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Subject: ART & HUMANITIES: Section Musicologyclear all
Showing 101-150 of 225 records
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

VISUAL TRANSFORMATION OF THE NORM: TOWARD THE DIANE ARBUS’ ‘FREAKS SHOW’

(STEF92 Technology, 2018, I. Sakhno, V. Berest)

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This paper describes the photographic heritage of Diane Arbus in the context of visual overcoming and transformation of the norm. Interest in what most people would call outcasts, misfits and freaks as an accepted theme of the underground culture finds a new semiotic interpretation in the artist’s work. Inspired by Tod Browning's cult horror movie Freaks (1932), which featured an array of marginalized physical disabilities, Arbus creates her own freaks gallery (A Jewish giant at home with his parents in the Bronx,...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

FIRST EXPERIENCES OF CREATING MUSICAL SPACECLES IN THE TATARIAN THEATER IN THE CREATION OF SULTAN GABYASHI

(STEF92 Technology, 2018, N. K. Nurgayanova, A. R. Salikhova, D. R. Fardiyeva, E. M. Galimova)

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One of the first Tatar composers who stood at the origins of the national musical theater is Sultan Gabyashi (1891–1942). Active creative activity of the composer occurred in the 20-30s of the XX century, when the process of formation of professional musical art and education was in Tatarstan. The subject of this analysis is the musical performances of the Tatar composer Sultan Gabyashi. The study used Methods: cultural-historical method, value analysis, the study of scientific literature and music text. Music and...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ADAPTATION OF FOLKLORE SONGS FOR VOICE AND PIANO BY CONTEMPORARY SLOVAK COMPOSER PAVOL KRSKA.

(STEF92 Technology, 2018, Emilia Sadlonova)

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The author presents project, the aim of which is adaptation of folklore songs for voice and piano by contemporary Slovak composer Pavol Krška. The project is the result of pedagogical practice needs. All songs were composed for specific interpreters in the specific key e.g. a baritone. The project gives a chance to other voice groups of a tenor and a bas to include songs to their repertory. The same principle works also in case of the adaptation for female voices.

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ECONOMIC AND SOCIAL PERSPECTIVES OF THE FAMILY IN RENAISSANCE

(STEF92 Technology, 2018, Iulia Para, D. Stanciu)

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This paper aims to analyse the ways in which a marriage can be concluded in the case of rich and noble families, as well as in the case of the poor ones. Marriage habits are different, depending on the social and economic status, and most of these traditions prevail nowadays also. The institution of marriage will lead to a transformation of the sentimental imaginary, starting from the Middle Ages’ fin amor, played by the troubadours, to the pragmatic, interested relationship, focused on procreation and the transfe...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

CHARLES I: THE THEATRICAL FAREWELL

(STEF92 Technology, 2018, Dariya Khaustova)

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Charles I was the king of England, Scotland and Ireland, whose conflicts with the parliament provoked a civil war (1642–1651) and led to the execution of the king in 1649. Following his father, James I, who was fond of the architecture, theatre and music, Charles became the patron of the arts. James commissioned Inigo Jones, the first English classical architect, to construct the Banqueting House at Whitehall Palace. The House caused a sensation becoming the first truly classical building in London. It became the ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

STYLISTIC ASPECTS OF VOCAL INTERPRETATION IN THE CONTEXT OF NON-ART MUSIC

(STEF92 Technology, 2018, I. S. Pandiova)

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The paper draws attention to the stylistic aspects of vocal interpretation in the historical context of the genres and forms of non-art music. The increasingly wide range of genres, along with the unstoppable development of technology and the media, gave rise to the necessity of systematization and categorization in the field of non-art music. While classic vocal techniques characterized trained singers and performing artists, the folk singers, chansonniers, singers of couplets, of musicals and jazz went their own...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

INTERPRETATIVE AND COMPOSITION ARCHETIPAL RESONANCE OF THE CONTEMPORARY CREATIONS FOR THE SOLO CLARINET

(STEF92 Technology, 2018, Doru Albu, D. Paicu)

