Scholarly record
CODES OF MUSICAL MODERNISM AND LATVIAN CONTEMPORARY MUSIC
Abstract
This article focuses on the cryptographic traits in Western avant-garde music, as well as in contemporary music in Latvia and its neighbouring countries. The contemporary cryptic trend in music differs from ancient cryptography as follows: unlike ancient cryptography, contemporary music has a double function, its code locks and unlocks the secret signs, and unlike creators of ancient crypts, contemporary composers are highly creative when inventing new code systems while avoiding, as much as possible, the traditional ones. This paper also analyses contemporary musical cryptography in relation to modernism in art in general. It points out that the cryptic tendency in music has its roots in the modernistic conception that perceives art as a veiled zone that requires an intellectual initiation in the form of knowledge in order to be entered.
Publication Impact Profile
Publication details
ReferencesPending
Structured references will appear here after the reference import pass. The count is preserved now so the scholarly record is not incomplete.
View or Download full articleAccess options
SWS access login
Login as SWS Scientific CommitteeLogin as SWS Scientific PartnerLogin as SWS AuthorAuthors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.
For librarian assistance: [email protected]
Purchase Instant Access
- Article can be downloaded after successful payment.
- Article may be used according to SWS library access terms.
- Article cannot be redistributed.