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The present study captures the outstanding personality of Carlo Broschi, called Farinelli, whom I consider to be the etalon singer of the eighteenth century. His vocal-solo career spanned between 1720 and 1737, quite short, but very intense, with about 70 opera roles of extraordinary success, being invited to all the great lyrical stages of the time. Besides being a perfect artist, he also held important political and administrative functions. Between 1747 and 1759 he chose the "second plan", being named the Direc...

Thesis and antithesis, Stravinsky and Schoenberg, two complex personalities that marked the evolution of universal music, establish the subject matter of this article. The music on psalm texts signed by the two great composers can be considered valuable hints for the construction of the musician's profile by emphasising the origin of the musical choices, projected in the sound reality through the thorough imposing appearance of the two personalities. The differential typologies we will discuss relate to musical at...

The anthropology of exile is the new field of research of the present with Europe becoming a fortress with high walls and gloomy gates through their very opening. The accommodation of the exiled is just an appearance, is a terrible joke, dimensioned by the camps' fences in which they are "housed". It is true, they can see the sea through these fences, but it has become a border rather than freedom. Caught in a purgatory space, migrants have no place to take refuge but into themselves, in that self-culturally and i...

The present study aims to achieve a morphogenetic theory application in the field of artistic form, thus expanding the applicability domains of this theory and in the area of interest of the arts . An interesting approach to the concept of form (studied in the biological, chemical, physical forms) and then extrapolated to any systems in which, form is involved as a fundamental notion is Rupert Sheldrake 's morphic resonance theory. He argues that not all phenomena of life are explicable in terms of physical and ch...

The present article studies the evolutionary process of a set of designs, interconnected among themselves, according to the guidelines of the artistic model Unplugged Evolutionary Algorithms (UEA). Therefore, an indivisible set consists of sixty images structured in ten generations, so that each generation is composed of six images. This generational process allows us to study the evolution of images and their meaning, analyzing the whole of a single work. The Horizon Project - Emotion in Lines project has been de...

Feliks Nowowiejski (1877-1946) was an eminent Polish composer, organist-virtuoso, conductor and pedagogue whose years of activity coincided with significant historical and socio-cultural changes in Europe. They had a tremendous impact on the artist and his creative path. Originating from the aesthetics and style of Romantic and particularly German – music, Nowowiejski came to international fame at the beginning of the 20th century as the author of the oratorio Quo Vadis ? Op. 30, a piece that became well-known not...

This year we celebrate centenary of Bauhaus’ school established by Walter Gropius and his team in Weimar in 1919. In my paper I consider the possible influence between Bauhaus ideas in visual arts and music of that time. The main streams in Bauhaus philosophy developed the new concept of art and based on the rules as follows: reduction of decoration, innovation, geometry in construction, form devoted from function, social impact of art. I was inspired by Bauhaus as an interdisciplinary field that concentrates on t...

The construction of those commemorative monuments dedicated to the Fallen of the First World War began during the war itself, and was a way of coming to terms with the loss of loved ones, both as family members and comrades. However, with the advent of Fascism after the Great War, the idea which had formerly lain at the basis of memorial erection underwent a change. Prior to the rise of Fascism, commemorative monuments had focused on the concept of patriotism and commemorated either one specific individual or grou...

Neo-avant-garde, neo-sonorism or, at least in some cases, simply electronic ‘rumbling’ seem to predominate in the music of classical contemporary composers. Listening to this kind of music may result in overstimulation, leaving audiences tired and disheartened. Consequently, the existing disparity between listeners and musicians continues to grow as artists try to outdo each other by coming up with ever smarter and more shocking technological effects and experiments. Ignacy Zalewski is a composer that tries to put...

This paper proceeds from music, which if applied in teaching as a narrative medium, can be an important identifying factor for student / listener if its background is interpreted meaningfully. Thus this paper interprets song lyrics as a teaching medium whose meaning mediation can motivate students if the teacher places emphasis on understanding the background text of the song instead of emphasizing passive listening. The song is not just a mere decoration, something that accidentally fills one’s environment, wheth...

The term audionarratology was coined by Jarmila Mildorf and Till Kinzel in 2014, as a reaction to Lawrence Kramer who had argued a few decades earlier that music could not act as a narrative on its own. They took an opposite stand by offering theoretical considerations as well as methodological challenges with emphasis on narrative experientiality, audioception, situatedness, auricularisation, and focalization in sound. While they covered spoken language, radio plays, sound installations, music, video games, and t...

As the shows belong to two different musical cultures (Italian and Romanian), it is difficult to draw a comparison. „Mariana Pineda“ by Doru Popovici was created in the second half of the 20th century, 1965-1966 and „Il prigioniero“ by Luigi Dallapiccola in the first half of the last century, 1947. After analyzing the scores and the specialty bibliography, some common traits are noticed, revealing a closeness of the two operas in terms of genre (both operas are in one act), thematic (theme of individual’s freedom ...

We live in a new era -the Anthropocene-. And in a new society with its corresponding mentality and consciousness. But, we keep representing and interpreting the landscape, mainly, through the codes inherited from the Romanticism. This research will address artistic proposals that unite videoart and landscape. After reviewing the wide actual art panorama, we have identified a new type of landscape in the Contemporary Art. A landscape that does represent our society through its typical formal and conceptual codes, a...