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This paper comes to present and highlight the works of three Romanian composers, who are or were professors at the Arts University "George Enescu" University, institution with 156 years of existence. It is about Sonante by Vasile Spatarelu, Invocations by Viorel Munteanu and Impressions from childhood composed by Bogdan Chirosca. All these works are recorded on the CD named The clarinet in the creation of composers from Iasi, [1]. In this scientific and artistic approach, we propose to present and decode three com...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVID’S PSALMS COMPOSED BY FRANZ LISZT

(STEF92 Technology, 2018, Alexandra Belibou, C. Petruta)

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In our paper we will talk about the diversity of religious expressions through the writings of psalms in Franz Liszt’s creation, that appears to us as a micro-cosmos of the romantic period, with an expressiveness that underlines the finest differences between possible human feelings in relation to Divinity. Glory, gentleness, hope, despair, all of these are typically valid human feelings, which David’s Psalms synthesize with grace, and Liszt has managed to faithfully voice. Franz Liszt chose to listen to the words...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TECHNOLOGIES IN NOWADAYS JEWELRY IN LATVIA

(STEF92 Technology, 2018, I. RudzIte, S. Kukle)

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Within the framework of the scientific paper, the technologies used in the manufacture of jewelry in the last 13 years in Latvia have been studied; the research was carried out using the field research method. The data used is aggregated in the database created by the author and used in the Internet environment, which contains information about the jewelry created by Latvian authors, such as materials, photographs of jewelry and others. In the period until June 17, 2018, data on 857 photos of Latvian jewelry were ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

INTERPRETATIVE CONSIDERATIONS IN THE CONCERT NO.1 FOR CLARINET AND ORCHESTRA COMPOSED BY CARL STAMITZ

(STEF92 Technology, 2018, Doru Albu, D. Paicu)

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In this study we propose to decode and to highlight the most important stylistic and interpretative landmarks of the Mannheim School, with emphasis on Concerto no. 1 for clarinet and orchestra, composed by Carl Stamitz. Carl Stamitz is considered the first composer which composed an impressive number of concerts for the clarinet – 11 concerts – with a special melodic quality and difficult technical problems for that time. However, little is known about his work. Alongside of the concerts no. 10 and 11, Concerto no...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE ROMANIAN MUSIC OF BYZANTINE TRADITION AND THE FOLKLORIC GENRE “DOINA”. STYLE FEATURES AND MELODIC CORRESPONDENCE

(STEF92 Technology, 2018, M. Rucsanda, A. Belibou)

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Over the centuries, the meeting between the religious music and the secular musical inheritance took place in various ways, some visible, other hidden. This paper aims to synthesise the correspondence between the Romanian byzantine music and ‘doina’, identifying the reciprocal contaminations that came between the two genres. Both these genres represent cultural musical layers which could not be isolated, as they are interconnected by origin, vital space and destination. Although the similarities between ‘doina’ an...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE DYNAMICS OF THE SOUND AND THE MEANS OF OBTAINING A PERSONALISED MUSICAL MARK FOR THE CLASSICAL GUITAR

(STEF92 Technology, 2018, G. C. Voicescu)

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Research conducted so far by the influential representatives of the classical guitar’s development has left its mark in various historical periods with the help of musical works which mirror the evolution of the guitar itself, perfecting the means of musical expressivity, which creates identifiable and personalised musical languages. The blending of all the technical-dynamical nuances of the guitar includes the succession known as the ”fan” on the attacking angles, the choice on the longitudinal movement line of t...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

REFERENCES TO THE ANCIENT ART AND HISTORY IN THE PROPAGANDA POSTERS OF WORLD WAR I

(STEF92 Technology, 2018, G. Gruew)

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World War I’s propaganda contained frequent references to the art and history of the past periods, what gave an opportunity to settle the struggle into the narrative frames of the history of mankind. By using such methods like naming the enemies as barbarians or predicting the dawn of empires, the recipients of propaganda were inspired to think about Ancient times as a natural cultural background of some countries and nations. In the propaganda posters there are plenty of recognizable references to the Assyrian, G...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MODERN RECEPTION OF THE MUSICIAN FRANCIS POULENC

