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Year: 2018Subject: ART & HUMANITIES: Section Musicologyclear all
Showing 1-33 of 33 records
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5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

A MATHEMATICAL MODEL OF ANALYSING HEPTACHORDAL CHROMATIC MODES

(STEF92 Technology, 2018, G. Bulancea)

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The current study carries further the research initiated in another article published in 2010, entitled Mathematical models for analysing diatonic modes. This research naturally completes the other by the supplementary approach of the chromatic musical modes. Only one of the two analysis models presented then will be selected, the latter one. The former model employed in the previous study does not display any applicability when it comes to chromatic modes. The latter model, which was initially applied only to dia...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ADAPTATION OF FOLKLORE SONGS FOR VOICE AND PIANO BY CONTEMPORARY SLOVAK COMPOSER PAVOL KRSKA.

(STEF92 Technology, 2018, Emilia Sadlonova)

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The author presents project, the aim of which is adaptation of folklore songs for voice and piano by contemporary Slovak composer Pavol KrВљka. The project is the result of pedagogical practice needs. All songs were composed for specific interpreters in the specific key e.g. a baritone. The project gives a chance to other voice groups of a tenor and a bas to include songs to their repertory. The same principle works also in case of the adaptation for female voices.

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ASPECTS OF MUSICAL LIFE IN BRASOV–BARSA LAND, TRANSYLVANIA, DURING THE RENAISSANCE PERIOD

(STEF92 Technology, 2018, D. C. Ibanescu)

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This research aims to mirror how the Renaissance musical life was manifested in Brasov-B?rsa Land, a specific area of Transylvania that has demonstrated its European vocation, from the old to the present day. Although Brasov and B?rsa Land didn`t play a major role during the Renaissance, the importance and the increasing amplitude gained by music leads to the development of certain music schools, centres, of special significance in the history of Transylvanian artistic culture. In Brasov, during the Principality o...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

CHARLES I: THE THEATRICAL FAREWELL

(STEF92 Technology, 2018, Dariya Khaustova)

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Charles I was the king of England, Scotland and Ireland, whose conflicts with the parliament provoked a civil war (1642–1651) and led to the execution of the king in 1649. Following his father, James I, who was fond of the architecture, theatre and music, Charles became the patron of the arts. James commissioned Inigo Jones, the first English classical architect, to construct the Banqueting House at Whitehall Palace. The House caused a sensation becoming the first truly classical building in London. It became th...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

CONCEPTUAL PREVISIONARY STYLES OF THE MUSICAL INTERPRETATIVE PHENOMENON OF THE CLASSICAL GUITAR

(STEF92 Technology, 2018, G. C. Voicescu)

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Through the implementation of the stylistic and conceptual plan, the guitarist is able to establish on an experimental basis the phenomenological issues which will then be solved gradually since the preliminary phase of reading at first sight. The simplification of the double comprehension, first achieved by the performer through the establishment of the previsionary traits of the imaginative-interpretative plan, both conceptual and stylistic, and then by the receiver, must contain the inverted decryption key for ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ECONOMIC AND SOCIAL PERSPECTIVES OF THE FAMILY IN RENAISSANCE

(STEF92 Technology, 2018, Iulia Para, D. Stanciu)

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This paper aims to analyse the ways in which a marriage can be concluded in the case of rich and noble families, as well as in the case of the poor ones. Marriage habits are different, depending on the social and economic status, and most of these traditions prevail nowadays also. The institution of marriage will lead to a transformation of the sentimental imaginary, starting from the Middle AgesВ’ fin amor, played by the troubadours, to the pragmatic, interested relationship, focused on procreation and the transf...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ELEMENTS OF HERMENEUTICAL ANALYSIS IN THE MUSICAL REPRESENTATIONS OF DAVIDВ’S PSALMS COMPOSED BY FRANZ LISZT

(STEF92 Technology, 2018, Alexandra Belibou, C. Petruta)

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In our paper we will talk about the diversity of religious expressions through the writings of psalms in Franz LisztВ’s creation, that appears to us as a micro-cosmos of the romantic period, with an expressiveness that underlines the finest differences between possible human feelings in relation to Divinity. Glory, gentleness, hope, despair, all of these are typically valid human feelings, which DavidВ’s Psalms synthesize with grace, and Liszt has managed to faithfully voice. Franz Liszt chose to listen to the wor...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

