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ERRORS IN RENAISSANCE ARCHITECURAL TRANSLATION

D. Sedzicki

First published: 2018https://doi.org/10.5593/sgemsocialF2018/2.3/S20.018View metrics

Abstract

This paper considers error mechanics in architectural translation and representations. The investigation is based on two examples. First situation describes Italian architect Giacomo Leoni and published by him in instalments the first complete English language edition of Palladio's I Quattro Libri dell'Architettura, which Leoni entitled The Architecture of A. Palladio, in Four Books. Leoni’s publication became a main tool in spreading the essence of Palladio’s style among British and American architects. Original publication by Palladio contained drawings, illustrating buildings and architectural details, drawn by Italian master architect, however Leoni’s version incorporated re-drawn, alternative plans and sketches composed by himself. Leoni's changes continued to influence Palladianism and popularised wrong view of Palladio’s designs. Another example is Filippo Brunelleschi, won in a competition which was announced in Florence, calling for vaulting for main Dome of the Cathedral of Santa Maria del Fiore. His victory over his rivals is quite remarkable in the light of the fact that he had won no prior commissions on his own and had almost none experience in producing architecture. His innovative models and machine concepts in line with his family connections, however, convinced jury to let him finish the construction of the Cathedral of Santa Maria del Fiore. Newly appointed designer was concerned with other architects, artists and craftsman constantly looking over his shoulder, and so he developed a mode of working that would allow him to keep his designs secret and make his life extremely difficult. In order to retain his innovative solutions he purposefully made models that were to be used merely as indication and not as exact reflection of what was to be built. By comparison of the original Palladio’s work and Giacomo Leoni’s alterations and inaccuracies, and also by showing influence of incomplete versions of Brunelleschi’s models the article attempts to show how errors not only can travel long distances but also have the power to inspire a design of even the most notable buildings.

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Publication details

Title
ERRORS IN RENAISSANCE ARCHITECURAL TRANSLATION
Authors
D. Sedzicki
Proceedings
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publisher
STEF92 Technology
Year
2018
Pages
153-160
SWS Citekey
Sedzicki201820153160
ISSN
2367-5659
ISBN
978-619-7408-68-3
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References8
  1. Rudolf Wittkower. Palladio and English Palladianism. London. Great Britain. Thames and Hudson, 1983.

  2. Charles Brownell. Necessary Corrections. Palladiana Magazine, Center for Palladian Studies in America. Charlottesville. United States. Vol.3 No.1. Fall 2008

  3. Judith Proffitt Man with “little or nothing to do” create a neo-Palladian treasure; Palladiana Magazine, Center for Palladian Studies in America. Charlottesville. United States. Vol. 2, No.1. Fall 2007.

  4. Charles Brownell. Necessary Corrections. Palladiana Magazine, Center for Palladian Studies in America. Charlottesville. United States. Vol.3 No.1. Fall 2008

  5. Ross King. Brunelleschi’s Dome – The Story of the Great Cathedral in Florence. New York City, United States: Vintage Books. 2008.

  6. Antonio Manetti. Trans. C.Enggass. Life of Brunelleschi. University Park, Pennsylvania, United States: The Pennsylvania State University Press. 1970.

  7. Patrik Schumacher. The Autopoiesis of Architecture. New York City, United States: John Wiley & Sons. 2011.

  8. Mario Carpo. The Alphabet and the Algorithm. Cambridge, Massachusetts, United States: The MIT Press. 2011.

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