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DOINA-ROMANIAN ELEMENT OF UNESCO’S CULTURAL HERITAGE

P.M. Coroiu

First published: 2017https://doi.org/10.5593/SGEMSOCIAL2017/HB61/S14.34View metrics

Abstract

Romanian Doina was inscribed on the representative list of the Intangible Cultural Heritage of Humanity in 2009. Doina is a improvised, solemn and lyrical folkloric song, marking the essence of Romanian folklore. It can be sung in any social context, with or without instrumental accompaniment, with expressive ornaments. The emotional magnitude is very impressive. There are various regional types of doina, with different specific elements. Doina is representative for the peasant’s soul, expressing his most intense and mysterious emotions. Doina is a song passed down orally from generation to generation, it preserves the authentic values of the Romanian people over the centuries. That’s why it’s so important to know and make known the Doina – an authentic Romanian peasant’s value. The melodic analysis is very complex, and we can draw same contexts in which doina appears in the Romanian modern musical environment (from George Enescu’s generation to contemporary composers). We analyze more melodic archetypes and even their links with the Byzantine (Orthodox) music. We conclude that Doina is an important element of ancient and current Romanian music. Doina must investigated in light of European multiculturalism as a mark of the individuality of Romanian national profile.

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Publication details

Title
DOINA-ROMANIAN ELEMENT OF UNESCO’S CULTURAL HERITAGE
Authors
P.M. Coroiu
Proceedings
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 269-274 pp, DOI:10.5593/SGE
Publisher
STEF92 Technology
Year
2017
Pages
269-274
SWS Citekey
Coroiu201714269274
ISSN
2367-5659
ISBN
978-619-7105-97-1
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References9
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  3. Oprea, Gheorghe, Folclor muzical românesc [Romanian musical folklore], Ed. Didactică și pedagogică, Bucharest, p. 300, 1983.

  4. Sandu, Eugen Petre, Elemente sturcturale ale folclorului muzical românesc [Structural elements of Romanian musical folklore], Ed. Eurostampa, Timișoara, p. 55, 2013.

  5. Ciobanu, Gheorghe, “Folclorul, dovadă a vechimii și continuității poporului roman pe aceste meleaguri” [Folklore, the proof of the long history and continuity of the Romanian people on this territory], in Muzica, nr. 6, p. 4-5, 1980.

  6. Buciu, Dan, Mic tratat de scriitură modală, Bucharest, Editura Grafoart, p. 10, 2013.

  7. Giuleanu, Victor, Teoria muzicii [Musical theory], Ed. România de mâine, Bucharest, p. 203.

  8. Cernea, Eugenia, Doina din Maramureș, Oaș și Bucovina [Doina from Maramureș, Oaș și Bucovina], Ed. Global, București, p. 42-43, 2011.

  9. Ciobanu, Gheorghe, “Folclorul, dovadă a vechimii și continuității poporului roman pe aceste meleaguri” [Folklore, the proof of the long history and continuity of the Romanian people on this territory], in Muzica, nr. 6, p. 4, 1980.

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