FIGURES OF THE WOMAN IN THE RENAISSANCE

(STEF92 Technology, 2018, Iulia Para, D. Stanciu)

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The present paper is intended to be an analysis of the female ideal during the Renaissance period, respectively during the 14th-17th centuries, both in the realities of the times and in the art. The Italian Renaissance was inspired by Greek-Roman mythology, i.e. Olympus was fascinated by the goddess of beauty, Venus, as well as the ideal of the Middle Ages represented by Virgin Mary and Eve. Although the Church blames the feminine beauty as a source of sin, the prosperous Renaissance society divinises the beauty o...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

FIRST EXPERIENCES OF CREATING MUSICAL SPACECLES IN THE TATARIAN THEATER IN THE CREATION OF SULTAN GABYASHI

(STEF92 Technology, 2018, N. K. Nurgayanova, A. R. Salikhova, D. R. Fardiyeva, E. M. Galimova)

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One of the first Tatar composers who stood at the origins of the national musical theater is Sultan Gabyashi (1891–1942). Active creative activity of the composer occurred in the 20-30s of the XX century, when the process of formation of professional musical art and education was in Tatarstan. The subject of this analysis is the musical performances of the Tatar composer Sultan Gabyashi. The study used Methods: cultural-historical method, value analysis, the study of scientific literature and music text. Music a...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

GIFITI AS A HYBRID GENRE OF NEW MEDIA ART

(STEF92 Technology, 2018, Oksana M. Landiak)

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In the article the specificity of gifit? as a hybrid genre of New Media Art is investigated. The scientific novelty of the work consists in revealing the main genre characteristics of gifit? as the newest hybrid artifact in the contemporary audiovisual culture, as well as outlining the development prospects of this phenomenon within the New Media Art. The methodology of the research is based on using the genre concepts which sharpen the attention to the processes of hybridization in the contemporary genre generati...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

INTERPRETATIVE AND COMPOSITION ARCHETIPAL RESONANCE OF THE CONTEMPORARY CREATIONS FOR THE SOLO CLARINET

(STEF92 Technology, 2018, Doru Albu, D. Paicu)

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This paper comes to present and highlight the works of three Romanian composers, who are or were professors at the Arts University "George Enescu" University, institution with 156 years of existence. It is about Sonante by Vasile Spatarelu, Invocations by Viorel Munteanu and Impressions from childhood composed by Bogdan Chirosca. All these works are recorded on the CD named The clarinet in the creation of composers from Iasi, [1]. In this scientific and artistic approach, we propose to present and decode three com...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

INTERPRETATIVE CONSIDERATIONS IN THE CONCERT NO.1 FOR CLARINET AND ORCHESTRA COMPOSED BY CARL STAMITZ

(STEF92 Technology, 2018, Doru Albu, D. Paicu)

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In this study we propose to decode and to highlight the most important stylistic and interpretative landmarks of the Mannheim School, with emphasis on Concerto no. 1 for clarinet and orchestra, composed by Carl Stamitz. Carl Stamitz is considered the first composer which composed an impressive number of concerts for the clarinet – 11 concerts – with a special melodic quality and difficult technical problems for that time. However, little is known about his work. Alongside of the concerts no. 10 and 11, Concert...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

KEYS TO THE MASTERPIECE. A RETROSPECTIVE ON GEORGE ENESCUВ’S SECOND ORCHESTRAL SUITE OP. 20

(STEF92 Technology, 2018, Mihaela Rusu, G. Dutica)

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Background: In the artistic context of 20th century, George Enescu is the only representative Romanian composer who will be included in the diverse landscape of the 1900-1940’s, and he will be integrated into the neoclassic direction. He was considered to be “one of the most interesting contemporary spirits”, due to the fact that he remained outside of the avant-gardist experiments, the abstraction trends and the “sterilization” of music. In the Second Suite for Orchestra, op. 20, the composer “will mee...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MIMICRY AND MEANING IN STAGINGS OF HENRIK IBSENВ’S PLAYS IN LATVIAN THEATRES IN THE SEASON OF 2017-2018

