Scholarly record
IGNACY ZALEWSKI’S DIE SPINNERIN AS A CATEGORY OF вЂCOLORFUL MINDEDNESS’ IN MUSIC
Abstract
Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one’s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors appear in art as a kind of mix, which is why we can describe art as colourful. Colorful in this context means full of color and therefore rich in various shades, nuances, relationships, contrasts or harmonies. In music, some compositions seem particularly colorful. This means not only a wealth of nuances, but also a special kind of texture, as if saturated with colors, hues, and shades of sounds. This reference to colors in music may be indicated in the phenomenon which I term colorful composing. To analyse this case I present the musical composition Die Spinnerin for flute and marimba form 2010 by Ignacy Zalewski – Polish composer born in 1990. I discuss the components of colorful composing in which I select the three leaders: colorful articulation, nuanced microdynamics and shades of instruments’ sounds. I expand my reflection on the piece of Nathan Daughtrey for flute and marimba titled An Extraordinary Correspondence and on contemporary composers’ statements who saw colors in music in some way like Olivier Messaien who said that he saw musical colors intellectually and Toshio Hosokawa’s subtle inspiration of nature, and Polish contemporary composers Witold Lutoslawski, Marcin Blazewicz, Grazyna Pstrokonska-Nawratil. My research is based on the selected reflections about the philosophy of colours e.g. by Alex Byrne and David Hilbert describing the problem of how our perspective is influenced by colours and how colors stimulate the mind.
Publication Impact Profile
Publication details
References8
Barwa dzwieku [Sound color], in: A. Chodkowski (ed)., Encyklopedia Muzyki, PWN, Warszawa 1995, p. 81.
Colors that stimulate the mind, by Zivella Office Forniture, https://www.zivella.com/en/colors-that-stimulate-the-mind/ access October 15, 2024.
Alex Byrne, Hilbert David R., Color realism and color science, “Behavioral and Brain Sciences” 26 (1): 3–64, 2003, http://web.mit.edu/abyrne/www/colorrealismandcolorscience.pdf access October 15, 2024, p. 3.
Leon Chwistek, Wielosc rzeczywistosci w sztuce [The multiplicity of realities in art], in: idem, Wybor pism estetycznych [Aesthetics Writings], Teresa Kostyrko (ed.), Universitas, Krakow 2004, p. 55.
Jonathan Crary, Suspension of Perception. Attention, Spectacle and Modern Culture, https://monoskop.org/images/0/0c/Crary_Jonathan_Suspensions_of_Perception_Attenti on_Spectacle_and_Modern_Culture_1999.pdf, p. 114, 117, accessed November 7, 2024.
Malgorzata Wozna-Stankiewicz, Miedzy impresjonizmem a symbolizmem, czyli pierwsze polskie interpretacje muzyki Claude’a Debussy’ego [Between impressionism and symbolism, the first Polish interpretation of Debussy’s music], „Res Facta Nova”3/1999, Poznanskie Towarzystwo Przyjaciol Nauk, Poznan, p. 23.
Tone color of flute, https://learnfluteonline.com/tone-color-for-flute/ accessNovember 6, 2024.
Nathan Daughtrey official website, https://www.nathandaughtrey.com/works/p/anextraordinary-correspondence accessed November 6, 2024.
View or Download full articleAccess options
SWS access login
Login as SWS Scientific CommitteeLogin as SWS Scientific PartnerLogin as SWS AuthorAuthors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.
For librarian assistance: [email protected]
Purchase Instant Access
- Article can be downloaded after successful payment.
- Article may be used according to SWS library access terms.
- Article cannot be redistributed.
