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Nowadays artificial intelligence (AI) enters almost all aspects of human life. AI, undergoing dynamic development thanks to a rapid progress in computer and information technology, delivers powerful algorithms that more and more replace humans and their natural intelligence in a great many tasks, like natural language processing and understanding (NLP), forecasting, speech recognition, pattern identification and classification, image understanding, work automation, and many more. But what about art? Can AI replace...

The paper offers a renewed interest for Erwin Panofsky’s iconology, which consists of the applying of this concept and analytical method to musical art per se. Although Panofsky himself did not intend to introduce his methodology into the sphere of music, he establishes correlations between some musical compositions and painting. Thus, Panofsky felt the presence of certain general laws of the formation of structure of the artistic whole in painting and music. In terms of iconology, music, like painting, presuppo...

The purpose of the article is to analyze the features of the visual language of documentary photography and the actual ways of its presentation in the media space on the example of Ukrainian photo books dedicated to revolutionary events in Ukraine. The main problems of modern photojournalism connected with the development of digital technologies are presented, the value of a photo book as an independent project of a photographer is argued, since commercial photojournalism is largely determined by the narratives of...

We are surrounded by video surveillance cameras that register separately in two light areas: visible to our naked eye - Red, Green Blue record and near infrared record (NIR – Z). In this article, we present quantitative data on the measurement of light absorption for fine art colorants. We expand the theory and practice of Infrared Art by giving examples of artists who paint so-called "infrared pictures" as a new, different creation of a work of art, a new expressive possibility that the artist adapts to his art...

The article describes the discussion among East Slavic researchers regarding the appearance of the manuscript “The Musical Grammar” by M. Dyletskyi in 1723. Mentions in its text of musical instruments and imitation of their sound nature in the newly found composer’s choral concerto“Let the trumpets sound” have been analyzed. The musical instruments have been considered for the first time depicted on the title sheet of the manuscript in terms of similar Slavic and Western European instruments of the XII в...

Having given the concept of “absolute music” a negative connotation in 1846, Richard Wagner not only inspired discussions about the correlation of form and content in music, but also affected painters, who were looking for the ideal of non-mimetic meaning-generating strategies in music, and whose art was specified as the “Wagnerian painting” by French critic Theodore de Wyzewa. Using the historical and the comparative approaches, as well as the semantic and structural analysis of the expressive means in mu...

The primary purpose of the paper is to present research analysis which aims to recognize the art of Kosovan piano music through analysis for interpretation as a relatively new discipline born in the late ‘90s that today in the world counts numerous publications. The qualitative-descriptive methodology is used in this paper. It entails interpreting and analyzing music, with a focus on Rauf Dhomi’s Opus “70 Pieces for Piano”. Many European countries have previously experienced the splendor and enchantment of...

Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimps...

Andrzej Karalow (b. 1991) is a pianist, composer and improviser. In his approach to music, an avid interest of the young generation, he breaks free from the traditional form and instrumentation, striving for creative freedom and artistic exploration. The composer combines a variety of trends that are fundamental for several genres of music and determine a contemporary world of sounds. Performing as a pianist and guitar player, Karalow creates artistic projects with Jerzy Przezdziecki, a recognised Polish experimen...