Scholarly record
VISUAL DIGITAL ARCHIVES THE FIELD OF INFORMATION VISUALIZATION IN DIGITAL ARCHIVES
Abstract
This article is part of a broader study on the new visual methods to organize data and information, with the aim to recognize the designing of archives as an active process in information storage and retrieval. The building of an Archive, a structured and declared element of information, implies the awareness of existing data organization processes. The management of this information will connect with the capability to interpret and read information that is otherwise impervious. Design, archiving and image are fertile ground for the conceptualization, creation and origin of new visual media in information visualization. Within this context, we study, observe and infer on how they can become an implementation model for new archives visual digital archives. With this study, we seek to analyze what is behind the digital archive model. It aims to infer on perception, culture and visual lexicon issues, giving guidelines to the creation and construct of visual digital archives. The methodology focused on User Centered Design, with the literary review and empirical methods, such as interviews, surveys and field observation work, in a newsroom context, which allowed the conclusion that, there are visual models of organizing data and that information visualization can set the creation of broader visual digital archive structures. We thereby, identified the elements for a visual lexicon, removing global considerations with structural features for the field of design, and their classification in the pursuit of a new model of visual digital archives.
Publication Impact Profile
Publication details
References15
Arbesman, S., Overcomplicated: Technology at the Limits of Comprehension, Penguin Random House LLC, New York, 2016;
Cairo, A., Infografia 2.0. Alamut, Spain, 2008;
Pavliscak, P., Data-Informed Product Design, O’Reilly, California, 2015;
Ware, C., Information Visualization: Perception for Design (2nd ed.), Morgan Kaufmann, Amesterdam, 2004;
Geertz, C., “The Interpretation of Cultures: Selected Essays”, Thick Description: Toward an Interpretive Theory of Culture, Basic Books, New York, 1973, pp. 3-30;
Wang, T., Big Data Needs Thick Data, May 13, 2014, in Ethnography Matters: http://ethnographymatters.net/blog/2013/05/13/big-data-needs-thick-data/ (accessed August 24, 2015);
Norman, D. A., The Design of everyday things, Basic Books, Nova Iorque, 2013;
DGLAB, Arquivos, DGLAB, Lisbon, July 8, 2014, in http://dglab.gov.pt/area-arquivos/ (accessed January 15, 2015);
Penteado, P. A normalização em arquivos: panorâmica actual da produção nacional e internacional, Cultura Digital, Lisbon, October 14, 2010, in http://www.culturadigital.pt/docs/dgarq_ppenteado.pdf (accessed January 27, 2016);
Brinton, W. C., Graphic Presentation, Brinton Associates, New York, 1939;
Tufte, E., The Visual Display of Quantitative Information (2nd ed.), Cheshire Graphics Press, Cheshire, 2001;
Bertin, J., Semiology of Graphics: Diagrams, Networks, Maps, ERSI Press, London, 2010;
Lima, M., Visual Complexity: Mapping patterns of information, Princeton Architectural Press, New York, 2011;
Meirelles, I., Design for Information, Rockport Publishers, Beverly, 2013;
Norman, D. A., Living with complexity, MIT Press, London, 2010.
View or Download full articleAccess options
SWS access login
Login as SWS Scientific CommitteeLogin as SWS Scientific PartnerLogin as SWS AuthorAuthors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.
For librarian assistance: [email protected]
Purchase Instant Access
- Article can be downloaded after successful payment.
- Article may be used according to SWS library access terms.
- Article cannot be redistributed.



