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Subject: ART & HUMANITIES: Section Musicologyclear all
Showing 101-150 of 161 records
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

RENAISSANCE PERSPECTIVE, CARTOGRAPHY, AND THE BIRTH OF MODERN POLITICS

(STEF92 Technology, 2018, C. Habbar)

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The relationship between the emergence of linear perspective during the Renaissance and scientific cartography is well known. They both inaugurated and exhibited a new relationship to the world – a de-theologised world, which the human being was now able to measure and circumscribe. Linear perspective and cartography both enabled to frame the world in a window which we could from then onwards encompass, think, visualise, and view at a glance. “Framing” became the key operation of Renaissance art and science....

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

SENSORY ASPECTS OF ART THERAPY WORK WITH CLAY

(STEF92 Technology, 2018, Z. Tula-Krcmarikova, I. Lessner-Listiakova)

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In the therapeutic use of modelling from clay, effective factors of multisensory therapeutic approaches overlap with the principles and processes of art therapy. Clay as a medium offers various sensory stimuli, including dispersed touch, temperature and smell. These inputs may serve as triggers for memories or emotional associations and as means of change. Art therapy can intentionally work with the sensory qualities of the material realizing their potential in art-therapeutic creation. This qualitative study expl...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

STYLISTIC ASPECTS OF VOCAL INTERPRETATION IN THE CONTEXT OF NON-ART MUSIC

(STEF92 Technology, 2018, I. S. Pandiova)

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The paper draws attention to the stylistic aspects of vocal interpretation in the historical context of the genres and forms of non-art music. The increasingly wide range of genres, along with the unstoppable development of technology and the media, gave rise to the necessity of systematization and categorization in the field of non-art music. While classic vocal techniques characterized trained singers and performing artists, the folk singers, chansonniers, singers of couplets, of musicals and jazz went their own...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TECHNOLOGIES IN NOWADAYS JEWELRY IN LATVIA

(STEF92 Technology, 2018, I. RudzIte, S. Kukle)

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Within the framework of the scientific paper, the technologies used in the manufacture of jewelry in the last 13 years in Latvia have been studied; the research was carried out using the field research method. The data used is aggregated in the database created by the author and used in the Internet environment, which contains information about the jewelry created by Latvian authors, such as materials, photographs of jewelry and others. In the period until June 17, 2018, data on 857 photos of Latvian jewelry were ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TELEMANNВ’S ADVENT AND CHRISTMAS CANTATAS FROM HARMONISCHER GOTTES-DIENST, 1725-6 AND 1731-2

(STEF92 Technology, 2018, M. Buhaiciuc, L. L. S. Szabo)

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The following article is a structural analysis of TelemannВ’s Advent and Christmas Cantatas from the Harmonischer Gottes-Dienst, 1725-6 and 1731-2 liturgical years. The solo sacred cantatas are investigated in their context of Lutheran Liturgy, evaluating TelemannВ’s cantata form, the vocal Fach, the instrumentation and the text, thus offering a guide to singerВ’s performance. The outcome is a better understanding of TelemannВ’s choice for vocal expression. These collections stand as great recipes for acquiring me...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE AUDIENCE OF THE IV URAL INDUSTRIAL BIENNIAL OF CONTEMPORARY ART: CORE, PERIPHERY, AND PROSPECT

(STEF92 Technology, 2018, L. E. Petrova, K. A. Mitrofanova, I. A. Akhyamova)

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Introduction. The IV Ural Industrial Biennial of Contemporary Art was held in Ekaterinburg. It is one of the largest regional art projects with international participation introduced in Russia. Once in two years the biennial occupies non-exhibition spaces in Ekaterinburg and other cities of the Sverdlovsk region. The main topic of the IV biennial was “New Literacy”; and the concept was that the fourth industrial revolution in information and communication technologies had changed our lifestyle, work, dreams an...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE DYNAMICS OF THE SOUND AND THE MEANS OF OBTAINING A PERSONALISED MUSICAL MARK FOR THE CLASSICAL GUITAR

(STEF92 Technology, 2018, G. C. Voicescu)

