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SPIRITUALITY BETWEEN INTERPRETATIONS OF THE TRUTH AND TRUTHFUL INTERPRETATIONS IN LIFE OF PI

A. Marginean

First published: 2017https://doi.org/10.5593/sgemsocial2017/62/S26.039View metrics

Abstract

The glance we threw at the cinema production Life of Pi intended to reveal various aspects connected with the topic of spirituality and the problems raised by the story in this sense and in connection with the concept of truth. We had taken up this analysis because we noticed the predominance of aspects linked with the spiritual, which is an ever-present strain at the back of the characters’ minds no matter how trivial the subject of a given conversation. Also, the way the notion of truth became problematic but at the same time obsessive – be it more or less straightforwardly – was plentifully apparent. From the perspective of cultural studies, we analyzed all the meaningful moments in the film in profundity and detail to identify the attitudes towards the concepts in question. In this way, we detected layers of philosophical depth and meaning in simple realities such as a character’s name, the personality and even ostensibly simple words of a guru, the appearance that a Bengali tiger makes in a certain manner and the act of dancing. We found that what seemed to be an involuntary lie, occurring as a consequence of trauma, could ambivalently be intentional mystification as well. We analyzed the reasons for the preservation of this ambiguity and its relevance in the economy of the story and in relation with the spiritual, detaching the overall intention of a moral conclusion. We expect to have highlighted the complexity and wisdom of a cultural object which thus reveals in Life of Pi more than just a cinema production that awes by its otherwise incontestable artistry and aesthetic beauty.

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Publication details

Title
SPIRITUALITY BETWEEN INTERPRETATIONS OF THE TRUTH AND TRUTHFUL INTERPRETATIONS IN LIFE OF PI
Authors
A. Marginean
Proceedings
4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2017
Publisher
STEF92 Technology
Year
2017
Pages
321-328
SWS Citekey
Marginean201726321328
ISSN
2367-5659
ISBN
978-619-7408-24-9
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References9
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  4. Each Day of a Week Dedicated to a Particular Hindu God, httpwww.londonsrimurugan.orgpdfEachDayoftheWeek.pdf, pp. 5-11.

  5. Life of Pi, 2012.

  6. Life of Pi, 2012.

  7. Indian Classic Dance Forms – IAS Culture Notes 2016, http://www.studydhaba.com/indian-classic-dance-forms-ias-culture-notes-2016-pdf-download/.

  8. Mohanty, A.; Vaishnavi, P., Jana P., Majumdar A., Ahmed A., Goswami T., Sahay R. R., “Nrityabodha: Towards Understanding Indian Classical Dance Using a Deep Learning Approach”, Signal Processing: Image Communication, DOI: 10.1016/j.image.2016.05.019, pp. 1-4.

  9. Life of Pi, 2012.

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