Scholarly record

CONCEPTUAL PREVISIONARY STYLES OF THE MUSICAL INTERPRETATIVE PHENOMENON OF THE CLASSICAL GUITAR

G. C. Voicescu

Abstract

Through the implementation of the stylistic and conceptual plan, the guitarist is able to establish on an experimental basis the phenomenological issues which will then be solved gradually since the preliminary phase of reading at first sight. The simplification of the double comprehension, first achieved by the performer through the establishment of the previsionary traits of the imaginative-interpretative plan, both conceptual and stylistic, and then by the receiver, must contain the inverted decryption key for the ”mirror”- like message of the personality in which it is found - the public. The selective blending of stylistic elements from each historical music period and their association with sound transmission elements create representative guides for the instrumental interpreter who can therefore create an imaginative, previsionary plan, useful for deciphering and re-encoding the descriptive musical meanings. Following the effect of music step by step, of the tempo and the technical proceedings on the human personality, I concluded that pre-setting the interpretative plan influences the state of mind induced consciously to the public through the effects on the emotional spectrum generated by the sound emissions with a controllable temporary succession, the metric and rhythmic, throbbing emphasis, different nuances and determined phrasal breaths derived from the structural construction of the musical discourse. The transcendency of the theoretic plan, pre-set both from an interpretative and a stylistic point of view, on the human personality includes different routes, whilst the applicability of the pre-set plan on the musical repertoire is manifested as a wilful act of the performer who anticipates the emotional states via the retransmission of the descriptive trajectory integrated in the musical discourse’s phenomenology, creating consciously the systematised succession structure of the defining elements which constitute the provisional performance as a whole.

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