(STEF92 Technology, 2018, Maija Burima)

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The season of 2017/2018 in Latvia was especially rich in stagings of plays by Norwegian playwright Henrik Ibsen (1828 – 1906). Ibsen’s plays were staged both in theatres and opera, in the capital city of Riga and other towns in Latvia. On the whole in the season of 2017/2018 Latvian audience could watch 7 staged plays by Ibsen. 2 of them are interpretations of “Peer Gynt” in Latvian National Theatre (premiere on 27 October 2016, director Viesturs Kairišs) and Latvian National Opera (premiere on 28 October ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MODERN RECEPTION OF THE MUSICIAN FRANCIS POULENC

(STEF92 Technology, 2018, L. V. Iatesen)

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What Francis Poulenc means for todayВ’s listener? Successful musician of the 20th century, having a huge success with the public, the French artist, who was brought up and created in a fascinating musical and cultural environment, and whose sources of inspiration, creative directions, genres, styles, concepts of creative thought impress both professionals and the general audience. If we access the official website dedicated to his personality, we are provided with an overall view on the huge documentation around P...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MORAL CONTENT OF OPERAS BY V. MOZART IN THE N. ARNONCOURT PERFORMANCE INTERPRETATIONS

(STEF92 Technology, 2018, Svetlana Karkina)

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Describing the Mozart style, the Austrian conductor-authenticator Nikolaus Harnoncourt compared his music with a mirror, which reflects the most bitter conflicts of humanity, while remaining unresolved. According to the conductor, the strength of the moral impact of Mozart's music is due to the transfer in his works of genuine multifaceted human characters, which provided the problems presented in them, where the issues of opposition to good and evil occupy one of the leading places, acute relevance in the conditi...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

OVID AND THE VISUAL ARTS – ASPECTS OF THE METAMORPHOSES

(STEF92 Technology, 2018, S. Romanescu)

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The Metamorphoses, the great masterpiece of Ovid, has been an infinite source of inspiration for artists all over the word. We are talking about the book that has been more widely illustrated than any other book except the Bible. For ages, great artists have drawn, painted, and sculpted its magnificent stories, the artists often responding not only to Ovid’s work but to one another’s in their representations. From Mantegna to Piero di Cosimo, Botticelli, Titian through Pablo Picasso – and here we name only a f...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

REFERENCES TO THE ANCIENT ART AND HISTORY IN THE PROPAGANDA POSTERS OF WORLD WAR I

(STEF92 Technology, 2018, G. Gruew)

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World War IВ’s propaganda contained frequent references to the art and history of the past periods, what gave an opportunity to settle the struggle into the narrative frames of the history of mankind. By using such methods like naming the enemies as barbarians or predicting the dawn of empires, the recipients of propaganda were inspired to think about Ancient times as a natural cultural background of some countries and nations. In the propaganda posters there are plenty of recognizable references to the Assyrian, ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

RENAISSANCE PERSPECTIVE, CARTOGRAPHY, AND THE BIRTH OF MODERN POLITICS

(STEF92 Technology, 2018, C. Habbar)

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The relationship between the emergence of linear perspective during the Renaissance and scientific cartography is well known. They both inaugurated and exhibited a new relationship to the world – a de-theologised world, which the human being was now able to measure and circumscribe. Linear perspective and cartography both enabled to frame the world in a window which we could from then onwards encompass, think, visualise, and view at a glance. “Framing” became the key operation of Renaissance art and science....

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

SENSORY ASPECTS OF ART THERAPY WORK WITH CLAY

(STEF92 Technology, 2018, Z. Tula-Krcmarikova, I. Lessner-Listiakova)

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In the therapeutic use of modelling from clay, effective factors of multisensory therapeutic approaches overlap with the principles and processes of art therapy. Clay as a medium offers various sensory stimuli, including dispersed touch, temperature and smell. These inputs may serve as triggers for memories or emotional associations and as means of change. Art therapy can intentionally work with the sensory qualities of the material realizing their potential in art-therapeutic creation. This qualitative study expl...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

STYLISTIC ASPECTS OF VOCAL INTERPRETATION IN THE CONTEXT OF NON-ART MUSIC

(STEF92 Technology, 2018, I. S. Pandiova)

