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MUSICAL AND INSTRUMENTAL REALITIES IN THE TREATISE “THE MUSICAL GRAMMAR” BY MYKOLADYLETSKYI 1723: ETHNIC IDENTIFICATION OF MUSICAL INSTRUMENTS

Iryna Zinkiv

First published: 2022https://doi.org/10.35603/sws.iscah.2022/s08.12View metrics

Abstract

The article describes the discussion among East Slavic researchers regarding the appearance of the manuscript “The Musical Grammar” by M. Dyletskyi in 1723. Mentions in its text of musical instruments and imitation of their sound nature in the newly found composer’s choral concerto“Let the trumpets sound” have been analyzed. The musical instruments have been considered for the first time depicted on the title sheet of the manuscript in terms of similar Slavic and Western European instruments of the XII – XVIII centuries, an attempt has been made to establish their ethnicity.

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Title
MUSICAL AND INSTRUMENTAL REALITIES IN THE TREATISE “THE MUSICAL GRAMMAR” BY MYKOLADYLETSKYI 1723: ETHNIC IDENTIFICATION OF MUSICAL INSTRUMENTS
Authors
Iryna Zinkiv
Proceedings
Proceedings of 9th SWS International Scientific Conference on Arts And Humanities - ISCAH 2022, VOL 9
Publisher
SGEM WORLD SCIENCE (SWS) Scholarly Society
Year
2022
Pages
105-120
SWS Citekey
Zinkiv202223105120
ISSN
2682-9940
ISBN
978-3-903438-05-7
Language
en
Publication type
Proceedings Paper
Keywords
“The Musical Grammar” by M. Dyletskyi 1723Western European and Slavic musical instruments of the XII – XVIII centuriesorganologyethnicity
References15

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