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Research conducted so far by the influential representatives of the classical guitar’s development has left its mark in various historical periods with the help of musical works which mirror the evolution of the guitar itself, perfecting the means of musical expressivity, which creates identifiable and personalised musical languages. The blending of all the technical-dynamical nuances of the guitar includes the succession known as the ”fan” on the attacking angles, the choice on the longitudinal movement line...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE EMBODIMENT OF ETHNOMUSIC TRADITIONS IN THE CREATIVE WORK OF YOUNG COMPOSERS OF TATARSTAN

(STEF92 Technology, 2018, N. K. Nurgayanova, E. V. Kovrikova)

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In the national musical art of the 21st century, there is a tendency of active conversion to folklore, an interest in folk "roots" is increasing, and the study and expression of ethnic music traditions in composer creativity. Creating modern national works, young composers of Tatarstan boldly experiment: they combine different styles (electronics, rock, folk, country); ethnic instruments of the Tatars (kurai, dombra, kyl-kubyz) in combination with the classical symphonic orchestra are engaged, they conduct experim...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE RISK MANAGEMENT AND MUSEUMS. NEW CHALLENGERS FOR MUSEUMS IN THE CZECH REPUBLIC

(STEF92 Technology, 2018, M. Tomastik, E. Pfeffer, K. Vichova, T. Kvasnicka, S. Davcikova)

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Museums are essential memorial institutions that keep information about the lives of our ancestors. Museums are well-suited for collecting and preserving artifacts of all sorts. For long-term conservation of objects, it is essential that risk management processes are gradually introduced into the museum processes. Managers of the museums and cultural heritage managers regularly have to prioritize and decide how best to use available resources to protect collections, buildings, monuments and places. Firstly, that m...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE ROMANIAN MUSIC OF BYZANTINE TRADITION AND THE FOLKLORIC GENRE “DOINA”. STYLE FEATURES AND MELODIC CORRESPONDENCE

(STEF92 Technology, 2018, M. Rucsanda, A. Belibou)

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Over the centuries, the meeting between the religious music and the secular musical inheritance took place in various ways, some visible, other hidden. This paper aims to synthesise the correspondence between the Romanian byzantine music and В‘doinaВ’, identifying the reciprocal contaminations that came between the two genres. Both these genres represent cultural musical layers which could not be isolated, as they are interconnected by origin, vital space and destination. Although the similarities between В‘doinaВ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE SYMBOLISM OF THE MOUNTAIN IN THE EUROPEAN AND ROMANIAN SYMPHONIC CREATION CASE STUDY: RICHARD STRAUSS - ALPINE SYMPHONY AND CSIKY BOLDIZSAR - THE MOUNTAIN TONE POEM

(STEF92 Technology, 2018, M. Rusu, G. Dutica)

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Background: This analytical approach aims to accentuate the interconnections between two universes which are apparently in contradiction: ideal and pragmatic, or symbol and sound. The mountain – viewed as a place of creative inspiration – represents a leitmotif of creation in most of the artistic fields. Thus, literature, visual arts and music give this symbol a historical anchor in the artistic movements of all eras Methods: In order to exemplify a possible way of interference between the two philosophical ar...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE

(STEF92 Technology, 2018, G. Vlahopol)

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The subject is the key element, the basis of the structure of the fugue form due to its melodic, rhythmic, harmonic and polyphonic features. Even from the Baroque period, the development and the final entry were the sections with the most innovative constructive aspects due to a certain freedom given to the composer in the treatment of the theme, resulting in a multitude of ways to conceive them. In 20th-century music, this freedom becomes manifest in all musical parameters (melody, rhythm, key, writing etc.), but...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TRADITIONAL AND UNIVERSAL IN OUR FATHER MUSICAL WORK BY IRINA ODAGESCU

(STEF92 Technology, 2018, D. Cojocaru, M. Fratila, O. Velescu, I. Velescu, A. Rosu)

