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HISTORY AND TRADITION - MAIN IDEAS BEHIND OSKAR GOTTLIEB BLARR’S MUSIC

I. Dulisz

First published: 2018https://doi.org/10.5593/sgemsocial2018H/61/S07.009View metrics

Abstract

The article focuses on the compositional activity of Oskar Gottlieb Blarr. This contemporary German artist creates diverse music based on a variety of themes, forms and styles, and carrying a humanistic and religious message. His works arise from the past, document historical memory and pay tribute to traditions. As a musical testimony of the past, they commemorate events, facts and figures, but they also express a reflective longing for lost homeland. History and traditions present in Blarr’s music are discussed through the prism of reminiscences related to the country of his childhood, Lutheran traditions, references to great composers, old styles and composition techniques. The article brings up his works devoted to the memory of great historical figures, inspired by Jewish culture and thematically related to the martyrdom of Poles and Jews during World War II. It offers an overview of the composer’s pieces which while referring to the broadly understood “past”, are very much embedded in the dimension and ideological and musical context of the present times. Such approach allows to appreciate his music not only for its artistic values, but also for the “highest values” that it represents, and which should constitute a permanent element of today’s reality.

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Publication details

Title
HISTORY AND TRADITION - MAIN IDEAS BEHIND OSKAR GOTTLIEB BLARR’S MUSIC
Authors
I. Dulisz
Proceedings
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publisher
STEF92 Technology
Year
2018
Pages
71-78
SWS Citekey
Dulisz201877178
ISSN
2367-5659
ISBN
978-619-7408-34-8
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References12
  1. Blarr O.G., 3 mal neu. Chronik über vierzig Jahre Neue Musik im Hinterhof 1972–2011. Neanderkirche Düsseldorf Bolkerstraße, Germany, 2014, pp 1-408.

  2. Gładkowski K., Oskar Gottlieb Blarr i jego kulturowy wkład w pojednanie polsko-niemieckie, Zeszyty Naukowe KUL 59, Poland, 2016, issue 2 (234), pp 61-74.

  3. Penderecki K., Recenzja w związku z nadaniem Prof. Oskarowi, Gottliebowi Blarrowi tytułu doktora honoris causa Uniwersytetu Warmińsko-Mazurskiego w Olsztynie, a typesctipt made available by K. Gładkowski, the promoter of the honorary doctorate, Poland, 2016, pp 1-5.

  4. Ibidem

  5. Pociej B., Utracona ojczyzna, Podkowiański Magazyn Kulturalny, Poland, 2007 issue 54-55, http://www.podkowianskimagazyn.pl/index54.htm

  6. Ibidem

  7. Interview of the author with the composer on 7/07/2017.

  8. Blarr O.G., Przemówienie podczas uroczystego posiedzenia Senatu Uniwersytetu Warmińsko-Mazurskiego w Olsztynie z okazji nadania tytułu Doktora Honoris Causa w Filharmonii Warmińsko-Mazurskiej im. Feliksa Nowowiejskiego w Olsztynie w dniu 14 października 2016 roku, occasional folder, Poland, 2016, pp 1-20.

  9. Ibidem

  10. Klasen O., Oskar Gottlieb Blarr Komponist und Kantor in Düsseldorf nach 1960: Untersuchungen zu seiner musikalischen Sprache in Wechselwirkung zu seinem Lebensumfeld, dissertation, Germany, 2014, pp 1-522, https://www.zhb-flensburg.de/fileadmin/content/spezial-einrichtungen/zhb/dokumente/dissertationen/klasen/dissertation-klasen.pdf

  11. Blarr O.G, Droga z Prus Wschodnich na Warmię i Mazury. Osobiste spostrzeżenia na temat polskiej i niemieckiej kultury, Problem stosunków polsko-niemieckich po traktacie z 1991 roku z perspektywy regionalnej Poland, edited by K. Gładkowski, Poland, pp 139-153.

  12. Inlender M., Dzienniki młodzieńcze. Lwów-Wiedeń. 1901-1907, in preparation by E. M. M. Guski, I. N. Czapska, Poland, 2011, 1-280.

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