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N. L.

3 linked publication records

Author: N. L.Subject: Performing & Visual Artsclear all
Showing 1-3 of 3 records
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Proceedings of 12th SWS International Scientific Conference on Arts And Humanities - ISCAH 2025
Publication

BREAKING THE PERCEIVED BARRIERS OF THE ICELANDIC ART SCENE: IS THE RURAL ASSOCIATION OF THE ARTIST FROM A REMOTE FARMING COMMUNITY AN ASSET OR A HINDRANCE?

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2025, Sigrun Lilja Einarsdottir)

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The Icelandic art community is a small, interconnected group that often presents challenges for newcomers, especially those lacking formal training, established contacts, or family ties in the field. This paper adopts an autoethnographic approach to explore how an emerging artist in rural Iceland constructs her identity and develops her brand. Although the findings may not be broadly generalizable, they provide a detailed case study illustrating how an enthusiastic amateur artist shapes her identity. Storytelling ...

ART & HUMANITIES: Section Visual Arts2025
References: 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017, www.sgemvienna.org, SGEM2017 Conference Proceedings, ISBN 978-619-7105-97-1 / ISSN 2367-5659, March 28-31, Book6, Vol.1, 371-378 pp, DOI:10.5593/SGE
Publication

SPECIFICS OF SIBERIAN IDENTITY IN THE CONTEXT OF FORMATION OF THE ARTISTIC CONCEPT “SIBERIA” IN THE WORKS OF KRASNOYARSK ARTIST ANTON DOVNAR

(STEF92 Technology, 2017, M. Kolesnik, N. Libakova, V. Luzan, N. Sergeeva, E. Sertakova)

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This article is devoted to the study of the concept “Siberia” and its specifics of visualization in paintings on the example of the contemporary Krasnoyarsk artist Anton Dovnar. Of particular interest is the fact that the authors propose to consider the concept of “Siberia” not on the verbal, but rather on the visual level. The relevance of the study is in determining the additional possibilities of forming a regional identity, in expanding the characteristics and content of the concept “Siberia” owing to the vari...

ART & HUMANITIES: Section Performing & Visual Arts2017
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NEW VISIONS IN THE RESEARCH OF MUSIC HISTORY

(STEF92 Technology, 2014, IATESEN, L.)

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Approaching the history of music at present day, entails, first and foremost, setting in order the writings of important authors, who, by their general- cultural view (connection to the historic, esthetical, philosophical and political ideas of the time), and musical (the balance between general aspects regarding the presentation of either eras, styles, or composers and their oeuvres, and the personal option for certain esthetics, certain language or significant opus), contributes to the diversity of research meth...

Performing & Visual Arts2014
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