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Through her life dedicated to music, the composer Irina Od?gescu brought to Romanian culture a new breath of a genuine originality. Using a complex language, profoundly anchored in the modernity of the second part of the 20th century, her musical works are distinguished by an expression force that results from an inner experience that goes to the listener, managing to convince both specialists and music lovers. This particularity of her language is exceptionally highlighted in the choral work entitled Our Father, ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

VISUAL SPACE IN POLISH RENAISSANCE MUSIC

(STEF92 Technology, 2018, K. Szymanska-Stulka)

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Visual space and music seem to be the components of the real space, which are separated, and donВ’t come together but interaction of the rules of vision and sound can bring interesting research effects. I am convinced that the basis of visual arts can be adopted on the ground of music and deepen our knowledge about music of that time. In fact, visual and architectural space is around the composer and the listener. Moreover, it is experienced during musical performance and has a great impact on it. Areas of vision ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

VISUAL TRANSFORMATION OF THE NORM: TOWARD THE DIANE ARBUSВ’ В‘FREAKS SHOWВ’

(STEF92 Technology, 2018, I. Sakhno, V. Berest)

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This paper describes the photographic heritage of Diane Arbus in the context of visual overcoming and transformation of the norm. Interest in what most people would call outcasts, misfits and freaks as an accepted theme of the underground culture finds a new semiotic interpretation in the artistВ’s work. Inspired by Tod Browning's cult horror movie Freaks (1932), which featured an array of marginalized physical disabilities, Arbus creates her own freaks gallery (A Jewish giant at home with his parents in the Bronx...

ART & HUMANITIES: Section Performing & Visual Arts2018
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 419-426 pp, DOI:10.5593/SGE
Publication

3D AUDIO IN CINEMAS: A HIGH CREATIVE POTENTIAL FACES ITS LIMITS

(STEF92 Technology, 2017, Ch. Iseli, L. Doelle, M. Gerber)

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The introduction of 3D audio sound systems in commercial cinemas in 2012 aimed to revolutionize multichannel sound. A large number of loudspeakers increase spatial resolution, help to position sources more precisely and enable a three-dimensional sound experience. The new technology – mainly represented by the brands Dolby Atmos and Auro-3D – raises the question whether these new sound formats amount to a merely technical upgrade or whether the expanded possibilities of sound design lead to new ways of storyte...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 427-434 pp, DOI:10.5593/SGE
Publication

A TICKET FROM PERIPHERY TO THE OPERATIC UNIVERSE: WAGNER’S “RING” BY LATVIAN NATIONAL OPERA

(STEF92 Technology, 2017, L. Mellena-Bartkevica)

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The “Ring” cycle by Richard Wagner marked the bicentenary of the composer in Riga, the city he used to live and work for few years between 1837-39, bringing back the Latvian capital to the Wagnerian geography with contemporary opera productions staged between 2006 and 2013. The aim of the paper is to summarize the impact of the “Ring” project to the operatic culture of Latvia, to the international career development of young Latvian artists and cultural branding of Latvia, Riga and Latvians, showing the pr...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 309-316 pp, DOI:10.5593/SGE
Publication

AGGRESSION AND CATHARSIS IN THE WORK OF THE PAINTER FRANCIS BACON

(STEF92 Technology, 2017, A. Micu)

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The paper aims to highlight the main theories about catharsis, how this transformation occurs in the fine arts, some conclusions drawn from research in psychology that answer the question: what are the conditions under which the sublimation of aggression occurs (catharsis), and when this do not occur - in some cases there is a reverse effect - in fact, increase aggressiveness. The problem could be resolved by the psychologists rather than by aestheticians as follows: Under what circumstances and to what extent, th...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 435-442 pp, DOI:10.5593/SGE
Publication

CODES OF MUSICAL MODERNISM AND LATVIAN CONTEMPORARY MUSIC

(STEF92 Technology, 2017, I. Gintere)

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This article focuses on the cryptographic traits in Western avant-garde music, as well as in contemporary music in Latvia and its neighbouring countries. The contemporary cryptic trend in music differs from ancient cryptography as follows: unlike ancient cryptography, contemporary music has a double function, its code locks and unlocks the secret signs, and unlike creators of ancient crypts, contemporary composers are highly creative when inventing new code systems while avoiding, as much as possible, the traditio...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

