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The idea of creating a story or a short novel, in which the hero-artist would have appeared as the modern Faust, occupied the mind of T. Mann at the beginning of his literary career. The realization of this bold plan was postponed for almost half a century, but the novel “Doctor Faustus” (1947) with all its genre ambiguity is primarily Kunstlerroman, revealing three main typological signs of the works of this kind: its plot-composition center is the life story of the hero-artist, the novel contains a lot of reason...

This article considers the influence of Theodor Adorno's cultural and philosophical ideas on the concept of creativity of a fictional composer Adrian Leverkühn, presented in the novel “Doctor Faustus” by Thomas Mann. Based on the comparative analysis of the text of the novel “Doctor Faustus” and Adorno’s philosophical treatise “Philosophy of New Music”, as well as the reference to the history of the creation of the novel reflected in Th.Mann's diaries, in the author's commentary on the novel “Die Entstehung des Do...