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ANTON CHEKHOVS RECEPTION IN LATVIA
Abstract
The aim of the study is to perform and present the synchronic and diachronic analysis of the Russian writers, Anton Chekhovs (1860 1904), reception in Latvia in four most significant cultural historical periods that determined the establishment and formation of the writers literary reputation (I. Rozanov) in Latvia. The material of the study is essays, dedication poetry, translations, and staged performances to trace the borrowings and direct influences that form the outer and inner reception of Chekhov (D. Dyurishin) and testify to the topicality of the writers personality and literary heritage in different epochs of Latvian cultural space. Research methods: comparative, cultural-historical, biographical, structural-semiotic. Results: the reception of Chekhov in Latvia has been analyzed within the framework of four most important cultural-historical epochs: 1) at the end of the 19th the beginning of the 20th century, 2) in the period of Latvias independence (1918 1940), 3) in the Soviet period of Latvia (1940 1991), 4) in the 1990s the beginning of the 21st century: among the most important recipients of Chekhovs influences one can mention Latvian writers P?rsietis, R. Blaumanis, E. Vulfs, A. Austri?, Sudrabu Edus, K. Skalbe, A. Up?ts, a.o.; the most productive borrowed image is the the little man and its variations the man in a case, the man-chameleon, and The Darling; on the level of borrowed structures the model of a revelation story plays an important role. The phenomenon of Latvian Chekhov is also traced via the insight into the staging tradition of Chekhovs plays (producers F. Dei?s, A. Kacs, O. Kroders, M. ?imele, ?. apiro, a.o.) and the dedication poetry to Chekhov by Latvian writers (E. Vulfs, K. Dzi?leja, Sudrabu Edus, M. ?empe, N. Dzirkale, TC, I. Rupenheite, E. Kuple, a.o.).
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