COLOR AND COMMUNICATION

(STEF92 Technology, 2017, L. Blotto)

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The use of ochres and pigments, derived from vegetable and mineral world, to color parts or sometimes completely the skin of the body, is a practice still in use in many populations and ethnic groups of our planet. Anthropological research carried out on the oldest languages of the world has shown that in terminology there are names only for light and darkness, so for white and black. The third color that appears is red, which sums up the shades of pink, purple, purple and orange, and is psychologically linked dir...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 443-448 pp, DOI:10.5593/SGE
Publication

COMMUNICATION IN MUSIC THERAPY

(STEF92 Technology, 2017, A. Spatar)

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Without being exhaustive the study aims to theoretically investigate a few aspects of communication concept inherent to the use of music in Music Therapy. The meanings of the term and the modalities in which communication finds itself in todayВ’s different types of music therapy are explored in a reflective manner. Active and receptive forms of music therapy like Orff Music Therapy, Improvisational Music Therapy, Creative Music Therapy, Guided Imagery and Music but also archaic forms like Shamanism or Romanian Dis...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CONSERVATION OF CONTEMPORARY PAINTING: A COMPARTATIVE STUDY OF THE EFFECT OF DRY CLEANING TECHNIQUES

(STEF92 Technology, 2017, K. G. Cordova, R. Llamas-Pacheco, J. Valcarcel-Andres)

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The goal of this study is to determine the effectiveness of different erasers in performing dry cleaning on unvarnished monochrome samples (painted with acrylics, oils, alkyd oils and gouache). These samples are representative of the problem with modern monochrome works lacking any protective film that might prevent dirt from entering the paint surface--they require careful cleaning procedures taking into consideration the painting materials used, which in many cases are sensitive to certain solvents. For this rea...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 317-326 pp, DOI:10.5593/SGE
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CONTEMPORARY ALLIANCE OF ICON AND GOTHIC

(STEF92 Technology, 2017, J. Uscinowicz)

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This paper presents selected examples of interaction between East orthodox icon and West gothic architecture built after World War II period in Poland. It shows the process of evolution of traditional iconography conventions. It covers problems in art as well as new essential ideological aspects of symbolical and liturgical nature.

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CONTRASTIVE VIEWS ON THE NEOCLASSICAL TRIPLE CONCERTO FOR SOLOISTS AND ORCHESTRA: BOHUSLAV MARTINU AND PAUL CONSTANTINESCU

(STEF92 Technology, 2017, D. B. Andron)

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“Stylistic synchronism” and “aesthetic analogy” are two of the most spectacular phenomena in the dynamics of the present-day artistic world which may acquire special (and even paradoxical!) connotations when they manifest “spontaneously” – i.e. involving no deliberative/predetermined factors. In this context, non-intentionality and, respectively, the absence of any individual attempt to relate to an antecedent (alternative) reference enhances the importance of identifying the stylistic and language v...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CRISTIAN MISIEVICI, INTELLECT AND CREATIVE SENSITIVITY OR THE PREVALENCE OF A CONTEMPORARY CREATIVE ACT. OUTLINES OF A PORTRAIT

(STEF92 Technology, 2017, A. Sirbu)

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The portrait depicts the Romanian musician Cristian Misievici as an innovative, sensitive and intelligent composer as can be seen from his first works, the freshness of the techniques used serving the expression. Concerned with the sonorous time and space, the composer juggles with numerological symbolism and with the capacity of modal structures for metamorphosis. This is reflected in the use of proportions, symmetries and other laws of mathematical origin. The technicality of his language easily succeeds in avoi...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 327-334 pp, DOI:10.5593/SGE
Publication

CRITICAL REVIEW ON NEW FORMS OF SOCIALIZATION OF ART IN DIGITAL CULTURE

(STEF92 Technology, 2017, R. Blanco-Barrera, Y. Spinola-Elias)