(STEF92 Technology, 2018, L. V. Iatesen)

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What Francis Poulenc means for today’s listener? Successful musician of the 20th century, having a huge success with the public, the French artist, who was brought up and created in a fascinating musical and cultural environment, and whose sources of inspiration, creative directions, genres, styles, concepts of creative thought impress both professionals and the general audience. If we access the official website dedicated to his personality, we are provided with an overall view on the huge documentation around Po...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

FIGURES OF THE WOMAN IN THE RENAISSANCE

(STEF92 Technology, 2018, Iulia Para, D. Stanciu)

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The present paper is intended to be an analysis of the female ideal during the Renaissance period, respectively during the 14th-17th centuries, both in the realities of the times and in the art. The Italian Renaissance was inspired by Greek-Roman mythology, i.e. Olympus was fascinated by the goddess of beauty, Venus, as well as the ideal of the Middle Ages represented by Virgin Mary and Eve. Although the Church blames the feminine beauty as a source of sin, the prosperous Renaissance society divinises the beauty o...

ART & HUMANITIES: Section Performing & Visual Arts2018
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CONTRASTIVE VIEWS ON THE NEOCLASSICAL TRIPLE CONCERTO FOR SOLOISTS AND ORCHESTRA: BOHUSLAV MARTINU AND PAUL CONSTANTINESCU

(STEF92 Technology, 2017, D. B. Andron)

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“Stylistic synchronism” and “aesthetic analogy” are two of the most spectacular phenomena in the dynamics of the present-day artistic world which may acquire special (and even paradoxical!) connotations when they manifest “spontaneously” – i.e. involving no deliberative/predetermined factors. In this context, non-intentionality and, respectively, the absence of any individual attempt to relate to an antecedent (alternative) reference enhances the importance of identifying the stylistic and language vectors that sh...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 335-340 pp, DOI:10.5593/SGE
Publication

DEVELOPING OF MOBILE MUSEUM GUIDE BASED ON BLUETOOTH-SENSORS

(STEF92 Technology, 2017, R. Malyushkin, A. Berezhkov)

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A subject of this article is a museum-visitor interaction that uses modern type of communication based on information technology. We have a great chance to implement a concept of the Internet of Things in museums and other buildings due to Bluetooth Low Energy technology. The Internet of Things presents a major opportunity for a large number of user applications that promise to improve interest to exhibitions and provides extra knowledge about museum objects and a digital extension into the physical world. The art...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 409-416 pp, DOI:10.5593/SGE
Publication

“DECEPTION” IN CONTEMPORARY ART

(STEF92 Technology, 2017, L. Partin)

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In 2004, Peter Goldie accentuated a common feature of certain contemporary artworks and social psychology experiments: the „deception” of viewers and, respectively, of participants in the experiment. Peter Goldie uses the term „deception” for the strategy of social psychologists, because the entire experiment is based on a hoax (in Milgram’s experiment on obedience, for example). The participants fallaciously believe until the end of the event that they are taking part in a general knowledge test, playing by the p...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE WORLD OF THE ROMANIAN CAROL MIRRORED IN THREE PARTS FOR PIANO Op. 18 BY MIHAIL ANDRICU

(STEF92 Technology, 2017, D. Cojocaru)

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The synthesis between the national folk tradition and the European musical tradition was performed in the Romanian culture with the contribution of great creative personalities. This synthesis is carried out differently from one culture to another, from one composer to another, either by following traditions or by consolidating the original and relevant language, which resulted in the shaping up of the national musical folklore cultures of the XXth century. Three piano parts op. 18 composed in 1933 by composer Mih...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 427-434 pp, DOI:10.5593/SGE
Publication

A TICKET FROM PERIPHERY TO THE OPERATIC UNIVERSE: WAGNER’S “RING” BY LATVIAN NATIONAL OPERA

(STEF92 Technology, 2017, L. Mellena-Bartkevica)

