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This research concerns the mystery as epistemological and aesthetic category. The objective of this paper is mystery as the particular form of conscious. The main target is the esthetical hypostasis of mystery and its role in art’s evolution. Phenomenological conception of conscious by E. Husserl is the base of the research as the method. It is dedicated to phenomenological conception of conscious and we emphasize the intentionality is the most important issue of this conception. Subsequently we consider that the ...