Scholarly record
PARS PRO TOTO: AMULET IN THE FORM OF THE DEERS FOOT IN SCYTHIAN-SIBERIAN ART
Abstract
With the beginning of the early Iron Age, the history of the peoples of the steppe belt of Eurasia marks a new stage. Among the Scythian tribes, the art of the Scythian-Siberian bestial style acquired special significance. In Western literature he is known, the animal style. Scythian animal style is characterized by a certain set of real and mythological species of animals and birds, canonical poses and compositions. The most famous is the struggle of predatory and herbivorous animals, flying deer, curled predators, deer standing on pointes. One of the distinguishing features of the Scythian-Siberian animal style is also zoomorphic transformations, a combination of images and an image instead of the animal's body of its separate part (pars pro toto -lat.). This article is devoted to the description of one of the types of mobile art of the Scythian animal style. Its about an amulet in the form of a deers leg carved from a horn. It was discovered in the burial of the Scythians in the territory of Tuva. The amulet is made in the form of a deers leg with an elongated hoof. In the upper part there is a hole. The entire surface of the suspension is covered in small strokes and well polished. The hoof has an incision that divides it into two parts. The decoration is distinguished by a fine carving and is made by a craftsman with a good artistic taste. Currently, there are three similar finds of amulets in the form of a deer's leg. Like many ancient peoples, the Scythians had ideas about the division of the body of God into separate parts. Each of these parts could become the object of separate worship.
Publication Impact Profile
Publication details
References15
Abaev V.I., Osetinskiy yazyk i fol’klor [Ossetian language and folklore]. Bd. I, M.-L.: Publishing House of the USSR Academy of Sciences, 1949, 608 p. (In Russ.)
Devlet Ye.G., Devlet M.A. Mify v kamne: Mir naskal’nogo iskusstva Rossii [The world of rock art of Russia]. Moscow: Aleteya, 2005, 472 p. (In Russ.)
Kisel’ V.A., Motiv nogi loshadi v skifo-sibirskom zverinom stile [The motif of the horse’s foot in the Scythian-Siberian animal style]. Proceedings of the IV (XX) All-Russian Archaeological Congress in Kazan, T. IV, Kazan: Otechestvo, 2014, pp. 43–45. (In Russ.)
Kantorovich A.R., Klassifikatsiya i tipologiya elementov “zoomorfnykh prevrashcheniy‘ v zverinom stile stepnoy Skifii [Classification and typology of elements of “zoomorphic transformations” in the animal style of the steppe Scythia]. Structural-semiotic studies in archaeology, Bd. 1, Donetsk: DonNU, 2002, pp. 77–130. (In Russ.)
Kubarev V. D., Obraz olenya v petroglifakh Altaya [The image of a deer in petroglyphs of Altai]. Stepi Yevrazii v drevnosti i srednevekov'ye. K 110-letiyu so dnya rozhdeniya M. P. Gryaznova. [To the 110th anniversary of the birth of M. P. Gryaznov]. St. Petersburg: Publishing House of the State Hermitage, 2002. pp. 70–76. (In Russ.)
Savinov D. G., Mogil’nik Urbyun-III i nekotorye voprosy arkheologii Tuvy skifskogo vremeni [MoundUrbyun-III and some questions archaeology of the Tuva of Scythian time]. Archaeology South Siberia. Collection of scientific papers, Kemerovo: Kemerovo State University Publ., 1980, pp. 107–119. (In Russ.)
Potapov I.A., Yakutskaya narodnaya rez’ba [The Yakut folk carving]. Yakutsk: Yakutsk Book Publishing House, 1972, 144 p. (In Russ.)
Propp V.Ya., Morfologiya skazki [Morphology of the Tale]. Moscow: Nauka, 1969, 168 p. (In Russ.)
TeterinY.V., Mitko O.A., Kurgany ranneskifskogo vremeni mogil’nika Ak-Dag I v Tuve [Mounds of early Scythian time of Ak-Dag I burial ground in Tuva]. Bulletin of the Novosib. St. Univ. Series: History, Philology, 2013, vol. 12, iss.5: Archaeology and Ethnography, pp. 196–205. (In Russ.)
Khazanov A.M., Shkurko A.I., Sotsial’nyye i religioznyye osnovy skifskogo iskusstva [Social and religious foundations of Scythian art]. Scythian-Siberian animal style in the art of the peoples of Eurasia. Moscow, 1976, pp. 40–51. (In Russ.)
Cheremisin D.V., O semantike rogatykh maskirovannykh loshadey pazyrykskikh kurganov [On the semantics of horned masked horses of Pazyryk barrows]. Archaeology, ethnography, anthropology of Eurasia, № 2 (22), 2005, pp. 129–140. (In Russ.)
Chlenova N.L., Proiskhozhdeniye i rannyaya istoriya plemen tagarskoy kul’tury [The origin and early history of the tribes of the Tagar culture]. Moscow: Nauka, 1976. 296 р. (In Russ.)
Chlenova N.L., Sledy kopyt “skifskikh” koney [Traces of hoofs of “Scythian” horses]. Results of studying the Scythian epoch of Altai and adjacent territories, Barnaul: Altai State University, 1999, pp. 231–234. (In Russ.)
Čugunov K., Der skythenzeitlice Kulturwandel in Tuva. Eurasia Antiqua. Zeitschrift für Archäologie Eurasiens, Bd. 4, 1998, S. 273–308. (In Germ).
Čugunov K.V., Mogil’nik Dogee-Baary 2 kak pamyatnik nachala uyuksko-saglynskoy kul’tury Tuvy (po materialam raskopok 1990–1998 godov) [The burial ground of Doge-Baara 2 as a monument to the beginning of Uyuk-Saglyn culture of Tuva (based on excavations from 1990–1998)]. Collection of scientific works in honor of the 60th anniversary of A.V. Vinogradov. Publishing house “KultInformpress”, 2007 pp. 123–144. (In Russ.)
View or Download full articleAccess options
SWS access login
Login as SWS Scientific CommitteeLogin as SWS Scientific PartnerLogin as SWS AuthorAuthors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.
For librarian assistance: [email protected]
Purchase Instant Access
- Article can be downloaded after successful payment.
- Article may be used according to SWS library access terms.
- Article cannot be redistributed.



