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This paper aims to analyse the ways in which a marriage can be concluded in the case of rich and noble families, as well as in the case of the poor ones. Marriage habits are different, depending on the social and economic status, and most of these traditions prevail nowadays also. The institution of marriage will lead to a transformation of the sentimental imaginary, starting from the Middle Ages’ fin amor, played by the troubadours, to the pragmatic, interested relationship, focused on procreation and the transfe...

This research aims to mirror how the Renaissance musical life was manifested in Brasov-B?rsa Land, a specific area of Transylvania that has demonstrated its European vocation, from the old to the present day. Although Brasov and B?rsa Land didn`t play a major role during the Renaissance, the importance and the increasing amplitude gained by music leads to the development of certain music schools, centres, of special significance in the history of Transylvanian artistic culture. In Brasov, during the Principality o...

The relationship between the emergence of linear perspective during the Renaissance and scientific cartography is well known. They both inaugurated and exhibited a new relationship to the world – a de-theologised world, which the human being was now able to measure and circumscribe. Linear perspective and cartography both enabled to frame the world in a window which we could from then onwards encompass, think, visualise, and view at a glance. “Framing” became the key operation of Renaissance art and science. The c...

Contrary to the southern Europe the first signs of Renaissance in northern parts of the Holy Roman Empire as well as in Poland and Lithuania might be observed only at the beginning of the 16th century. Initially, they were created by Italian teams which came from Florence, Rome and the region of Como. One of the most recognizable marks of that process was the transfer of the Italian craftsmen and architectural solutions, e.g. the team of Bartolomeo Berreci from Florence who built the Sigmund’s Chapel in the capita...

The aim of this study is to justify a classification of the Italian Renaissance paintings based on aspects of the educating function of linear perspective. The importance of the problem is in unrealized educating potential of linear perspective in the field of publication activity. Researchers mostly examine the mathematical aspect of linear perspective as the artist’s tool for modeling the three-dimensional world in two-dimensional pictorial art forms. However, reducing linear perspective to a technical device ca...