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Year: 2024Subject: ART & HUMANITIES: Section Performing Artsclear all
Showing 1-7 of 7 records
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Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

CREATING AN ARTISTIC WOOL RUG WITH A DOUBLE IMAGE IN THE VISUAL AND NEAR-INFRARED SPECTRA

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Dijana Nazor Corda, Jana Ziljak Grsic, Helena Bacinger Skrlec)

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Years of research (since 2014) of the properties of colour twins based on InfraredArt theory the recording in the visible (V) and near-infrared (NIR) spectra, allowed the image to be depicted in two spectral ranges. Continued work in the field of InfraredArt painting led to the idea in 2022 of applying this artistic method to creating an artistic wool rug with a double (dual) image. This was made possible through collaboration with designers and technologists at the company reGalerija in Zabok. After numerous atte...

ART & HUMANITIES: Section Visual Arts2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

CREATION AND DESTRUCTION: SOME PSYCHOLOGICAL REFLECTIONS IN THE PAINTINGS OF GIAN CARLO RICCARDI

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Rosella Tomassoni, Valentina Coccarelli, Francesco Spilabotte)

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The aim of this study is to analyse some paintings by the Italian, multimedia and avantgarde artist Gian Carlo Riccardi (1933-2015), in which the concept of creation and destruction, or rather, as Freud would say, Eros and the destructive drive, predominate at the same time. Our study will focus in particular on the execution of these works, leading to a kind of ‘creative destruction’. This work intends to show how Gian Carlo Riccardi uses heterogeneous and salvaged materials to create pictorial works in which...

ART & HUMANITIES: Section Performing & Visual Arts2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

DO YOU KNOW WHAT SCIENCE ART IS? A definition and Introduction to an Art Genre

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Friedrich Bliem)

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The increasing impact of science and technology in our daily lives calls for more science communication within the general public and science art offers an effective means. Science Art is not new, but until about 20 years ago science topics in the general art world were still a rarity. This was treated as a niche form of graphic art. However, especially over the last 10 years there has true surge of interest in the artistic depiction of science subject matter in the digital networks. So, what is Science Art? Well,...

ART & HUMANITIES: Section Visual Arts2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

IGNACY ZALEWSKI’S DIE SPINNERIN AS A CATEGORY OF ‘COLORFUL MINDEDNESS’ IN MUSIC

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Katarzyna Szymanska-Stulka)

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Color is not only a matter of visual arts but also of music. It can influence how we feel, how we perceive the world, and even tell a lot about one’s personal artistic style based on their favorite colors choices. Color is also a powerful means of communication. It can signify action, influence mood, and even physiological reactions. Colors can stimulate creativeness and affect productivity. Some experts tells about the powerful red, restful green, emotional yellow, playful orange or intellectual blue. Colors ap...

ART & HUMANITIES: Section Musicology2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Einar Svansson)

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic...

ART & HUMANITIES: Section Visual Arts2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE CREATIVE HERITAGE OF DAVID OISTRAKH IN THE MUSICAL ART OF THE XX CENTURY

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Maryna Biletska, Tatiana Pidvarko, Lina Kotova, Karina Oleksenko)

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The creation of D. Oistrakh is one of the highest achievements in the native musical art of the 20th century. D. Oistrakh’s impressive performing skills, the philosophical depth and the scale of his interpretations, the sensitivity to everything new were combined with the inspiration of the pedagogical work, the special care about the transformation of his great creative experience to the new generation of the violinists. Studying the creative heritage of D. Oistrakh, we can confirm that he has created the origi...

ART & HUMANITIES: Section Musicology2024
Proceedings of 11th SWS International Scientific Conference on Arts And Humanities - ISCAH 2024
Publication

THE CYCLICAL FORM FROM A COMPOSITIONAL TECHNIQUE TO A THEMATICISM-GENERATING PRINCIPLE

(SGEM WORLD SCIENCE (SWS) Scholarly Society, 2024, Anca Sirbu)

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Although the roots of the cyclical form can be traced back centuries ago, it was the 19th century that claimed the cyclical principle as its full manifestation. Closely linked to the concept of genre and its affirmation in certain patterns, the cyclical form was adopted by composers as a working tool to ensure the unity of a multipartite sonic organism by utilizing a common thematic material that can be found in several parts of the genre. This thematically charged entity can circulate at the macro-formal level in...

ART & HUMANITIES: Section Musicology2024
Showing 1-7 of 7 records
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