistic process. Using the new technologies and visual media, the artist is...

Performing & Visual Arts2014
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PORTAL FOR THE NEW STAGE OF ALEXANDRINSKY THEATRE AS A MEDIA SPACE FOR NEW CREATIVE IDEAS

(STEF92 Technology, 2014, N. Borisov, I. Mbogo, V. Zakharkina)

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The oldest drama theater of Russia, A.S.Pushkin Russian State Academic Theater (Alexandrinsky Theater) is the leader in new media and internet technologies amid the Russian theaters. Over the last years, the New Stage was founded at Alexandrinsky Theater by the young stage directors, to serve as an experimental space for implementing their innovative creative ideas. The New Stage is a high-tech performing-cum-educational facility. The challenges faced by the New Stage cast, as well as the hi-tech nature of most sh...

Performing & Visual Arts2014
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APPLIED STUDY FOR ACQURING VOCAL EXPRESSION MEANS IN STAGE PLAY

(STEF92 Technology, 2014, A. C. VLASCEANU, A. BOUREANU)

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The stage construction of a role could be influenced by the borderline situation of a show, staged with a particular expressivity. The creation process of the stage play demonstrates the ability of the actor to transform and transpose himself in the role considering the borderline situations of the dramatic text. The performer could express the dramatic dimension of his text and the impact on the receiver even since the first rehearsals. One unique, obsessive question keeps standing though: how do I play? At the f...

Performing & Visual Arts2014
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AESTHETIC JOY –AN ESOTERIC JOURNEY

(STEF92 Technology, 2014, AATMALAYA, P. S.)

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The science of aesthetic joy The human body is certainly one piece of classic engineering designed to enable positive physical, emotional and above all spiritual enhancement. It is well upon the individual to understand, utilize and then usher in great sense of fulfillment. The Supreme has gifted us this wonderful Yantra or our body. In dance, one delves deep into the macrocosm and into the micro orbits of forces. The physical entity, the body form is never negated but it rather used as a VДЃhana or a vehicle that...

Performing & Visual Arts2014
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VIRTUAL MUSEUM AS PHENOMENON OF POST-POSTMODERNISM

(STEF92 Technology, 2014, A. Spiridonova, A. Smolin, N. Borisov, M. Kuchin)

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This article analyses the phenomenon of the virtual museum as one of the key features of post-postmodernism. It describes the way modern science masters virtual reality. The article gives classification of the virtual museums and indicates specific features. In details it tells about the creation of virtual museum. In 2014 The Chair of Engineering Graphics of ITMO University, the Center of Design and Multimedia of ITMO University together with the Prosecutor's Office of Novgorod region created a project Virtual Mu...

Performing & Visual Arts2014
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GLOSSA – THE SYMPHONY OF A POETRY. SEMANTIC AND STRUCTURAL ANALOGIES

(STEF92 Technology, 2014, Leahu, A. M.)

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Viorel Munteanu, the author of the Glossa Symphony, is a multilateral artistic personality and composer of archaic origin. This article depicts the composer for whom the interpretation of folkloric or byzantine sources, that he often draws on his creation, is accomplished through the light of a well understood contemporary conception, carefully approached and minutely polished. Skilful in handling concrete time and space, either nostalgic, concerned and lyrical or expansive and playful or tense and dramatic, the c...

Performing & Visual Arts2014
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