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Through her life dedicated to music, the composer Irina Od?gescu brought to Romanian culture a new breath of a genuine originality. Using a complex language, profoundly anchored in the modernity of the second part of the 20th century, her musical works are distinguished by an expression force that results from an inner experience that goes to the listener, managing to convince both specialists and music lovers. This particularity of her language is exceptionally highlighted in the choral work entitled Our Father, ...

The synthesis between the national folk tradition and the European musical tradition was performed in the Romanian culture with the contribution of great creative personalities. This synthesis is carried out differently from one culture to another, from one composer to another, either by following traditions or by consolidating the original and relevant language, which resulted in the shaping up of the national musical folklore cultures of the XXth century. Three piano parts op. 18 composed in 1933 by composer Mih...

Even now, 2,000 years after his disappearance, the Latin poet Ovidius Publius Naso continues to remain one of the most appreciated writers of verses that belong to the ancient Roman period. Considered to be one of the most influential sources of inspiration in European culture, Ovid's work and especially Metamorphoses stimulated the imagination of some of the greatest creators of universal culture in various artistic fields such as poetry, literature, visual arts, or music. In 1951, composer Benjamin Britten made ...

The complementarity or harmony relations of the great works of the universal culture have been the subject of artistic analyses. Proportionality – the golden ratio – is a construction pattern that has always sparked debate, from various structures of nature to many outstanding artistic achievements that include the creation of architecture, art, music. In several works by contemporary Romanian composers, this concept of proportionality is present both in sound organization structures and in the architectonic c...

The paper †Ciuleandra – Variations' for mixed choir, written by the composer Vasile Spătărelu, highlights a Romanian folkloric play from the region of Muntenia-Argeş, particularly known as a dance and holler song with progressive accelerated rhythm, carrying profound symbols which relate to the folkloric practice of magic. Vasile Spătărelu rearranges the whole composition in variations, by using methods such as melodic, rhythmic, metric, harmonic and improvisational transformation, obtaining a series of v...