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The article describes a qualitative inquiry in the form of a case-study based within a performance as research paradigm. The study entailed the implementation of a performance art piece by the author in which migration was viewed as a phenomenon rooted in the personal experience of space and time. It also exploited tropes central to the author’s previous performances: walking and the use of “poor” objects. For the performance, the author walked a total of 42 kilometres over two nights, cut up sections of wire mesh...