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Since Prehistory, artistic representations have gained a key place in the understanding of everyday life, but in recent times there have been changes that affect, among others, to their original religious, social, political or educational functions. The main goal of this paper is to identify the most important and recent discourses of art following the hypothesis that there is a certain degree of dissociation between the functions of today art compared to those of its past based on its new forms of socialization w...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 409-416 pp, DOI:10.5593/SGE
Publication

“DECEPTION” IN CONTEMPORARY ART

(STEF92 Technology, 2017, L. Partin)

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In 2004, Peter Goldie accentuated a common feature of certain contemporary artworks and social psychology experiments: the „deception” of viewers and, respectively, of participants in the experiment. Peter Goldie uses the term „deception” for the strategy of social psychologists, because the entire experiment is based on a hoax (in Milgram’s experiment on obedience, for example). The participants fallaciously believe until the end of the event that they are taking part in a general knowledge test, playing b...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 335-340 pp, DOI:10.5593/SGE
Publication

DEVELOPING OF MOBILE MUSEUM GUIDE BASED ON BLUETOOTH-SENSORS

(STEF92 Technology, 2017, R. Malyushkin, A. Berezhkov)

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A subject of this article is a museum-visitor interaction that uses modern type of communication based on information technology. We have a great chance to implement a concept of the Internet of Things in museums and other buildings due to Bluetooth Low Energy technology. The Internet of Things presents a major opportunity for a large number of user applications that promise to improve interest to exhibitions and provides extra knowledge about museum objects and a digital extension into the physical world. The art...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 449-454 pp, DOI:10.5593/SGE
Publication

ETHNOCULTURAL ASPECT OF FILMTEXT AND ITS ROLE IN THE STUDY OF MATERIAL AND SPIRITUAL HERITAGE OF INDIGENOUS CULTURES (CASE STUDY OF FILMS OFELAS (1987) BY NILS GAUP AND CRANES OVER ILMEN (2005) BY NIKITA ARZHAKOV)

(STEF92 Technology, 2017, K. Fedorova, L. Bolshakova)

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The article studies the educational potential of filmtext as a source of ethnocultural information and means of intercultural dialogue. At present, the implementation of cultural dialogue often takes place in the space of one of the key phenomena of contemporary culture - the cinematic space. We approach the study by analyzing the filmtexts of two feature films that represent two forms of broadcast of cultural information within the screen: historical (Cranes over Ilmen by Nikita Arzhakov) and cultural (Ofelas by ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ETHNOMUSICAL TRADITIONS OF THE PEOPLES OF THE VOLGA REGION IN THE WORKS OF MODERN COMPOSERS OF TATARSTAN

(STEF92 Technology, 2017, E. V. Kovrikova, N. K. Nurgayanova, G. I. Batyrshina, L. G. Safiullina)

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Based on the analysis of the musical works this article deals with the peculiarities of the art of modern composers of the Republic of Tatarstan (Anatoly Luppov, Rashid Kalimullin, Leonid Lyubovsky), originally refracting the traditional musical material belonging to the radical ethnoses of the Volga region (the Slavic, Finno-Ugric and Turkic people). It is revealed that composers create highly artistic samples of symphonic, stage, chamber-instrumental, vocal and choral music on the basis of artistic-figurative, g...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

EXPRESSIVENESS OF MUSICAL LANGUAGE ELEMENTS IN ERWARTUNG BY ARNOLD SCHONBERG

(STEF92 Technology, 2017, M. D. Rucsanda, R. Pepelea)

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The Expressionism, a modern artistic and literary movement emerged at the beginning of the 20th century in Germany, is characterized by a strong tendency to express inner feelings sometimes irrational, through tension, drama, subjectivity. In this paper, we approach the issue of the lyric expressionist theater, here represented by Erwartung monodrama of the Austrian composer Arnold Schoenberg, presenting it both from the point of view of the diversity of means of accomplishment, as well as of the stylistic and exp...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

FEMININE TYPOLOGIES IN WAGNERВ’S OPERAS

(STEF92 Technology, 2017, G. Bulancea, E. T. Bulancea)

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By the total work of art (gesamtkunstwerk) Wagner brings the myth back into focus by illud tempus hoping that in doing so he will re-sacralise the present time and space. Within the framework of the myths he approaches, the present paper deals with the feminine characters whose role is decisive in the unfolding of the Wagnerian drama. Every female character fits a conventional typologies, the present study bringing into question more than twenty such characters. Far from proposing a rigid typology, this analysis o...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 341-348 pp, DOI:10.5593/SGE
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GALLERY EDUCATION: HOW GALLERY EDUCATORS APPROACH SPECIAL EDUCATION TEACHERS IN GALLERY SETTINGS?

