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Search: 978-619-7408-24-9Year: 2017Subject: ART & HUMANITIES: Section Performing & Visual Artsclear all
Showing 1-20 of 20 records
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4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CONTRASTIVE VIEWS ON THE NEOCLASSICAL TRIPLE CONCERTO FOR SOLOISTS AND ORCHESTRA: BOHUSLAV MARTINU AND PAUL CONSTANTINESCU

(STEF92 Technology, 2017, D. B. Andron)

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“Stylistic synchronism” and “aesthetic analogy” are two of the most spectacular phenomena in the dynamics of the present-day artistic world which may acquire special (and even paradoxical!) connotations when they manifest “spontaneously” – i.e. involving no deliberative/predetermined factors. In this context, non-intentionality and, respectively, the absence of any individual attempt to relate to an antecedent (alternative) reference enhances the importance of identifying the stylistic and language vectors that sh...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE WORLD OF THE ROMANIAN CAROL MIRRORED IN THREE PARTS FOR PIANO Op. 18 BY MIHAIL ANDRICU

(STEF92 Technology, 2017, D. Cojocaru)

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The synthesis between the national folk tradition and the European musical tradition was performed in the Romanian culture with the contribution of great creative personalities. This synthesis is carried out differently from one culture to another, from one composer to another, either by following traditions or by consolidating the original and relevant language, which resulted in the shaping up of the national musical folklore cultures of the XXth century. Three piano parts op. 18 composed in 1933 by composer Mih...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

PSALM 150 – TEXTUAL CONGRUITY IN THE HISTORY OF MUSIC

(STEF92 Technology, 2017, P. M. Coroiu, A. Belibou)

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The inquiry we propose starts from the premise that classical music composers approached the texts of the psalms written almost 3 millennia ago and they rediscovered their meanings in spite of the social, territorial, linguistic, and religious changes which took place throughout history. Analyzing the musical scores of those who appealed to the text of Psalm 150, the aim of our research is to observe the multiple ways in which the psalm is musically represented in the history of music. Despite the different musica...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE VAKHTANGOV THEATRE: THE STRATEGY OF SUCCESS

(STEF92 Technology, 2017, D. Khaustova)

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The Vakhtangov State Academic Theatre of Russia is one of the most known repertory drama theatres not only in Moscow and Russia but also in many countries of Europe, Asia and America. The creative life of the Vakhtangov theatre is rooted in the historical Russian culture, and at the same time it sets its gaze on the future. Just like Konstantin Stanislavsky, the world-known establisher of the Method, Evgeny Vakhtangov believed that the actor is the crucial element of any theatre performance. He also trusted that t...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ETHNOMUSICAL TRADITIONS OF THE PEOPLES OF THE VOLGA REGION IN THE WORKS OF MODERN COMPOSERS OF TATARSTAN

(STEF92 Technology, 2017, E. V. Kovrikova, N. K. Nurgayanova, G. I. Batyrshina, L. G. Safiullina)

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Based on the analysis of the musical works this article deals with the peculiarities of the art of modern composers of the Republic of Tatarstan (Anatoly Luppov, Rashid Kalimullin, Leonid Lyubovsky), originally refracting the traditional musical material belonging to the radical ethnoses of the Volga region (the Slavic, Finno-Ugric and Turkic people). It is revealed that composers create highly artistic samples of symphonic, stage, chamber-instrumental, vocal and choral music on the basis of artistic-figurative, g...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TYPOLOGIES OF THE SONATA FORM IN THE PIANO SONATAS OF FRANZ SCHUBERT - LANDMARKS OF CONTINUITY AND INNOVATING ELEMENTS

(STEF92 Technology, 2017, G. Vlahopol)

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“The typology of the classical sonata reflects, with distinct intensity, the great theme of the classical age: the art of leading musical ideas.” [1] After Beethoven, the sonata became an ideal of the composing conception, that could only be accessed by the creators following the “pure” music. Romanticism represented, on a certain level, a regression of rigorous structural organizational efforts in instrumental music, this decline being due to the views of romantic composers upon the tonal system, the relations of...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

WOMEN AND MUSIC IN THE CULTURAL SYSTEMS OF THE FAR EAST AND SOUTH EAST ASIA.