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The paper draws attention to the stylistic aspects of vocal interpretation in the historical context of the genres and forms of non-art music. The increasingly wide range of genres, along with the unstoppable development of technology and the media, gave rise to the necessity of systematization and categorization in the field of non-art music. While classic vocal techniques characterized trained singers and performing artists, the folk singers, chansonniers, singers of couplets, of musicals and jazz went their own...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TECHNOLOGIES IN NOWADAYS JEWELRY IN LATVIA

(STEF92 Technology, 2018, I. RudzIte, S. Kukle)

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Within the framework of the scientific paper, the technologies used in the manufacture of jewelry in the last 13 years in Latvia have been studied; the research was carried out using the field research method. The data used is aggregated in the database created by the author and used in the Internet environment, which contains information about the jewelry created by Latvian authors, such as materials, photographs of jewelry and others. In the period until June 17, 2018, data on 857 photos of Latvian jewelry were ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TELEMANNВ’S ADVENT AND CHRISTMAS CANTATAS FROM HARMONISCHER GOTTES-DIENST, 1725-6 AND 1731-2

(STEF92 Technology, 2018, M. Buhaiciuc, L. L. S. Szabo)

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The following article is a structural analysis of TelemannВ’s Advent and Christmas Cantatas from the Harmonischer Gottes-Dienst, 1725-6 and 1731-2 liturgical years. The solo sacred cantatas are investigated in their context of Lutheran Liturgy, evaluating TelemannВ’s cantata form, the vocal Fach, the instrumentation and the text, thus offering a guide to singerВ’s performance. The outcome is a better understanding of TelemannВ’s choice for vocal expression. These collections stand as great recipes for acquiring me...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE AUDIENCE OF THE IV URAL INDUSTRIAL BIENNIAL OF CONTEMPORARY ART: CORE, PERIPHERY, AND PROSPECT

(STEF92 Technology, 2018, L. E. Petrova, K. A. Mitrofanova, I. A. Akhyamova)

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Introduction. The IV Ural Industrial Biennial of Contemporary Art was held in Ekaterinburg. It is one of the largest regional art projects with international participation introduced in Russia. Once in two years the biennial occupies non-exhibition spaces in Ekaterinburg and other cities of the Sverdlovsk region. The main topic of the IV biennial was “New Literacy”; and the concept was that the fourth industrial revolution in information and communication technologies had changed our lifestyle, work, dreams an...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE DYNAMICS OF THE SOUND AND THE MEANS OF OBTAINING A PERSONALISED MUSICAL MARK FOR THE CLASSICAL GUITAR

(STEF92 Technology, 2018, G. C. Voicescu)

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Research conducted so far by the influential representatives of the classical guitar’s development has left its mark in various historical periods with the help of musical works which mirror the evolution of the guitar itself, perfecting the means of musical expressivity, which creates identifiable and personalised musical languages. The blending of all the technical-dynamical nuances of the guitar includes the succession known as the ”fan” on the attacking angles, the choice on the longitudinal movement line...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE EMBODIMENT OF ETHNOMUSIC TRADITIONS IN THE CREATIVE WORK OF YOUNG COMPOSERS OF TATARSTAN

(STEF92 Technology, 2018, N. K. Nurgayanova, E. V. Kovrikova)

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In the national musical art of the 21st century, there is a tendency of active conversion to folklore, an interest in folk "roots" is increasing, and the study and expression of ethnic music traditions in composer creativity. Creating modern national works, young composers of Tatarstan boldly experiment: they combine different styles (electronics, rock, folk, country); ethnic instruments of the Tatars (kurai, dombra, kyl-kubyz) in combination with the classical symphonic orchestra are engaged, they conduct experim...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE RISK MANAGEMENT AND MUSEUMS. NEW CHALLENGERS FOR MUSEUMS IN THE CZECH REPUBLIC

(STEF92 Technology, 2018, M. Tomastik, E. Pfeffer, K. Vichova, T. Kvasnicka, S. Davcikova)

