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LIGHT EXPERIMENTS IN RUSSIAN AVANGARD ART

A. Spiridonova

First published: 2015https://doi.org/10.5593/sgemsocial2015/b41/s12.001View metrics

Abstract

The article analyses the role of light in Russian avant-garde. Light, as the most important pictorial and expressive mean of art, is analyzed in the visual art of the beginning of the twentieth century. It is stressed that in Russian avant-garde light was revealed in a new way philosophically and technically. Much attention is given to the experiments with light undertaken by Michail Larionov, Natalya Goncharova, Vladimir Baranov-Rossine.

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Publication details

Title
LIGHT EXPERIMENTS IN RUSSIAN AVANGARD ART
Authors
A. Spiridonova
Proceedings
2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015, Book 4
Publisher
STEF92 Technology
Year
2015
Pages
Not available yet
SWS Citekey
SPIRIDONOVA2015-7d6044244841
ISSN
2367-5659
ISBN
978-619-7105-50-6
Language
en
Publication type
Conference Paper
Proceedings contents
Open official contents
Keywords
Art and TechnologiesFuturismLightPaintingRayonism
References4

  1. Dixon Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, MA and London: The MIT Press. 2007

  2. Inshakov A.N. Michail Larionov:Russian Years. Moscow, 2010. P.185.

  3. Sarabyanov D. Russian Painting. Awakening of Memory. Moscow, 1998. P. 276-277.

  4. Avtomonova N. Inventor of Painting Notes. / Vladimir Baranov-Rossine; Artist of Russian Avant-garde. St.Peterburg. 2007. P. 41.

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