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HISTORY AND SPACE MODEL OF NATIONAL IDENTITY IN JULIAN BARNES'S NOVEL ENGLAND, ENGLAND

N. Konoplyuk

First published: 2019https://doi.org/10.5593/SWS.ISCAH.2019.1/S27.063View metrics

Abstract

The article analyses the physical representation of national identity in Barnes’s England, England (1999). In his novel, Barnes constructs a two-dimensional model of English national identity comprising history and landscape. The significance of these two concepts in the system of national English symbolism is acknowledged by both the English and the outsiders. In the three parts of the novel, the author successively depicts three landscapes with various degrees of symbolic meaning. In the first part, the perspective of the past years transforms the space of the character’s childhood into a national image of the country. Similarly, the replicas of historic and cultural sites constructing the simulacrum landscape of the theme park in the second part are turned into national heritage by the pseudo-historical background invented for them. On the contrary, in the third part, Anglia’s landscape robbed of its historical context is shown as devoid of any value for the nation or visitors. Thus, the novel proves the influence historical connotations have on a landscape in transforming it into a symbol within the author’s model of national identity

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Publication details

Title
HISTORY AND SPACE MODEL OF NATIONAL IDENTITY IN JULIAN BARNES'S NOVEL ENGLAND, ENGLAND
Authors
N. Konoplyuk
Proceedings
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publisher
STEF92 Technology
Year
2019
Pages
497-504
SWS Citekey
Konoplyuk201927497504
ISSN
2682-9940
ISBN
978-619-7408-90-4
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References15
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