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This paper analyses the representation of Slovak women in Czech cinema from the interwar period to the present, with a particular focus on transformations after the 1993 dissolution of Czechoslovakia. Combining comparative imagology with feminist film theory and postcolonial perspectives, the study traces recurring imagotypes - from the folklorized, natural girl of the 1930s and the implicitly “Slovak” heroines of the New Wave, through the eroticized figures of the Normalization era, to the explicitly Slovak migra...