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The “Ring” cycle by Richard Wagner marked the bicentenary of the composer in Riga, the city he used to live and work for few years between 1837-39, bringing back the Latvian capital to the Wagnerian geography with contemporary opera productions staged between 2006 and 2013. The aim of the paper is to summarize the impact of the “Ring” project to the operatic culture of Latvia, to the international career development of young Latvian artists and cultural branding of Latvia, Riga and Latvians, showing the progressin...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 419-426 pp, DOI:10.5593/SGE
Publication

3D AUDIO IN CINEMAS: A HIGH CREATIVE POTENTIAL FACES ITS LIMITS

(STEF92 Technology, 2017, Ch. Iseli, L. Doelle, M. Gerber)

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The introduction of 3D audio sound systems in commercial cinemas in 2012 aimed to revolutionize multichannel sound. A large number of loudspeakers increase spatial resolution, help to position sources more precisely and enable a three-dimensional sound experience. The new technology – mainly represented by the brands Dolby Atmos and Auro-3D – raises the question whether these new sound formats amount to a merely technical upgrade or whether the expanded possibilities of sound design lead to new ways of storytellin...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 455-462 pp, DOI:10.5593/SGE
Publication

INTERNAL ECOLOGY AND PEDAGOGY OF MUSIC. MUSICAL FETISHISM AND “PREFABRICATION” OF YOUNG MUSICIANS

(STEF92 Technology, 2017, R. Belicova)

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The ecological functions of music play a very important role in the reception-aesthetics of music. From the perspective of the listener, reception aesthetics differentiates the so-called external and internal ecology of music. External ecology is understood as environmental and somatic aspects of listening to music. The categories of auditive environment and auditive culture, which have a mirror relationship to music culture, derive from external ecology of music. Internal ecology of music is a specific category w...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 349-354 pp, DOI:10.5593/SGE
Publication

MODERN SIBERIAN ARTISTS AS SUCCESSORS OF THE RUSSIAN POST AVANT-GARDE LEGACY

(STEF92 Technology, 2017, E. Baboshko)

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In the article, modern Siberian art is considered in terms of reflecting the concepts and styles of Russian post avant-garde, which covers all the artistic trends of the second half of the XX c. In the political and economic conditions of the second half of the XX c. the art in Russia was divided into “formal” and “informal”, which consequently caused developing and reflection the idea of the artistic and cultural protest in the artworks of the representatives of the “informal” art. The author’s task is to study t...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

PSALM 150 – TEXTUAL CONGRUITY IN THE HISTORY OF MUSIC

(STEF92 Technology, 2017, P. M. Coroiu, A. Belibou)

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The inquiry we propose starts from the premise that classical music composers approached the texts of the psalms written almost 3 millennia ago and they rediscovered their meanings in spite of the social, territorial, linguistic, and religious changes which took place throughout history. Analyzing the musical scores of those who appealed to the text of Psalm 150, the aim of our research is to observe the multiple ways in which the psalm is musically represented in the history of music. Despite the different musica...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 341-348 pp, DOI:10.5593/SGE
Publication

GALLERY EDUCATION: HOW GALLERY EDUCATORS APPROACH SPECIAL EDUCATION TEACHERS IN GALLERY SETTINGS?

(STEF92 Technology, 2017, B.M. Isa)

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This paper is part of an ongoing doctoral study that looks into the approaches employed by gallery educators at Balai Seni Visual Negara (BSVN) in conducting their educational programmes to a number of special education teachers from a school that specialises in special education. As such, the three primary aspects that function as the focus of the study are: i) perceptions of gallery educators upon the expectations of the school principal, the teachers, and the parents; ii) the organization of the programme in BS...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 327-334 pp, DOI:10.5593/SGE
Publication

CRITICAL REVIEW ON NEW FORMS OF SOCIALIZATION OF ART IN DIGITAL CULTURE

(STEF92 Technology, 2017, R. Blanco-Barrera, Y. Spinola-Elias)

