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Year: 2018Subject: ART & HUMANITIES: Section History of Artclear all
Showing 1-9 of 9 records
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5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ABILKHAN KASTEEVВ’S WATERCOLORS AS A HISTORICAL AND ETHNOGRAPHIC SOURCE (CENTRAL STATE MUSEUM OF THE REPUBLIC OF KAZAKHSTAN COLLECTION AS A CASE STUDY)

(STEF92 Technology, 2018, Galiya Temirton, B. Kakabaev, U. Ashimova)

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People's Artist of Kazakhstan Abylkhan Kasteev was a subtle connoisseur of history, culture, customs and traditions, which was clearly reflected in his work. Therefore, the numerous works of the artist today cause not only artistic and aesthetic interest, but also scientific, as they represent a huge layer of pictorial material on the history, traditional culture and way of life of Kazakhs in a wide chronological range. This article gives a brief analysis of the historiography of A. Kasteev's works, especially sci...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

ARCHITECT AS GEOGRAPHER: THE RENAISSANCE ARCHITECTURAL THEORY ON FORTIFICATION AND TERRITORY

(STEF92 Technology, 2018, Y. Revzina)

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One of the most important architectural theoreticians of the late Italian Renaissance Vincenzo Scamozzi drew an analogy between architect’s work and work of a geographer in his famous treatise “La idea dell’architettura universale” (1615). That analogy based on Strabo’s authority led Scamozzi to some reflections on importance of intensive examination of the territory by every architect. He considered an architect to be not only a natural scientist but a person who would be able to combine natural philosophy...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

CREATIVITY OF THE MONGOLIAN ARTIST Z. UYANGA: ANALYSIS OF THE GRAPHIC SERIES "WOMEN OF MONGOLIA"

(STEF92 Technology, 2018, Sophia Belokurova)

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The article is devoted to the analysis of the creativity of the modern Mongolian artist Zorigt Uyanga. The author pays special attention to the means of artistic expressiveness used by the artist in the series “Women of Mongolia”. The paper provides art-critical research of cultural and historical background which forms the basis of the series. It reveals a special interest of the artist to the role and semantic of costume (or its absence) and traditional female hairdo. Mentioned points and their modification ...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

EDUCATING FUNCTION OF LINEAR PERSPECTIVE IN THE RENAISSANCE ART

(STEF92 Technology, 2018, M. Tarasova, N. Bakhova, V. Zhukovsky)

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The aim of this study is to justify a classification of the Italian Renaissance paintings based on aspects of the educating function of linear perspective. The importance of the problem is in unrealized educating potential of linear perspective in the field of publication activity. Researchers mostly examine the mathematical aspect of linear perspective as the artistВ’s tool for modeling the three-dimensional world in two-dimensional pictorial art forms. However, reducing linear perspective to a technical device c...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

GENERATION OF COMPLEX STRUCTURES CONNECTED WITH PLANETARY TIME CYCLES IN ARCHITECTURE

(STEF92 Technology, 2018, Vitaly Kochergin)

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Circular megalithic structures can be found all over the world. Despite the great interest they arouse in scientists, the function and reasons for construction of many of them are still unknown. In this article we present general analysis of circular megalithic structures that date back to 4th – 2nd thousand BC as calendars and calculating devices which allowed the ancient to define and fix cyclic time patterns to spatial constructions. It lies at the base of our hypothesis of the principles of how these cultic ...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

MASTERY OF THE HUMAN FABRICA: SEEKING TITIAN IN VESALIUS ANATOMY

(STEF92 Technology, 2018, I. Vodopivec)

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The paper debates possible authorship of designs for printed illustrations in one of the most famous anatomies issued during the Renaissance period – the work of Andreas Vesalius entitled De humani corporis fabrica libri septem pubished in 1543. The anatomy contains more than 250 illustrations, of which 22 are made on large folio plates; three of them depicting skeletons, others depicting human body structures. Many studies have analyzed possible masters who prepared designs for the illustrations in question. Am...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

STONEHENGE – A ROMAN TEMPLE OR A BUILDING OF THE FIRST PARLIAMENT OF BRITAIN: DISCUSSION IN XVII CENTURY BRITISH ARCHITECTURAL THEORY

(STEF92 Technology, 2018, D. Shvidkovsky)

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The paper has its aim to determine the features of the search of national identity and its origins in the architectural theory in XVII century Britain. In spite of troublesome period of time the rule of Charles I, with its difficulties, which led to the revolution, Civil war, execution of the king, the pass of power to the Parliament, then restoration of Charles II one topic had been constantly present in the British architectural mentality. It was the question, who built Stonehenge and what that already famous an...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE DANCING "SHAMAN" IMAGE IN THE COMPLEX RASHAAN-KHAD IN MONGOLIA

(STEF92 Technology, 2018, M. Shishin)

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In 2015, as a result of historical and art studies of the complex of petroglyphs Rashaa-Khad in Mongolia, an indescribable anthropomorphic image was discovered, which was given the name "dancing shaman". It was located on the well-known and long-studied stele, on which a large number of tamgo-shaped signs of the Mongolian clans were carved. The image was located on the edge, poorly read because of the thick layer of organic matter. When clearing and copying through a special thin paper – mikalent, we were able t...

ART & HUMANITIES: Section History of Art2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THE SUBSTANTIATION OF THE ICONOLOGICAL METHOD IN SEMANTIC ANALYSIS OF BUDDHIST ARCHITECTURE (ON THE EXAMPLE OF MONGOLIA)

(STEF92 Technology, 2018, M. Shishin, T. Kanaryova)

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The article substantiates the prospects of theoretical and art-historical research of Mongolian temple architecture, based on extensive historical and art descriptions. It is indicated that the actual task is the interpretation of temple architecture. The experience of application of iconological method in disclosure of semantics of architectural monuments in Western Europe is presented. On the basis of this, for the first time, applied to the Mongolian architecture, the author proposes the methodological iconolog...

ART & HUMANITIES: Section History of Art2018
Showing 1-9 of 9 records
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