SWS Academic Research eLibrarySocial Sciences & Art

Scholarly record

LANDSCAPE CONFIGURATIONS

Codrescu, I.

First published: 2014https://doi.org/10.5593/sgemsocial2014/B41/S13.020View metrics

Abstract

During the second semester of 2013-2014, as an associate professor at the Arts Faculty from the Ovidius University in Constantza, I proposed a research project to the masters' degree students in Visual Arts, focussing on the relationship between earth and water in different versions: Waterfall, River, Coast of the Sea, Coast of the Lake, and the Danube Delta. From the beginning, I told the students that this research project had to be completed by an exhibition at one of the art galleries in Constantza—including a catalogue, a poster and a DVD which recorded and presented all the stages of the research and most of the paintings. I was glad to discover that this project was welcomed by the MA students and that they considered it a worthwhile challenge. First, the students had to consult and read a bibliography focussed on the history of Western landscape painting and Far-East cultural spaces, especially China and Japan. Then they had to take excursions to photograph the various landscape configurations in Dobrodgea (Dobrogea) region and the mountains of Romania; to observe and make notes, sketches and compositional structures. In the second part of the research, I asked the MA students to bring their portfolios with all their photos, sketches, and compositional structures because we had to select the best of their sketches and compositions for their future paintings—those which would be included in the final exhibition. At the same time I asked students to document the results of their research in a theoretical paper. At the end of the research, together with my students, we chose a gallery for the exhibition, edited and printed a catalogue, designed a poster and the invitations, prepared the exhibition, and promoted it to the general public. Finally we prepared the culminating event: the formal opening of the exhibition. All these stages of the research project are presented in detail in my paper for this conference. Meanwhile, the paper contains many reproductions of paintings made by the MA students who participated in this research project—a famous Chinese proverb says: a picture is worth a thousand words. In addition, at the end of my paper, before the conclusion, I include, as feedback, some evaluations written by the masters' degree graduating students who participated in this project.

Publication Impact Profile

Publication details

Title
LANDSCAPE CONFIGURATIONS
Authors
Codrescu, I.
Proceedings
International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2014, Book 4
Publisher
STEF92 Technology
Year
2014
Pages
Not available yet
SWS Citekey
Codrescu2014
ISSN
2367-5659
ISBN
978-619-7105-30-8
Language
en
Publication type
Conference Paper
Proceedings contents
Open official contents
Keywords
References37
  1. Caroline Self & Susan Self, The Art of Chinese Brush Painting, Tuttle Publishing, Tokyo, 2009, p. 7;

  2. Stephen Farthing, Istoria artei. De la pictura rupestră la arta urbană , Editura Rao, Bucureşti, 2010, p. 30;

  3. Julian Bell, Oglinda lumii. O nouă istorie a artei, Editura Vellant, Bucureşti, 2007, p. 79;

  4. Claude Frontisi, Istoria vizuală a artei, Editura Rao, Bucureşti, 2007, pp 76-81;

  5. Raymond Charmet, Giotto – Le départ de la peinture occidentale , Jardin des arts, numéro 202, septembre, 1971, France, pp 20-31;

