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This paper deals with the functions of the grotesque in V.V. Nabokov’s works as an artistic and theoretical concept in the associative-semantic aspect; the research proceeds from the perspectives of conceptual and structural-semiotic and cultural scientific methods. The scientific novelty of the paper lies in that such syncretism makes it possible to reveal a combination of grotesque imagery in the writer's texts, both in the spirit of substantive and mythological ideas, on the one less studied hand, and in terms ...