(STEF92 Technology, 2017, B.M. Isa)

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This paper is part of an ongoing doctoral study that looks into the approaches employed by gallery educators at Balai Seni Visual Negara (BSVN) in conducting their educational programmes to a number of special education teachers from a school that specialises in special education. As such, the three primary aspects that function as the focus of the study are: i) perceptions of gallery educators upon the expectations of the school principal, the teachers, and the parents; ii) the organization of the programme in BS...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 455-462 pp, DOI:10.5593/SGE
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INTERNAL ECOLOGY AND PEDAGOGY OF MUSIC. MUSICAL FETISHISM AND “PREFABRICATION” OF YOUNG MUSICIANS

(STEF92 Technology, 2017, R. Belicova)

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The ecological functions of music play a very important role in the reception-aesthetics of music. From the perspective of the listener, reception aesthetics differentiates the so-called external and internal ecology of music. External ecology is understood as environmental and somatic aspects of listening to music. The categories of auditive environment and auditive culture, which have a mirror relationship to music culture, derive from external ecology of music. Internal ecology of music is a specific category w...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

INTERPRETIVE PRINCIPLES IN CHOPINВ’S ETUDES OP. 10

(STEF92 Technology, 2017, C. Raducanu)

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This paper presents the problem of performing some of the Chopin's Etudes op.10, keeping in mind the basic principles of pianistic interpretation. There are different aspects of interpretative parameters such as form, tempo, rhythm, sonority, phrasing, fingering, which taken together lead to a qualitative interpretation of any musical piece. The purpose of this article is not to offer an exhaustive writing on how to perform Chopin's Etudes op.10, but to present how to make use of those factors in order to achieve ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 349-354 pp, DOI:10.5593/SGE
Publication

MODERN SIBERIAN ARTISTS AS SUCCESSORS OF THE RUSSIAN POST AVANT-GARDE LEGACY

(STEF92 Technology, 2017, E. Baboshko)

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In the article, modern Siberian art is considered in terms of reflecting the concepts and styles of Russian post avant-garde, which covers all the artistic trends of the second half of the XX c. In the political and economic conditions of the second half of the XX c. the art in Russia was divided into “formal” and “informal”, which consequently caused developing and reflection the idea of the artistic and cultural protest in the artworks of the representatives of the “informal” art. The author’s task ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

NEW ART OF ICON IN A NEW CONTEMPORARY ORTHODOX ARCHITECTURE – APPLICATIONS VERSUS SYNTHESIS?

(STEF92 Technology, 2017, J. Uscinowicz)

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Poland, as cultural and religious borderlands which are now, as in the past, a part of Latin, West Roman-Catholic, Greek-Slavic and East Orthodox culture, is a good place to apply comparative analyses of art of both Christian Churches: the Eastern and Western one. This paper presents selected examples of interaction between architecture, iconography and theology in contemporary sacred art of the last decade in Poland. It also shows the process of evolution of traditional spatial and functional structures and appli...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 355-362 pp, DOI:10.5593/SGE
Publication

PHYLOSOPHIC-ARTISTIC ANALYSIS OF THE ARCHITECTURAL MONUMENT – THE MANSION OF P.I. GADALOV IN THE CITY OF KRASNOYARKS AS A METHOD OF STUDYING VISUAL ARTS

(STEF92 Technology, 2017, M. Moskaliuk, A. Kistova, V. Luzan, A. Grischenko, A. Filko)

