Browse

This article is devoted to the history of epigrammatic art as one of most problematic and interesting phenomena, paying special attention to its oral and written manifestations closely attached to medical art in all its aspects. Thus, the authors point out the main features and particularities of epigrams as a classical small literary genre which together with poems, epitaphs and other small form a real separate trend in the European literary art. In the frame of diachronic approach to the topic they give a detail...

The article presents the living idea of the creation of places of worship and religious encounter and dialogue between Christian communities against the background of the division between the Christian East and West and the hidden potential of its returning to ecumenical unity. Based on a short case study, it demonstrates the architectural design of the All Saints Temple as an academic ecumenical chapel in the campus of the Bialystok University of Technology. By referring to the universal symbolism of forms and or...

This article is dedicated to olonkhosuts – carriers and keepers of epic tradition of the Sakha people who from the depths of centuries have created and have kept epic stories about epic heroes of an Aiyy in live oral tradition and have kept for us the Yakut heroic epos, a masterpiece of oral and non-material heritage of all mankind. The Yakut epos – olonkh? is the greatest monument of folklore reflecting in a bright art form the way of life, the world outlook and moral principles of the people, first of all, their...

Presenting the world in its theosis, in transformation into saved reality was and is the basic function of all types of art. This is how it used to be. Is this the case today? Is such a synthesis possible nowadays? Is it a transmission of “living” Church Tradition and its esthetic and religious experience of sacrum? How does it happen? Asking a question about the meaning of human existence, we also ask about the meaning of man’s creativity through art, creativity understood as a continuation of divine work of crea...

Throughout its history, architecture has been created according to the signs memorised for years. From the time of Vitruvius and his theory to the beginning of the twentieth century, buildings were given a perfect shape corresponding to their function. Banks and governmental buildings were to be monumental, the rulers’ seats to intimidate the subjects with their splendour. The great avant-garde of the early twentieth century liberates art and architecture from memorised patterns. The contemporary world changes the...

Symbol has always been an intrinsic part of a person. A person’s life is marked with symbols. In the past, this was directly reflected in the architecture and in the art of all religions. They have their special compensation in the temple and vice versa; the temple is a concrete manifestation of the function of a symbol. Thanks to them, art could manifest itself, could naturally pass from the level of aesthetics to the level of religion. One of the proofs to confirmate this thesis is an example of dome and iconost...

With Orthodox icons, darkness seldom occurs, and even then it is in order to emphasize some want, the want of light. Biblical scenes or characters are always bright as, according to St. Basil the Great, by approaching light, the soul itself becomes light. Darkness has come into the world as a consequence of the original sin. It does not exist in itself, since it is not part of God's creation, but lack of light. However, its presence within the created world would disturb man's view on the world at large, resulting...

In this work, the creative idea that the artist strives to express in a vanguard work of art is put in juxtaposition to the idea embraced by a viewer with insufficient visual experience of perceiving this type of art. At the first stage of the experiment, the artist provided the description of the principal visual structures that reveal the creative concept of a set of his works, as well as the description of the works’ main ideas. After that, the works in question were shown to the viewers who were asked to descr...

This paper presents an example of historical research for investigating a couple of old locks used for raising and lowering watercraft between stretches of water of different levels on one of the waterways of Milan (Italy), better known as “Navigli”. The “Navigli” canals wooden locks, which nowadays are preserved in the National Museum of Science and Technology “Leonardo da Vinci” of Milan (MUST), are considered an excellence of 15th century Lombard cultural heritage. A current historical analysis was mandatory gi...

The watermark - as an inseparable element of antique paper and first form of proto-industrial logo - by virtue of its own meta-data repertoire regarding paper support since the 20th century, plays a fundamental role in heuristic investigation, imposing watermark studies among the auxiliary disciplines of history. Their study offered important information about the place and date of the production of a paper document with a low margin of error. This has led to an increasing use in the art history sector, in particu...

The present paper is intended to be an analysis of the female ideal during the Renaissance period, respectively during the 14th-17th centuries, both in the realities of the times and in the art. The Italian Renaissance was inspired by Greek-Roman mythology, i.e. Olympus was fascinated by the goddess of beauty, Venus, as well as the ideal of the Middle Ages represented by Virgin Mary and Eve. Although the Church blames the feminine beauty as a source of sin, the prosperous Renaissance society divinises the beauty o...

In the present paper the author discuss architecture as an art and its language which is architectural drawing, the oldest and most efficient system of its representation. Although drawings such as sectional views or projections are expressed by means of unequivocal symbols that are generally understood and leave no margin for interpretation, there exists a whole sphere of more abstract notions which includes sketches as records of individual ideas that often only remain on paper but sometimes create a new reality...

The aim of this study is to justify a classification of the Italian Renaissance paintings based on aspects of the educating function of linear perspective. The importance of the problem is in unrealized educating potential of linear perspective in the field of publication activity. Researchers mostly examine the mathematical aspect of linear perspective as the artist’s tool for modeling the three-dimensional world in two-dimensional pictorial art forms. However, reducing linear perspective to a technical device ca...