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RENAISSANCE SCHEMES IN VIDEO ART

A. Spiridonova

First published: 2015https://doi.org/10.5593/sgemsocial2015/b41/s13.016View metrics

Abstract

As the title implies the article deals with works of Video art based on paintings of Renaissance epoch. It is spoken in detail about works of Hermine Freed, Bill Viola, the group AES+F. Much attention is given to the detailed analysis of links between paintings and their video transformations. The article shows parallels in composition, color schemes, semantic and formal transformations.

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Publication details

Title
RENAISSANCE SCHEMES IN VIDEO ART
Authors
A. Spiridonova
Proceedings
2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015, Book 4
Publisher
STEF92 Technology
Year
2015
Pages
Not available yet
SWS Citekey
SPIRIDONOVA2015-8a7a0873e736
ISSN
2367-5659
ISBN
978-619-7105-50-6
Language
en
Publication type
Conference Paper
Proceedings contents
Open official contents
Keywords
Post Postmodernism.PostmodernismRenaissanceVideo Arttransformation of classical painting
References4

  1. . Walter Benjamin. The Work of Art in the Age of Mechanical Reproduction. London: Fontana.1968.

  2. . Dixon Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, MA and London: The MIT Press. 2007.

  3. . Spiridonova A.M., Lokalov V.A. Traditional Art in the Mirror of Digital Technologies. Conference Proceedings // EVA 2015 SAINT PETERSBURG. Electronic Imaging & the Visual Arts INTERNATIONAL CONFERENCE, St. PETERSBURG, JUNE 24th–25th, 2015. Conference Proceedings. - 2015, pp. 183-187

  4. . Xin C.H. Transcendence and Transformation: Q+A with Bill Viola, Art in America, 2013 / http://www.artinamericamagazine.com/news-features/interviews/bill-viola-moca-north-miami/

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