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Since Prehistory, artistic representations have gained a key place in the understanding of everyday life, but in recent times there have been changes that affect, among others, to their original religious, social, political or educational functions. The main goal of this paper is to identify the most important and recent discourses of art following the hypothesis that there is a certain degree of dissociation between the functions of today art compared to those of its past based on its new forms of socialization w...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 449-454 pp, DOI:10.5593/SGE
Publication

ETHNOCULTURAL ASPECT OF FILMTEXT AND ITS ROLE IN THE STUDY OF MATERIAL AND SPIRITUAL HERITAGE OF INDIGENOUS CULTURES (CASE STUDY OF FILMS OFELAS (1987) BY NILS GAUP AND CRANES OVER ILMEN (2005) BY NIKITA ARZHAKOV)

(STEF92 Technology, 2017, K. Fedorova, L. Bolshakova)

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The article studies the educational potential of filmtext as a source of ethnocultural information and means of intercultural dialogue. At present, the implementation of cultural dialogue often takes place in the space of one of the key phenomena of contemporary culture - the cinematic space. We approach the study by analyzing the filmtexts of two feature films that represent two forms of broadcast of cultural information within the screen: historical (Cranes over Ilmen by Nikita Arzhakov) and cultural (Ofelas by ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 471-476 pp, DOI:10.5593/SGE
Publication

STRUCTURAL ANALYSIS AND MUSICAL THINKING: A POSSIBLE METHOD FOR ENHANCING EXECUTIVE FUNCTIONS OF STUDENT PERFORMING ARTISTS

(STEF92 Technology, 2017, A. Preda-Ulita)

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It is a well-known fact that schenkerian principles of analysis and musical thinking open comprehensions of the musical works that are not reachable by using other methods of analysis. Breaking a piece down into manageable fragments and identifying strategies for sight reading, learning and memorizing are steps that have to be identified and completed that could be possibly leading to the development of the brain functions that are essential to instrument playing but also for the cognitive control of behavior. The...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE VAKHTANGOV THEATRE: THE STRATEGY OF SUCCESS

(STEF92 Technology, 2017, D. Khaustova)

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The Vakhtangov State Academic Theatre of Russia is one of the most known repertory drama theatres not only in Moscow and Russia but also in many countries of Europe, Asia and America. The creative life of the Vakhtangov theatre is rooted in the historical Russian culture, and at the same time it sets its gaze on the future. Just like Konstantin Stanislavsky, the world-known establisher of the Method, Evgeny Vakhtangov believed that the actor is the crucial element of any theatre performance. He also trusted that t...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 435-442 pp, DOI:10.5593/SGE
Publication

CODES OF MUSICAL MODERNISM AND LATVIAN CONTEMPORARY MUSIC

(STEF92 Technology, 2017, I. Gintere)

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This article focuses on the cryptographic traits in Western avant-garde music, as well as in contemporary music in Latvia and its neighbouring countries. The contemporary cryptic trend in music differs from ancient cryptography as follows: unlike ancient cryptography, contemporary music has a double function, its code locks and unlocks the secret signs, and unlike creators of ancient crypts, contemporary composers are highly creative when inventing new code systems while avoiding, as much as possible, the traditio...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 491-502 pp, DOI:10.5593/SGE
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THE ROLE OF THE TRANS-SPECTATOR IN DE(s)FIGURATION. PARTICIPATORY ART AND THE POLITICS OF SPECTATORSHIP

(STEF92 Technology, 2017, L. Beldean)

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My paper and instrumental theater piece explore the ways in which the binary norms of performance can be effectively questioned and replaced with an exercise of reflection on alternatives to normed approaches to performance.With De(s)Figuration, I propose to create a performance environment in which messages are no longer conveyed via traditional structures to traditional audiences. Instead, a community is created which engages in a social, rather than purely artistic, performance. The relationship between the per...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 387-394 pp, DOI:10.5593/SGE
Publication

THE CURRICULUM OF ART EDUCATION IN PRIMARY SCHOOL AND EDUCATIONAL REALITY

(STEF92 Technology, 2017, J. Vasikova)

