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The conditioning offered by analysis models is exclusively cultural, creating the way in which we approach the score. The analysis projects over the object score automated study operations, not seeking to extract its contents, but rather to function itself (to demonstrate the nature of ‘what is’). Often, the substance of the score may cause situations through which the ‘philosophy of analysis’ cannot grasp the subject of the music involved. The flow of the sound’s movement is expected to be understood by reading i...

My paper and instrumental theater piece explore the ways in which the binary norms of performance can be effectively questioned and replaced with an exercise of reflection on alternatives to normed approaches to performance.With De(s)Figuration, I propose to create a performance environment in which messages are no longer conveyed via traditional structures to traditional audiences. Instead, a community is created which engages in a social, rather than purely artistic, performance. The relationship between the per...