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The following article is a structural analysis of Telemann’s Advent and Christmas Cantatas from the Harmonischer Gottes-Dienst, 1725-6 and 1731-2 liturgical years. The solo sacred cantatas are investigated in their context of Lutheran Liturgy, evaluating Telemann’s cantata form, the vocal Fach, the instrumentation and the text, thus offering a guide to singer’s performance. The outcome is a better understanding of Telemann’s choice for vocal expression. These collections stand as great recipes for acquiring mental...

Visual space and music seem to be the components of the real space, which are separated, and don’t come together but interaction of the rules of vision and sound can bring interesting research effects. I am convinced that the basis of visual arts can be adopted on the ground of music and deepen our knowledge about music of that time. In fact, visual and architectural space is around the composer and the listener. Moreover, it is experienced during musical performance and has a great impact on it. Areas of vision a...

The relationship between the emergence of linear perspective during the Renaissance and scientific cartography is well known. They both inaugurated and exhibited a new relationship to the world – a de-theologised world, which the human being was now able to measure and circumscribe. Linear perspective and cartography both enabled to frame the world in a window which we could from then onwards encompass, think, visualise, and view at a glance. “Framing” became the key operation of Renaissance art and science. The c...

This research aims to mirror how the Renaissance musical life was manifested in Brasov-B?rsa Land, a specific area of Transylvania that has demonstrated its European vocation, from the old to the present day. Although Brasov and B?rsa Land didn`t play a major role during the Renaissance, the importance and the increasing amplitude gained by music leads to the development of certain music schools, centres, of special significance in the history of Transylvanian artistic culture. In Brasov, during the Principality o...

This paper aims to analyse the ways in which a marriage can be concluded in the case of rich and noble families, as well as in the case of the poor ones. Marriage habits are different, depending on the social and economic status, and most of these traditions prevail nowadays also. The institution of marriage will lead to a transformation of the sentimental imaginary, starting from the Middle Ages’ fin amor, played by the troubadours, to the pragmatic, interested relationship, focused on procreation and the transfe...

The present paper is intended to be an analysis of the female ideal during the Renaissance period, respectively during the 14th-17th centuries, both in the realities of the times and in the art. The Italian Renaissance was inspired by Greek-Roman mythology, i.e. Olympus was fascinated by the goddess of beauty, Venus, as well as the ideal of the Middle Ages represented by Virgin Mary and Eve. Although the Church blames the feminine beauty as a source of sin, the prosperous Renaissance society divinises the beauty o...