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In this contribution, sub outcomes of an empirical study dealing with the art teachers in primary education are presented. The aim of the research was to ensure teachers´ relationship between the curriculum of art education and educational reality. This research was conducted in two countries – the Czech Republic and Slovak Republic. The relationship between the teacher and the educational reality was established through questionnaire, addressed to teachers. We presented the research data verbally, using frequency...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 503-512 pp, DOI:10.5593/SGE
Publication

THE SEQUENCE DIES IRAEIN THE ARTISTIC OUTPUT OF BAIRD, PENDERECKI AND MEYER

(STEF92 Technology, 2017, I.H. Swidnicka)

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The motif Dies Iraeis one of the most recognisable themes in music. Marked by its significant meaning, the musical quotation plays a symbolic role in a number of works of music. It became extremely popular with composers of the Romantic era (Berlioz, Liszt, Saint-Saëns) and later times (Honegger, Crumb). Some composers kept returning to it, sometimes nearly obsessively, in many of their works (Tchaikovsky, Shostakovich, Rachmaninoff). The sequence enjoys a major position in their music, as if it carried the load o...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 443-448 pp, DOI:10.5593/SGE
Publication

COMMUNICATION IN MUSIC THERAPY

(STEF92 Technology, 2017, A. Spatar)

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Without being exhaustive the study aims to theoretically investigate a few aspects of communication concept inherent to the use of music in Music Therapy. The meanings of the term and the modalities in which communication finds itself in today’s different types of music therapy are explored in a reflective manner. Active and receptive forms of music therapy like Orff Music Therapy, Improvisational Music Therapy, Creative Music Therapy, Guided Imagery and Music but also archaic forms like Shamanism or Romanian Disc...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ETHNOMUSICAL TRADITIONS OF THE PEOPLES OF THE VOLGA REGION IN THE WORKS OF MODERN COMPOSERS OF TATARSTAN

(STEF92 Technology, 2017, E. V. Kovrikova, N. K. Nurgayanova, G. I. Batyrshina, L. G. Safiullina)

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Based on the analysis of the musical works this article deals with the peculiarities of the art of modern composers of the Republic of Tatarstan (Anatoly Luppov, Rashid Kalimullin, Leonid Lyubovsky), originally refracting the traditional musical material belonging to the radical ethnoses of the Volga region (the Slavic, Finno-Ugric and Turkic people). It is revealed that composers create highly artistic samples of symphonic, stage, chamber-instrumental, vocal and choral music on the basis of artistic-figurative, g...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TYPOLOGIES OF THE SONATA FORM IN THE PIANO SONATAS OF FRANZ SCHUBERT - LANDMARKS OF CONTINUITY AND INNOVATING ELEMENTS

(STEF92 Technology, 2017, G. Vlahopol)

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“The typology of the classical sonata reflects, with distinct intensity, the great theme of the classical age: the art of leading musical ideas.” [1] After Beethoven, the sonata became an ideal of the composing conception, that could only be accessed by the creators following the “pure” music. Romanticism represented, on a certain level, a regression of rigorous structural organizational efforts in instrumental music, this decline being due to the views of romantic composers upon the tonal system, the relations of...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

WOMEN AND MUSIC IN THE CULTURAL SYSTEMS OF THE FAR EAST AND SOUTH EAST ASIA.

(STEF92 Technology, 2017, E. Vasilchenko)

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Scholars have lately displaying constantly growing interest in the role of the woman in music and in the specificity of women music making. These subjects are considered both in broad terms and as concrete phenomena. It seems to be expedient to try to combine the above subjects and by the example of a particular phenomenon – the Vietnamese female ca tru singing to trace some typological community with other traditions of female music making in countries of the Far East and partly South East Asia. Generally, three ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 317-326 pp, DOI:10.5593/SGE
Publication

CONTEMPORARY ALLIANCE OF ICON AND GOTHIC

(STEF92 Technology, 2017, J. Uscinowicz)

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This paper presents selected examples of interaction between East orthodox icon and West gothic architecture built after World War II period in Poland. It shows the process of evolution of traditional iconography conventions. It covers problems in art as well as new essential ideological aspects of symbolical and liturgical nature.

