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Year: 2018Subject: subjectFiles: Metadata onlyclear all
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5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

A PERFECT COPY OF AN IDEAL SIMULACRUM OR SOCIO-CULTURAL DIMENSION OF KNOWLEDGE

(STEF92 Technology, 2018, Ekaterina Prilukova, S. Nestertsova, E. Evsina)

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Nowadays the world development is characterized by application of various practices that manipulate human consciousness. Cultural diplomacy of the Soviet Union was one of these practices. Its analysis involves the search for research programs and application of various epistemological schemes that enable us to obtain and form ideas about this phenomenon. The choice of a cognitive method is ontologically determined by the nature of philosophical knowledge and requires addressing the socio-cultural context of the co...

ART & HUMANITIES: Section Philosophy2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

EVOLUTION OF CONCEPTS “OTHER”, “SUBJECT” AND “ENCOUNTER” IN HISTORY OF PHILOSOPHY AND THEIR INTERPRETATION BY GERHARD OBERHAMMER

(STEF92 Technology, 2018, R. V. Pskhu, L. E. Kryshtop)

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The paper concerns the analysis of the main concepts of West European tradition of Philosophy, which are the concepts of the other, the subject and the encounter. The research has been inspired by the work of world known indologist Gerhard Oberhammer, particularly the articles ‘Im Angesicht des Anderen. Ramanujas Saranagatigadya. Einwichtiger Text vishnuitisher Religionstradition’ and ‘‘Begegnung’ als Kategorie der Religionshermeneutik’. It is interesting both from historical-philosophical and indological point of...

SOCIAL SCIENCES: Section Anthropology and Ethnology2018
5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018
Publication

THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE

(STEF92 Technology, 2018, G. Vlahopol)

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The subject is the key element, the basis of the structure of the fugue form due to its melodic, rhythmic, harmonic and polyphonic features. Even from the Baroque period, the development and the final entry were the sections with the most innovative constructive aspects due to a certain freedom given to the composer in the treatment of the theme, resulting in a multitude of ways to conceive them. In 20th-century music, this freedom becomes manifest in all musical parameters (melody, rhythm, key, writing etc.), but...

ART & HUMANITIES: Section Performing & Visual Arts2018
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