(STEF92 Technology, 2017, E. Vasilchenko)

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Scholars have lately displaying constantly growing interest in the role of the woman in music and in the specificity of women music making. These subjects are considered both in broad terms and as concrete phenomena. It seems to be expedient to try to combine the above subjects and by the example of a particular phenomenon – the Vietnamese female ca tru singing to trace some typological community with other traditions of female music making in countries of the Far East and partly South East Asia. Generally, three ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

COLOR AND COMMUNICATION

(STEF92 Technology, 2017, L. Blotto)

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The use of ochres and pigments, derived from vegetable and mineral world, to color parts or sometimes completely the skin of the body, is a practice still in use in many populations and ethnic groups of our planet. Anthropological research carried out on the oldest languages of the world has shown that in terminology there are names only for light and darkness, so for white and black. The third color that appears is red, which sums up the shades of pink, purple, purple and orange, and is psychologically linked dir...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE MYTHOLOGICAL CHARACTERS FROM OVID’S METAMORPHOSES IN BENJAMIN BRITTEN’S PERSPECTIVE

(STEF92 Technology, 2017, D. Cojocaru, M. Fratila, O. Velescu, I. Velescu)

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Even now, 2,000 years after his disappearance, the Latin poet Ovidius Publius Naso continues to remain one of the most appreciated writers of verses that belong to the ancient Roman period. Considered to be one of the most influential sources of inspiration in European culture, Ovid's work and especially Metamorphoses stimulated the imagination of some of the greatest creators of universal culture in various artistic fields such as poetry, literature, visual arts, or music. In 1951, composer Benjamin Britten made ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TRADITION IN INNOVATION – NEW AND OLD SYMBOLS IN CONTEMPORARY ORTHODOX ICONOGRAPHY AND ARCHITECTURE

(STEF92 Technology, 2017, J. Uscinowicz)

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Two – thousandth years of history of Christianity proved that a main criterion of a value of church architecture was not based on architectural precursors. This architecture was sacred because it was a carrier of a „truth of God” and – like a liturgical mysterion and iconography art – it was a theological comment. It was a codified language of the transposes of religions essences and orders, into the form of architectural expression. This was in an East Christianity and this happens there up to this day. This pape...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

INTERPRETIVE PRINCIPLES IN CHOPIN’S ETUDES OP. 10

(STEF92 Technology, 2017, C. Raducanu)

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This paper presents the problem of performing some of the Chopin's Etudes op.10, keeping in mind the basic principles of pianistic interpretation. There are different aspects of interpretative parameters such as form, tempo, rhythm, sonority, phrasing, fingering, which taken together lead to a qualitative interpretation of any musical piece. The purpose of this article is not to offer an exhaustive writing on how to perform Chopin's Etudes op.10, but to present how to make use of those factors in order to achieve ...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

EXPRESSIVENESS OF MUSICAL LANGUAGE ELEMENTS IN ERWARTUNG BY ARNOLD SCHONBERG

(STEF92 Technology, 2017, M. D. Rucsanda, R. Pepelea)

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The Expressionism, a modern artistic and literary movement emerged at the beginning of the 20th century in Germany, is characterized by a strong tendency to express inner feelings sometimes irrational, through tension, drama, subjectivity. In this paper, we approach the issue of the lyric expressionist theater, here represented by Erwartung monodrama of the Austrian composer Arnold Schoenberg, presenting it both from the point of view of the diversity of means of accomplishment, as well as of the stylistic and exp...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

TRANSFERRING TECHNOLOGY FROM THE REMOTELY PILOTED AIRCRAFT SYSTEMS (RPAS) INDUSTRY TO THE CREATIVE INDUSTRY: WHY AND WHAT FOR?

(STEF92 Technology, 2017, V. S. Campos, M. S. Ona, B. De Miguel Molina, M. De Miguel Molina)

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Although RPAS offer great advantages and creative possibilities, its use by the Creative Industries is still rare and focused on outdoor filming and photography. Until now, RPAS have been primarily designed for outdoor use by different end-users, in fields such as inspections, agriculture, real estate, security, etc. However, since existing RPAS lacks a precise, robust and affordable indoor positioning system as well as advanced safety features, the control of any RPAS in indoor environments is particularly diffic...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE CONCEPT OF RUIN IN THE DIALOGUE WITH CONTEMPORARY ARTISTS

(STEF92 Technology, 2017, R. Llamas-Pacheco, de Sousa Jr., M. Anacleto)

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This paper presents the results of a research project seeking to assess how the several possibilities of a social psychology subject – the social representation of the subject – might contribute to the study of conservation and restoration, as well as to further analyse the relationships between the subjects involved in producing, promoting and preserving contemporary art: the artist, the public and the conservator-restorer. The study is part of a research project granted by the Spanish Ministry of Economics and C...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

NEW ART OF ICON IN A NEW CONTEMPORARY ORTHODOX ARCHITECTURE – APPLICATIONS VERSUS SYNTHESIS?