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 379-386 pp, DOI:10.5593/SGE
Publication

STREET ART: IN SITU OR INSIDE

(STEF92 Technology, 2017, E. Stochino)

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This study focuses on the birth of the various methodologies concerning the conservation of Street Art. Due to the current commercial success of this artistic movement people have begun to ask how best to conserve the many contemporary artworks painted on walls. Street artists make use of different surfaces when creating their works: canvases, paper posters, stickers and billboards. For the preservation of all works painted on walls the course of action generally taken is to exhibit them in museums. The Smithsonia...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 477-484 pp, DOI:10.5593/SGE
Publication

THE FRICTION OF AESTHETICS AND NARRATIVE TAXONOMY IN 360? FILMS

(STEF92 Technology, 2017, A. Ceplitis)

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The fundamental raison d'être in the production of immersive technologies is the attainment of an absolute psychosomatic and physical embodiment, which Chris Milk, the founder of WITHIN application and a touted master per excellence in 360° video production, provides through his global digital platform where a sense “as if being there” is played out by many world’s VR creators. The hitch, however, for films shot in 360° space, is that their current narrative system as well as their visual configuration oppose the ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

COLOR AND COMMUNICATION

(STEF92 Technology, 2017, L. Blotto)

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The use of ochres and pigments, derived from vegetable and mineral world, to color parts or sometimes completely the skin of the body, is a practice still in use in many populations and ethnic groups of our planet. Anthropological research carried out on the oldest languages of the world has shown that in terminology there are names only for light and darkness, so for white and black. The third color that appears is red, which sums up the shades of pink, purple, purple and orange, and is psychologically linked dir...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE MYTHOLOGICAL CHARACTERS FROM OVID’S METAMORPHOSES IN BENJAMIN BRITTEN’S PERSPECTIVE

(STEF92 Technology, 2017, D. Cojocaru, M. Fratila, O. Velescu, I. Velescu)

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Even now, 2,000 years after his disappearance, the Latin poet Ovidius Publius Naso continues to remain one of the most appreciated writers of verses that belong to the ancient Roman period. Considered to be one of the most influential sources of inspiration in European culture, Ovid's work and especially Metamorphoses stimulated the imagination of some of the greatest creators of universal culture in various artistic fields such as poetry, literature, visual arts, or music. In 1951, composer Benjamin Britten made ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TRADITION IN INNOVATION – NEW AND OLD SYMBOLS IN CONTEMPORARY ORTHODOX ICONOGRAPHY AND ARCHITECTURE

(STEF92 Technology, 2017, J. Uscinowicz)

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Two – thousandth years of history of Christianity proved that a main criterion of a value of church architecture was not based on architectural precursors. This architecture was sacred because it was a carrier of a „truth of God” and – like a liturgical mysterion and iconography art – it was a theological comment. It was a codified language of the transposes of religions essences and orders, into the form of architectural expression. This was in an East Christianity and this happens there up to this day. This pape...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 463-470 pp, DOI:10.5593/SGE
Publication

SOCIALIST REALISM IN SLOVAK MUSIC - WHY DID TOTALITARIAN REGIMES NEED MUSIC AESTHETICS?

(STEF92 Technology, 2017, S. Kopcakova)

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The paper discusses one of the most interesting historical landmarks in the development of Slovak Music Aesthetics – that of Socialist Realism. The period of constructive effort (normative aesthetics) followed by the normalization period, paradoxically quite indifferent in the attitude to the “scientific” exploring of aesthetics through the application of Marxist philosophy, make the focus of the study. The aesthetics of Socialist Realism (normative aesthetics) and movements in music culture in the second half of ...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 371-378 pp, DOI:10.5593/SGE
Publication

SPECIFICS OF SIBERIAN IDENTITY IN THE CONTEXT OF FORMATION OF THE ARTISTIC CONCEPT “SIBERIA” IN THE WORKS OF KRASNOYARSK ARTIST ANTON DOVNAR