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Museums are essential memorial institutions that keep information about the lives of our ancestors. Museums are well-suited for collecting and preserving artifacts of all sorts. For long-term conservation of objects, it is essential that risk management processes are gradually introduced into the museum processes. Managers of the museums and cultural heritage managers regularly have to prioritize and decide how best to use available resources to protect collections, buildings, monuments and places. Firstly, that m...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE ROMANIAN MUSIC OF BYZANTINE TRADITION AND THE FOLKLORIC GENRE “DOINA”. STYLE FEATURES AND MELODIC CORRESPONDENCE

(STEF92 Technology, 2018, M. Rucsanda, A. Belibou)

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Over the centuries, the meeting between the religious music and the secular musical inheritance took place in various ways, some visible, other hidden. This paper aims to synthesise the correspondence between the Romanian byzantine music and В‘doinaВ’, identifying the reciprocal contaminations that came between the two genres. Both these genres represent cultural musical layers which could not be isolated, as they are interconnected by origin, vital space and destination. Although the similarities between В‘doinaВ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE SYMBOLISM OF THE MOUNTAIN IN THE EUROPEAN AND ROMANIAN SYMPHONIC CREATION CASE STUDY: RICHARD STRAUSS - ALPINE SYMPHONY AND CSIKY BOLDIZSAR - THE MOUNTAIN TONE POEM

(STEF92 Technology, 2018, M. Rusu, G. Dutica)

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Background: This analytical approach aims to accentuate the interconnections between two universes which are apparently in contradiction: ideal and pragmatic, or symbol and sound. The mountain – viewed as a place of creative inspiration – represents a leitmotif of creation in most of the artistic fields. Thus, literature, visual arts and music give this symbol a historical anchor in the artistic movements of all eras Methods: In order to exemplify a possible way of interference between the two philosophical ar...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE

(STEF92 Technology, 2018, G. Vlahopol)

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The subject is the key element, the basis of the structure of the fugue form due to its melodic, rhythmic, harmonic and polyphonic features. Even from the Baroque period, the development and the final entry were the sections with the most innovative constructive aspects due to a certain freedom given to the composer in the treatment of the theme, resulting in a multitude of ways to conceive them. In 20th-century music, this freedom becomes manifest in all musical parameters (melody, rhythm, key, writing etc.), but...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

TRADITIONAL AND UNIVERSAL IN OUR FATHER MUSICAL WORK BY IRINA ODAGESCU

(STEF92 Technology, 2018, D. Cojocaru, M. Fratila, O. Velescu, I. Velescu, A. Rosu)

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Through her life dedicated to music, the composer Irina Od?gescu brought to Romanian culture a new breath of a genuine originality. Using a complex language, profoundly anchored in the modernity of the second part of the 20th century, her musical works are distinguished by an expression force that results from an inner experience that goes to the listener, managing to convince both specialists and music lovers. This particularity of her language is exceptionally highlighted in the choral work entitled Our Father, ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

VISUAL SPACE IN POLISH RENAISSANCE MUSIC

(STEF92 Technology, 2018, K. Szymanska-Stulka)

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Visual space and music seem to be the components of the real space, which are separated, and donВ’t come together but interaction of the rules of vision and sound can bring interesting research effects. I am convinced that the basis of visual arts can be adopted on the ground of music and deepen our knowledge about music of that time. In fact, visual and architectural space is around the composer and the listener. Moreover, it is experienced during musical performance and has a great impact on it. Areas of vision ...

ART & HUMANITIES: Section Performing & Visual Arts2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

VISUAL TRANSFORMATION OF THE NORM: TOWARD THE DIANE ARBUSВ’ В‘FREAKS SHOWВ’

(STEF92 Technology, 2018, I. Sakhno, V. Berest)

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This paper describes the photographic heritage of Diane Arbus in the context of visual overcoming and transformation of the norm. Interest in what most people would call outcasts, misfits and freaks as an accepted theme of the underground culture finds a new semiotic interpretation in the artistВ’s work. Inspired by Tod Browning's cult horror movie Freaks (1932), which featured an array of marginalized physical disabilities, Arbus creates her own freaks gallery (A Jewish giant at home with his parents in the Bronx...

ART & HUMANITIES: Section Performing & Visual Arts2018
Showing 1-33 of 33 records
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