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The labyrinth, as a riddle alike, is one of the most primordial cultural images. Initially, its image was related to the prevention of evil and its deterrence, also by luring and imprisoning evil spirits in it. It served to confuse and stop the intruder, who, to enter it, had to guess the puzzle or find its way to its center. The labyrinth, like the templum, was an image of the city, protecting and renewing it. The meaning of this image seems to be ambivalent, but polar and complementary: on the one hand, achievin...

The current work takes the issue of views of theoreticians and visionaries of art and architecture relating to the category of the monumentality and monumental architecture, in which what is monumental reflects. These categories have always been specific phenomenon being particularly difficult to be analyzed. But when undertaken, historically and culturally specific episteme has been reflected in such analysis. Retrospection of different views presented in the work and formulated, inter alia, immediately after Wor...

Foucault's category of heterotopia, defining the broadly understood non-normative spaces and places, constitutes one of the fundamental manifestations of the so-called spatial turn, initiated in the second half of the last century and characteristic for the great spectrum of specific research areas. Heterotopias were, in the Foucauldian world, exceptions within the structure of socially and culturally determined places and spaces conceptualized as normative ones. Today, almost half a century later, we should consi...