(STEF92 Technology, 2017, J. Uscinowicz)

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Poland, as cultural and religious borderlands which are now, as in the past, a part of Latin, West Roman-Catholic, Greek-Slavic and East Orthodox culture, is a good place to apply comparative analyses of art of both Christian Churches: the Eastern and Western one. This paper presents selected examples of interaction between architecture, iconography and theology in contemporary sacred art of the last decade in Poland. It also shows the process of evolution of traditional spatial and functional structures and appli...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CRISTIAN MISIEVICI, INTELLECT AND CREATIVE SENSITIVITY OR THE PREVALENCE OF A CONTEMPORARY CREATIVE ACT. OUTLINES OF A PORTRAIT

(STEF92 Technology, 2017, A. Sirbu)

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The portrait depicts the Romanian musician Cristian Misievici as an innovative, sensitive and intelligent composer as can be seen from his first works, the freshness of the techniques used serving the expression. Concerned with the sonorous time and space, the composer juggles with numerological symbolism and with the capacity of modal structures for metamorphosis. This is reflected in the use of proportions, symmetries and other laws of mathematical origin. The technicality of his language easily succeeds in avoi...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

CONSERVATION OF CONTEMPORARY PAINTING: A COMPARTATIVE STUDY OF THE EFFECT OF DRY CLEANING TECHNIQUES

(STEF92 Technology, 2017, K. G. Cordova, R. Llamas-Pacheco, J. Valcarcel-Andres)

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The goal of this study is to determine the effectiveness of different erasers in performing dry cleaning on unvarnished monochrome samples (painted with acrylics, oils, alkyd oils and gouache). These samples are representative of the problem with modern monochrome works lacking any protective film that might prevent dirt from entering the paint surface--they require careful cleaning procedures taking into consideration the painting materials used, which in many cases are sensitive to certain solvents. For this rea...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

THE ROSE AND THE GLOBE PLAYHOUSES: WHICH FORTUNE IS BETTER?

(STEF92 Technology, 2017, D. Khaustova)

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The Rose was the first purpose-built theatre on London Bankside. The playhouse was erected in 1587 as a theatre of Philip Henslowe. At the end of the XVI century, the Lord Admiral's Men moved to the Rose playhouse and performed there, attracting audiences, becoming popular and eventually prosperous. Rose’s repertory included plays of Marlowe, and Shakespeare. The Rose’s success encouraged other theatres to be built on Bankside; these new theatres overtook the Rose, which had been abandoned by 1606. The Globe becam...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

SOFIA GUBAIDULINA’S “DEDICATION TO MARINA TSVETAEVA” AS THE EXAMPLE OF STAGINESS IN CHORAL PERFORMANCE

(STEF92 Technology, 2017, E. Dyganova, N. Shirieva, Z. Yavgildina)

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The article deals with the phenomenon of staginess in choral performance as an artistic device of enlivening academic music and stage performance. The authors’ research attitude is based on the interpretation of staginess as an effective device of enhancing communicative character of music, which manifests itself in the choral arts through the union of music and words, in which words are the script of a composition. The research was carried out on the basis of the following methods: cultural and historical method,...

ART & HUMANITIES: Section Performing & Visual Arts2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

FEMININE TYPOLOGIES IN WAGNER’S OPERAS

(STEF92 Technology, 2017, G. Bulancea, E. T. Bulancea)

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By the total work of art (gesamtkunstwerk) Wagner brings the myth back into focus by illud tempus hoping that in doing so he will re-sacralise the present time and space. Within the framework of the myths he approaches, the present paper deals with the feminine characters whose role is decisive in the unfolding of the Wagnerian drama. Every female character fits a conventional typologies, the present study bringing into question more than twenty such characters. Far from proposing a rigid typology, this analysis o...

ART & HUMANITIES: Section Performing & Visual Arts2017
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