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The aim of this study is to identify the educational function of art criticism. The importance of the problem is in unrealized educational potential of art criticism in the field of publication activity, in the need for clear principles of creating the educational effect in the texts of art critics. Historiography of art is represented by the works of such European scholars as Hans Sedlmayr, Germain Bazin. In Russian historiography this issue was explored by scholars V. S. Turchin, V. P. Shestakov and V. G. Arslan...

Providing opportunities of lifelong learning is the actual problem of modern system of training in the field of education. The last research to achieve the lifelong learning allowed to set that it is not only the articulation between all the existing institutions with administrative measures which could include high school and training system. The matter of this appearance is providing for individ the problem area for a continuous process of self-realization and creative self-development. In our research work the ...

“Global tenderness” by F. M. Dostoyevsky, the idea of “overallunity” by V. S. Solovyev and other Russian thinkers make traditional basis of Russian culture. The main features of Russian national character are constant desire and ability to promptly turn “foreign in own” and, in addition to their own discoveries, foreign borrowing also transform in the “primordial beginnings”, and privately ideas give universal content. A. A. Bogdanov — one of the most original XX century Russian thinkers — aspired to the system kn...

This paper presents selected examples of interaction between East orthodox icon and West gothic architecture built after World War II period in Poland. It shows the process of evolution of traditional iconography conventions. It covers problems in art as well as new essential ideological aspects of symbolical and liturgical nature.

Today's world of architecture and art is more frequently separated from transcendence. The pressure of the pragmatism of a sign brutally annuls imagination. The language of symbols seems to be dying out. The victory of semiology, analytical rationalism and the reign of information communication are all the effects of the triumph of a sign over a symbol. The art of architecture, especially its sacral variety, ought to remain symbolic if it wants to be permanent and eternal. So, if it is expected to be the authentic...

The social dimension of state culture and art at the regional level is an important task of the state and involves the assessment of the quality of services once a year for several cultural organizations. We propose a unified model of independent assessment of the quality of services of organizations of culture using the automated information system of accounting of three metrics: opinions of recipients of services, and the availability of information on two official websites of the organization. The results of th...

This utopian thought that everything should be beautiful is seemingly simple to prove. But if everything was beautiful, what would the rest be? Again, you have to start with the words of a philosopher far from simplicity. We can start with Friedrich Schiller’s contradictory statement that “Beauty (...) is a form that does not require any explanation, or is a form that can be explained without concepts.” For an architect detached from any explanation of the philosophers it can be difficult. However, we would like t...

Only intensified technological acceleration is capable to provide sustainable development in conditions when annually the number of consumers of culture increases almost by 100 million people. Effective methods of art have to change essentially in these conditions. The analysis of the main lines of topical art process allows to conclude that the replication becomes a basis of preservation and expansion of experience, and the art sphere turns into space of copies. It is possible to see rather clear tendency to fadi...

The Rose was the first purpose-built theatre on London Bankside. The playhouse was erected in 1587 as a theatre of Philip Henslowe. At the end of the XVI century, the Lord Admiral's Men moved to the Rose playhouse and performed there, attracting audiences, becoming popular and eventually prosperous. Rose’s repertory included plays of Marlowe, and Shakespeare. The Rose’s success encouraged other theatres to be built on Bankside; these new theatres overtook the Rose, which had been abandoned by 1606. The Globe becam...