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Beginning with the second half of the XIXth century, the Romanian space has known a powerful stylistic orientation, with its own main purpose to exploit the archaic, archetypal chant and melody, specific to the oral traditional Romanian music. The impact was strong and generalized, gathering a great number of composers who, through the approach of all musical genres, have developed the musical language up to a maximal degree of complexity, in a perfect synchronicity with the musical tendencies and currents promote...

From a general perspective, the Romanian composers of the second half of XX century felt themselves united to a certain synchronistic spirit of the musicians from the Western Europe (and not only them), being polarized by the imperative to create a synthesis, essentially based on the fusion of three factors: 1. The assimilation of composition techniques universally recognized; 2. The valorisation of the autochthone modal-archaic potential; 3. The personal, authentic infusion of the creator. In this context, two st...