Browse

The article analyzes the views of Russian literary and theatrical critic, theologian and priest Sergei Durylin on opera theater in connection with the ideas of new mythogenesis and mystery (religious and synthetic art), which were popular in the early 20th century, especially in Russia. The method of presentation corresponds to the method of research and offers a synthesis of methods of art criticism, philosophy of art, philosophy of myth and religion, as well as history of culture, all of which are presented in t...