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The aim of this study is to show how painting, in Vincent Van Gogh (1853-1890), is an active expression of the Dutch painter’s madness, inner anxieties and social unease through the vigour of the sign and the brutal incandescence of colour. The pictorial material is a direct manifestation of the inner datum and becomes a means of exorcising the ‘evil of living’ that consumed the artist. Within this work, we will consider how in the works of Van Gogh, forerunner of the expressionist language, creativity and madness...

The aim of this study is to conduct a psychological analysis of three of the most controversial and interesting historical figures of the second half of the Nineteenth century, forerunners of their time, linked not only by their parental point of view, but by the same ideals aimed at the pursuit of dreams, tenderness and the impossible freedom they never managed to find in life: Empress Elisabeth of Austria, King Ludwig II of Bavaria and Crown Prince Rudolf of Habsburg. The work aims to relate these three personal...