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The modern big city is a space of visual signs. The key role is played by architecture, which, on the one hand, functions as reference points and guiding volumes, on the other hand, is able to influence the outlook and the state of the people passing by. In this connection, the question of how to identify the potential of architectural monuments as visual texts is important. The work is based on the method of philosophical and artistic analysis of works of architecture as a space of interaction of the viewer and t...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

PSALM 150 – TEXTUAL CONGRUITY IN THE HISTORY OF MUSIC

(STEF92 Technology, 2017, P. M. Coroiu, A. Belibou)

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The inquiry we propose starts from the premise that classical music composers approached the texts of the psalms written almost 3 millennia ago and they rediscovered their meanings in spite of the social, territorial, linguistic, and religious changes which took place throughout history. Analyzing the musical scores of those who appealed to the text of Psalm 150, the aim of our research is to observe the multiple ways in which the psalm is musically represented in the history of music. Despite the different musica...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 463-470 pp, DOI:10.5593/SGE
Publication

SOCIALIST REALISM IN SLOVAK MUSIC - WHY DID TOTALITARIAN REGIMES NEED MUSIC AESTHETICS?

(STEF92 Technology, 2017, S. Kopcakova)

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The paper discusses one of the most interesting historical landmarks in the development of Slovak Music Aesthetics – that of Socialist Realism. The period of constructive effort (normative aesthetics) followed by the normalization period, paradoxically quite indifferent in the attitude to the “scientific” exploring of aesthetics through the application of Marxist philosophy, make the focus of the study. The aesthetics of Socialist Realism (normative aesthetics) and movements in music culture in the second ha...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

SOFIA GUBAIDULINA’S “DEDICATION TO MARINA TSVETAEVA” AS THE EXAMPLE OF STAGINESS IN CHORAL PERFORMANCE

(STEF92 Technology, 2017, E. Dyganova, N. Shirieva, Z. Yavgildina)

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The article deals with the phenomenon of staginess in choral performance as an artistic device of enlivening academic music and stage performance. The authorsВ’ research attitude is based on the interpretation of staginess as an effective device of enhancing communicative character of music, which manifests itself in the choral arts through the union of music and words, in which words are the script of a composition. The research was carried out on the basis of the following methods: cultural and historical method...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 363-370 pp, DOI:10.5593/SGE
Publication

SOME ASPECTS REGARDING COLOR SCHEMES IN ORDER TO CREATE VISUAL ATTRACTIVE WEBSITES

(STEF92 Technology, 2017, S. Moisa, C. Salasan)

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It is essential to know how color choices influence people, the idea that there is one unique psychological reaction to certain colors being incorrect. Many of the reactions that color psychologists attribute to certain colors are based on personal experience. It is also interesting to note that many cultures have associations of colors with completely different interpretations. Therefore, we will explore some general associations that most people in Western cultures have as a response to certain colors. Although ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 371-378 pp, DOI:10.5593/SGE
Publication

SPECIFICS OF SIBERIAN IDENTITY IN THE CONTEXT OF FORMATION OF THE ARTISTIC CONCEPT “SIBERIA” IN THE WORKS OF KRASNOYARSK ARTIST ANTON DOVNAR

(STEF92 Technology, 2017, M. Kolesnik, N. Libakova, V. Luzan, N. Sergeeva, E. Sertakova)

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This article is devoted to the study of the concept “Siberia” and its specifics of visualization in paintings on the example of the contemporary Krasnoyarsk artist Anton Dovnar. Of particular interest is the fact that the authors propose to consider the concept of “Siberia” not on the verbal, but rather on the visual level. The relevance of the study is in determining the additional possibilities of forming a regional identity, in expanding the characteristics and content of the concept “Siberia” owing...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 379-386 pp, DOI:10.5593/SGE
Publication

STREET ART: IN SITU OR INSIDE

(STEF92 Technology, 2017, E. Stochino)

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This study focuses on the birth of the various methodologies concerning the conservation of Street Art. Due to the current commercial success of this artistic movement people have begun to ask how best to conserve the many contemporary artworks painted on walls. Street artists make use of different surfaces when creating their works: canvases, paper posters, stickers and billboards. For the preservation of all works painted on walls the course of action generally taken is to exhibit them in museums. The Smithsonia...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 471-476 pp, DOI:10.5593/SGE
Publication

