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The contents of this article are an exposition on architecture, both as in itself as well as a scenic object. This reflection is based on the relationship between the signifier and the signified that constitutes the architectural symbol. Methodologically, this reflection begins with a clarification of some concepts which belong to the analysis structure. So we begin by clarifying the concept of symbol; of scenario (space as a manifestation of support and development of an ideal); of the beautiful and the sublime; ...