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ARTIFICIAL INTELLIGENCE AND ART

Anar Tanabayeva, Alina Urazova, Adiya Kosseit

First published: 2024https://doi.org/10.35603/sws.iscss.2024/vs16/93View metrics

Abstract

Artificial Intelligence (AI) has changed paradigms of creativity and art, raising questions about the capacity of machines to create works that evoke emotional response and possess originality. This article explores whether AI systems can create ‘real’ art and what this means in terms of philosophy, aesthetics and cultural norms. Examples of AI art such as “Theatre D’opera Spatial” and “Portrait of Edmond de Belamy” are analyzed to assess their emotional and artistic value. The question of originality of AI art is discussed through the lens of copyright, imitation theory and cultural perceptions, providing a deeper understanding of how AI affects traditional notions of creativity.

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Publication details

Title
ARTIFICIAL INTELLIGENCE AND ART
Authors
Anar Tanabayeva, Alina Urazova, Adiya Kosseit
Proceedings
Proceedings of 11th SWS International Scientific Conference on Social Sciences - ISCSS 2024
Publisher
SGEM WORLD SCIENCE (SWS) Scholarly Society
Year
2024
Pages
555-564
SWS Citekey
Tanabayeva202433555564
ISSN
2682-9959
ISBN
978-3-903438-14-9
Language
en
Publication type
Proceedings Paper
Proceedings contents
Open official contents
Keywords
References1
  1. Boden, M. A. (1990). The Creative Mind: Myths and Mechanisms. New York: Basic Books. [3] Danto, A. (1981). The Artworld. The Journal of Philosophy, 78(19), pp 757-761. [3] Deleuze, G. (1968). Difference and Repetition. New York: Columbia University Press. [4] Zeki, S. (1999). Art and the Brain. Journal of Consciousness Studies, 6(6), 76-96 pp. [5] Plato. (380 B.C.E.). The Republic. (Trans. by B. Jowett). New York: Random House. [6] U.S. Copyright Office. (2019). Copyright Registration of Works Created by Artificial Intelligence. Retrieved from https://www.copyright.gov/policy/artificialintelligence/ index.html [7] Benjamin, W. (1935). The Work of Art in the Age of its Technical Reproducibility. In Walter Benjamin: Selected Writings, Volume 3: 1935-1938, edited by H. Eiland & M. W. Jennings. Cambridge, MA: Harvard University Press. [8] McCosker, A., & Wilken, R. (2020). Robot Art: On Creativity and Authenticity. In Artificial Creativity and Cultural Impacts. New York: Routledge. [9] Picard, R. W. (1997). Affective Computing. Cambridge: MIT Press. [10] Abbott, R. (2020). Artificial Intelligence, Machine Learning, and the Future of Intellectual Property. The Hastings Law Journal, 71(2), pp 473-512. [11] Kearney, R. (2018). Anatheism: Returning to God After God. New York: Columbia University Press, 240. [12] Lessig, L. (2008). Remix: Making Art and Commerce Thrive in the Hybrid Economy.New York: Penguin Press, 352.

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