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L. Safiullina

3 linked publication records

Author: L. Safiullinaclear all
Showing 1-3 of 3 records
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4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ACOUSTIC LANDSCAPE OF THE OLD TATAR SETTLEMENT AS PART OF THE TATAR CULTURE

(STEF92 Technology, 2017, R. Khurmatullina, G. Batyrshina, L. Safiullina, J. Blinova)

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The purpose of scientific research is the study of acoustic Landscape as part of the national culture. The Old Tatar settlement is one of the historic districts of Kazan; the architectural ensemble consisting of mosques which were the main location of social life of Tatars. We applied the methods of audio and video recordings, study of historical materials, descriptions, and recollections of old residents of this historical and cultural center of Kazan; the method of emotional immersion in the sound environment fo...

SOCIAL SCIENCES: Section Cultural studies and Globalization2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

“SINGING ON THE PIANO”: THE BASIC OF PERFORMING AND POSSIBILITIES OF TEACHING WITH THE USAGE OF THE TATAR FOLK SONGS’ ARRANGEMENTS

(STEF92 Technology, 2017, G. Batyrshina, L. Safiullina, E. Kovrikova, N. Nurgayanova)

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Melodic interpretation of an instrument (the piano) is the main part of piano performance. One of the most important criteria of the quality of a pianist’s performance is an ability to show piano’s melodic potential, to convey the vocal expressiveness to the sound of a melodic “tapestry”. Many well-known concert pianists used exquisite piano cantilena, a piano “sang” in their performances, relaying a palette of nuances of vocal intonation using the means of pianistic sonority. The study and research of the subject...

SOCIAL SCIENCES: Section Education and Digital Learning Innovations2017
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publication

ALGORITHMIC TRAINING OF STUDENTS – FUTURE MUSIC TEACHERS WHO ARE LEARNING TO PLAY BY EAR USING THE TATAR FOLK SONGS

(STEF92 Technology, 2017, G. Batyrshina, L. Safiullina, R. Khurmatullina, J. Blinova)

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Playing by ear, or picking by ear is a certain performing art’s activity based on a reproduction of a known music piece, without the written music (or not looking at a score). While playing by ear, different types of musician’s activity are synthesized, which make him/her more like a universal musician of past centuries who was a composer, a performer and an improviser in one person. Playing by ear allows a music teacher to greatly enrich the repertoire of music lessons, including in it the unpublished works. In T...

SOCIAL SCIENCES: Section Education and Digital Learning Innovations2017
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