Scholarly record
STRUCTURES AND ARCHETYPAL SYMBOLS IN ROMANIAN CONTEMPORARY CHORAL MUSIC
Abstract
Beginning with the second half of the XIXth century, the Romanian space has known a powerful stylistic orientation, with its own main purpose to exploit the archaic, archetypal chant and melody, specific to the oral traditional Romanian music. The impact was strong and generalized, gathering a great number of composers who, through the approach of all musical genres, have developed the musical language up to a maximal degree of complexity, in a perfect synchronicity with the musical tendencies and currents promoted at the international level. In this context, our study aims to realize a synthesis of the main aspects of style and language reflected in the choral music of the last decades; the guiding marks of analysis and musical systematics point towards both the characteristics of the modal melody, and the diversity of types of writings (polyphonic, harmonic, heterophony etc.).
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