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ART & HUMANITIES: Section Musicology2025

PSALTIC CHANT VERSUS CHORAL MUSIC IN THE CONTEXT OF NINETEENTH-CENTURY ROMANIA (SECOND HALF)

Adrian Sirbu · Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025

DOIByzantine music choral music Liturgical music Musical Westernization

ART & HUMANITIES: Section Musicology2025

MODERN MOTET STYLE IN WARSAW’S COMPOSERS OUTPUT

Katarzyna Szymanska-Stulka · Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025

DOImodern motet style religious vocal idiom stage performance Dariusz Przybylski

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ART & HUMANITIES: Section Musicology2025

ON THE PHENOMENON OF MUSIC PERFORMANCE - A SHORT GUIDE FOR STUDENTS

Anca Sirbu · Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025

DOImusic performance students guide technique expressiveness

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ART & HUMANITIES: Section Musicology2025

PSALTIC MUSIC IN ROMANIA IN THE MID-20TH CENTURY: BETWEEN TRADITION AND STANDARDIZATION. THE CASE OF GHERONTIE NICOLAU’S LITURGICAL GUIDE (1939)

Adrian Sirbu · Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025

DOIPsaltic Art byzantine music tradition standardization

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ART & HUMANITIES: Section Musicology2025

THE ART OF IMPROVISATION BEFORE AND AFTER BACH

Florin Florentin Raducanu · Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025

DOIArt of Improvisation Improvisation in the history of music Improvisation in Baroque Classicism and Romanticism 20th-century music and jazz influences

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ART & HUMANITIES: Section Musicology2024

THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY

Maryna Biletska, Tatiana Pidvarko, Lina Kotova, Karina Oleksenko · Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024

DOIviolin art performing style creative heritage professional skill pedagogical system technique of playing

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ART & HUMANITIES: Section Musicology2024

IGNACY ZALEWSKI’S DIE SPINNERIN AS A CATEGORY OF ‘COLORFUL MINDEDNESS’ IN MUSIC

Katarzyna Szymanska-Stulka · Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024

DOImusical analysis colorful mindedness Ignacy Zalewski Nathan Daughtrey

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ART & HUMANITIES: Section Musicology2024

THE CYCLICAL FORM FROM A COMPOSITIONAL TECHNIQUE TO A THEMATICISM-GENERATING PRINCIPLE

Anca Sirbu · Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024

DOIcyclic form compositional technique thematicism generative principle George Enescu

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ART & HUMANITIES: Section Language & Linguistics2023

A NEW APPROACH OF LOCALISATION IN THE TRANSLATION OF MUSICOLOGY TEXTS

Cristina Misievici · Proceedings of 10th SWS International Scientific Conference on Arts And Humanities - ISCAH 2023

DOIlocalisation translation musicology texts purpose

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SOCIAL SCIENCES: Section Cultural studies and Globalization2018

FACTUROLOGY IN THE RUSSIAN MUSICOLOGY OF THE 20TH CENTURY

E. V.Titova · 5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018

DOIfacturology facture musicology terminology sound contexture sound contexture.

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ART & HUMANITIES: Section History of Art2017

DOINA-ROMANIAN ELEMENT OF UNESCOS CULTURAL HERITAGE

P.M. Coroiu · References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 269-274 pp, DOI:10.5593/SGE

DOIDoina folklore authenticity musicology heritage

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ART & HUMANITIES: Section Performing & Visual Arts2015

вЂњTREATISE ON MUSICвЂќ BY SAKYA PANDITA AS A VALUABLE SOURCE FOR UNDERSTANDING MEDIEVAL TIBETAN VOCAL SYSTEM AND SINGING TECHNIQUES

P. Grokhovskiy, P. Butsyk · 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015, Book 4

DOISa skya Paб№‡бёЌita Tibet ethnomusicology history of music musical theory singing

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Performing & Visual Arts2014

NEW VISIONS IN THE RESEARCH OF MUSIC HISTORY

IATESEN, L. · International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2014, Book 4

DOIPerforming and Visual Arts methods music history musicology research styles

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Search publications

PSALTIC CHANT VERSUS CHORAL MUSIC IN THE CONTEXT OF NINETEENTH-CENTURY ROMANIA (SECOND HALF)

MODERN MOTET STYLE IN WARSAW’S COMPOSERS OUTPUT

ON THE PHENOMENON OF MUSIC PERFORMANCE - A SHORT GUIDE FOR STUDENTS

PSALTIC MUSIC IN ROMANIA IN THE MID-20TH CENTURY: BETWEEN TRADITION AND STANDARDIZATION. THE CASE OF GHERONTIE NICOLAU’S LITURGICAL GUIDE (1939)

THE ART OF IMPROVISATION BEFORE AND AFTER BACH

THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY

IGNACY ZALEWSKI’S DIE SPINNERIN AS A CATEGORY OF ‘COLORFUL MINDEDNESS’ IN MUSIC

THE CYCLICAL FORM FROM A COMPOSITIONAL TECHNIQUE TO A THEMATICISM-GENERATING PRINCIPLE

A NEW APPROACH OF LOCALISATION IN THE TRANSLATION OF MUSICOLOGY TEXTS

FACTUROLOGY IN THE RUSSIAN MUSICOLOGY OF THE 20TH CENTURY

DOINA-ROMANIAN ELEMENT OF UNESCOS CULTURAL HERITAGE

вЂњTREATISE ON MUSICвЂќ BY SAKYA PANDITA AS A VALUABLE SOURCE FOR UNDERSTANDING MEDIEVAL TIBETAN VOCAL SYSTEM AND SINGING TECHNIQUES

NEW VISIONS IN THE RESEARCH OF MUSIC HISTORY

SGEM WORLD SCIENCE Conferences

Social Sciences and Arts & Humanities

Social Sciences, Science Meets Art

Arts and Humanities, Renaissance Studies