  6. David Piper, The Illustrated History of Art , Bounty Books, London, 2004, pp 86-87;

  7. Aleksander Wojciechowski, Arta peisajului, Editura Meridiane, Bucureşti, 1974, pp 11-38;

  8. Kenneth Clark, Revolta romantică, Editura Meridiane, Bucureşti, 1981, pp 145-169;

  9. Pierre Francastel, Impresionismul, Editura Meridiane, Bucureşti, 1977, pp 20-38;

  10. Philippe Dagen, L’art dans le monde de 1960 à nos jours , Éditions Hazan, 2012, pp 151-155.

  11. Bachelard, Gaston, La poétique de l’espace, Presses Universitaires de France, 1957.

  12. Bachelard, Gaston, L’Eau et les Rêves. Essai sur l’imagination de la matière, Librairie José Corti, 1942.

  13. Blistène, Bernard, Une histoire de l’art du XXe siècle, Centre Pompidou, 1999.

  14. Chaves, Jonathan, The Chinese Painter as Poet, China Institute Gallery, New York, 2000.

  15. Cheng, François, L’Éspace du rêve. Mille ans de peinture chinoise, Éditions Phébus, Paris, 1980.

  16. Clark, Kenneth, Landscape into Art, Harper and Row, New York 1979.

  17. Coyaud, Maurice, L’Empire du regard. Mille ans de peinture japonaise, Éditions Phébus, Paris, 1981.

  18. Dempsey, Amy, Styles, Schools & Movements, Thames & Hudson, 2010.

  19. Farthing, Stephen, Art – The Hole Story, Quintessence, 2000.

  20. Fischer, Felice, The Arts of Hon’ami Kōetsu, Philadelphia Museum of Art, 2001.

  21. Gervereau, Laurent, Voir, comprendre, analyser les images, Éditions La Découverte, Paris, 2004.

  22. Huyghe, René, Les puissances de l’image, Éditions Flammarion, Paris, 1965.

  23. Jiayi, Zhuang & Chongzheng, Nie, Traditional Chinese Paintings. Silent Poems in Praise of Nature and Human Life, China International Press, 2000.

  24. Katz, Janice, Japanese Paintings in the Ashmolean Museum, Oxford, Ashmolean Museum, Oxford, 2003.

  25. Langmuir, Erika. Landscape, London: National Gallery, 1997.

  26. Lee, Sherman E, Chinese Landscape Painting, 2nd ed. Cleveland: Cleveland Museum of Art, 1962.

  27. Lhote, André, Traités du Paysage et de la Figure, Éditions Bernard Grasset, 1959.

  28. Mason, Penelope, History of Japanese Art, Pearson Prentice Hall, 2005.

  29. Ming, Peng Chang, En regard. Approche comparée de la peinture chinoise et occidentale, Éditions You Feng, Paris, 2005.

  30. Ming, Peng Chang, Echos, Éditions You Feng, Paris, 2005.

  31. Pleşu, Andrei, Pitoresc şi melancolie, Editura Univers, Bucureşti, 1980.

  32. Read, Herbert, The Meaning of Art, Faber & Faber, London, 1931.

  33. Rosenblum, Robert, Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko, Harper and Row, New York, 1975.

  34. Schneider Adams, Laurie, Art Across Time, Volume II, McGraw-Hill College, 1999.

  35. Sullivan, Michael, The Birth of Landscape Painting in China, London: Routledge and Kegan Paul, 1962.

  36. Turner, A. Richard, The Vision of Landscape in Renaissance Italy, Princeton, N.J.: Princeton University Press, 1966.

  37. Wichmann, Siegfried, Japonisme, Chêne / Hachette, 1982.

View or Download full articleAccess options
Full paper accessChoose SWS login, librarian support, or instant article download.

SWS access login

Login as SWS Scientific Committee

Authors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.

For librarian assistance: [email protected]

Purchase Instant Access

48-hour online accessComing soon
Online-only accessComing soon
Download the full article in PDF formatEUR 35
  • Article can be downloaded after successful payment.
  • Article may be used according to SWS library access terms.
  • Article cannot be redistributed.
Get full paper

Back to publication list

Connected events

SGEM WORLD SCIENCE Conferences

The SSA Library connects published research with the scientific events where it was presented, reviewed and prepared for long-term scholarly discovery.

SWS Social Sciences and Arts conference
SWS Social Sciences & Arts

Social Sciences and Arts & Humanities

The joint SGEM WORLD SCIENCE forum for Social Sciences and Arts & Humanities, bringing together research in society, culture, education, law, economics, humanities and the arts.

Visit sgemsocial.org
SWS Vienna When Science Meets Art
SWS Vienna - When Science Meets Art

Social Sciences, Science Meets Art

The Vienna platform for Social Sciences, interdisciplinary research and the dialogue between science, art, society and culture.

Visit sgemvienna.org
SWS Italy The Renaissance Reimagined
SWS Italy - The Renaissance Reimagined

Arts and Humanities, Renaissance Studies

The SGEM WORLD SCIENCE forum for Arts and Humanities in Italy, Florence and Bologna, focused on culture, history, heritage, literature, philosophy, art and humanistic research.

Visit sgemitaly.org

International Indexing & Global Visibility of Our Scientific Publications