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This research concerns the mystery as epistemological and aesthetic category. The objective of this paper is mystery as the particular form of conscious. The main target is the esthetical hypostasis of mystery and its role in art’s evolution. Phenomenological conception of conscious by E. Husserl is the base of the research as the method. It is dedicated to phenomenological conception of conscious and we emphasize the intentionality is the most important issue of this conception. Subsequently we consider that the ...

Through the implementation of the stylistic and conceptual plan, the guitarist is able to establish on an experimental basis the phenomenological issues which will then be solved gradually since the preliminary phase of reading at first sight. The simplification of the double comprehension, first achieved by the performer through the establishment of the previsionary traits of the imaginative-interpretative plan, both conceptual and stylistic, and then by the receiver, must contain the inverted decryption key for ...