STRUCTURAL ANALYSIS AND MUSICAL THINKING: A POSSIBLE METHOD FOR ENHANCING EXECUTIVE FUNCTIONS OF STUDENT PERFORMING ARTISTS

(STEF92 Technology, 2017, A. Preda-Ulita)

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It is a well-known fact that schenkerian principles of analysis and musical thinking open comprehensions of the musical works that are not reachable by using other methods of analysis. Breaking a piece down into manageable fragments and identifying strategies for sight reading, learning and memorizing are steps that have to be identified and completed that could be possibly leading to the development of the brain functions that are essential to instrument playing but also for the cognitive control of behavior. The...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE CONCEPT OF RUIN IN THE DIALOGUE WITH CONTEMPORARY ARTISTS

(STEF92 Technology, 2017, R. Llamas-Pacheco, de Sousa Jr., M. Anacleto)

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This paper presents the results of a research project seeking to assess how the several possibilities of a social psychology subject – the social representation of the subject – might contribute to the study of conservation and restoration, as well as to further analyse the relationships between the subjects involved in producing, promoting and preserving contemporary art: the artist, the public and the conservator-restorer. The study is part of a research project granted by the Spanish Ministry of Economics a...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 387-394 pp, DOI:10.5593/SGE
Publication

THE CURRICULUM OF ART EDUCATION IN PRIMARY SCHOOL AND EDUCATIONAL REALITY

(STEF92 Technology, 2017, J. Vasikova)

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In this contribution, sub outcomes of an empirical study dealing with the art teachers in primary education are presented. The aim of the research was to ensure teachers’ relationship between the curriculum of art education and educational reality. This research was conducted in two countries – the Czech Republic and Slovak Republic. The relationship between the teacher and the educational reality was established through questionnaire, addressed to teachers. We presented the research data verbally, using frequ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 477-484 pp, DOI:10.5593/SGE
Publication

THE FRICTION OF AESTHETICS AND NARRATIVE TAXONOMY IN 360? FILMS

(STEF92 Technology, 2017, A. Ceplitis)

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The fundamental raison d'être in the production of immersive technologies is the attainment of an absolute psychosomatic and physical embodiment, which Chris Milk, the founder of WITHIN application and a touted master per excellence in 360° video production, provides through his global digital platform where a sense “as if being there” is played out by many world’s VR creators. The hitch, however, for films shot in 360° space, is that their current narrative system as well as their visual configuration opp...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE MYTHOLOGICAL CHARACTERS FROM OVIDВ’S METAMORPHOSES IN BENJAMIN BRITTENВ’S PERSPECTIVE

(STEF92 Technology, 2017, D. Cojocaru, M. Fratila, O. Velescu, I. Velescu)

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Even now, 2,000 years after his disappearance, the Latin poet Ovidius Publius Naso continues to remain one of the most appreciated writers of verses that belong to the ancient Roman period. Considered to be one of the most influential sources of inspiration in European culture, Ovid's work and especially Metamorphoses stimulated the imagination of some of the greatest creators of universal culture in various artistic fields such as poetry, literature, visual arts, or music. In 1951, composer Benjamin Britten made ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 485-490 pp, DOI:10.5593/SGE
Publication

THE PSALMS OF DAVID – TEXTUAL CONSENSUS IN THE MUSIC OF THE 20TH CENTURY

(STEF92 Technology, 2017, P. M. Coroiu, A. Belibou)

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The research we propose starts from the premise that the classical music composers of the 20th century turned to religious texts written almost 3 millennia ago, and they rediscovered their essences in spite of the social, territorial, linguistic, and religious changes that took place throughout history. Despite the different musical composition techniques used or the origin of the composers, the subject of DavidВ’s Psalms is embodied in the work of some of the most prolific creators of the last century (Arnold Sch...

ART & HUMANITIES: Section Performing & Visual Arts2017
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