Scholarly record
FACES OF MULTIVOCALITY IN OCTETUL DE COARDE OP.7 (THE STRING OCTET OP. 7) BY GEORGE ENESCU
Abstract
The personal synthesis between national and universal that Enescu has performed throughout his compositional career is foreshadowed since the time when writing the Octet op. 7, one of the composer's youth works, that reveals a number of trends and personal marks of the style he gained in subsequent creation. With the new perspective upon polyphony, offered by the multitude of the processes outlined in the twentieth century, the Octet op. 7 by George Enescu offers a personal view upon multivocality, seen from a set of perspectives: imitative polyphony, non-imitative polyphony (heterogeneously free and traditional methods renewed) and heterophony.
Publication Impact Profile
- Captures
- Mendeley - Readers: 1
Publication details
ReferencesPending
Structured references will appear here after the reference import pass. The count is preserved now so the scholarly record is not incomplete.
View or Download full articleAccess options
SWS access login
Login as SWS Scientific CommitteeLogin as SWS Scientific PartnerLogin as SWS AuthorAuthors and approved SWS contributors will read and export their own linked papers after identity matching by SWS profile, email and SGEM GlobalID.
For librarian assistance: [email protected]
Purchase Instant Access
- Article can be downloaded after successful payment.
- Article may be used according to SWS library access terms.
- Article cannot be redistributed.