(STEF92 Technology, 2017, M. Kolesnik, N. Libakova, V. Luzan, N. Sergeeva, E. Sertakova)

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This article is devoted to the study of the concept “Siberia” and its specifics of visualization in paintings on the example of the contemporary Krasnoyarsk artist Anton Dovnar. Of particular interest is the fact that the authors propose to consider the concept of “Siberia” not on the verbal, but rather on the visual level. The relevance of the study is in determining the additional possibilities of forming a regional identity, in expanding the characteristics and content of the concept “Siberia” owing to the vari...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

INTERPRETIVE PRINCIPLES IN CHOPIN’S ETUDES OP. 10

(STEF92 Technology, 2017, C. Raducanu)

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This paper presents the problem of performing some of the Chopin's Etudes op.10, keeping in mind the basic principles of pianistic interpretation. There are different aspects of interpretative parameters such as form, tempo, rhythm, sonority, phrasing, fingering, which taken together lead to a qualitative interpretation of any musical piece. The purpose of this article is not to offer an exhaustive writing on how to perform Chopin's Etudes op.10, but to present how to make use of those factors in order to achieve ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

EXPRESSIVENESS OF MUSICAL LANGUAGE ELEMENTS IN ERWARTUNG BY ARNOLD SCHONBERG

(STEF92 Technology, 2017, M. D. Rucsanda, R. Pepelea)

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The Expressionism, a modern artistic and literary movement emerged at the beginning of the 20th century in Germany, is characterized by a strong tendency to express inner feelings sometimes irrational, through tension, drama, subjectivity. In this paper, we approach the issue of the lyric expressionist theater, here represented by Erwartung monodrama of the Austrian composer Arnold Schoenberg, presenting it both from the point of view of the diversity of means of accomplishment, as well as of the stylistic and exp...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 403-408 pp, DOI:10.5593/SGE
Publication

THINGNESS AND MATERIALITY IN ANTONI TÀPIES’ MATTER PAINTINGS

(STEF92 Technology, 2017, M.H. Chen)

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The things of daily use and matters in contemporary art have been part of the creative process of numerous artists and the artworks themselves. The relationship between objects, matters, and creativity is multidimensional and has given rise to some of the most suggestive and fascinating artistic proposals of the last decades. In this article, we analyze the different dimensions and meanings that the objects and matters have acquired in the undertaking of artists. We will trace two major courses in what concerns th...

ART & HUMANITIES: Section Performing & Visual Arts2017
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 395-402 pp, DOI:10.5593/SGE
Publication

THE SCULPTURE-ENVIRONMENT AS A TERRITORIAL RESEARCH METHOD - THE REFLEXION OF THE MILIEU

(STEF92 Technology, 2017, Y.T. Wang)

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The sculpture-environment has developed since the 1970’s, and it in France particularly represents an artistic planning of territory that directs our attention to the relationship between people and their surroundings. A mesological point of view could be found in the way of planning oriented by interpreting the environment. And this interpretation refers to the mediance, a concept defined by Augustin Berque as a dynamic coupling of being and its milieu. Due to the eco-techno-symbolic perspectives, the concept opp...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TRANSFERRING TECHNOLOGY FROM THE REMOTELY PILOTED AIRCRAFT SYSTEMS (RPAS) INDUSTRY TO THE CREATIVE INDUSTRY: WHY AND WHAT FOR?

(STEF92 Technology, 2017, V. S. Campos, M. S. Ona, B. De Miguel Molina, M. De Miguel Molina)

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Although RPAS offer great advantages and creative possibilities, its use by the Creative Industries is still rare and focused on outdoor filming and photography. Until now, RPAS have been primarily designed for outdoor use by different end-users, in fields such as inspections, agriculture, real estate, security, etc. However, since existing RPAS lacks a precise, robust and affordable indoor positioning system as well as advanced safety features, the control of any RPAS in indoor environments is particularly diffic...

ART & HUMANITIES: Section Performing & Visual Arts2017
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