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This paper presents selected examples of interaction between East orthodox icon and West gothic architecture built after World War II period in Poland. It shows the process of evolution of traditional iconography conventions. It covers problems in art as well as new essential ideological aspects of symbolical and liturgical nature.

Two – thousandth years of history of Christianity proved that a main criterion of a value of church architecture was not based on architectural precursors. This architecture was sacred because it was a carrier of a „truth of God” and – like a liturgical mysterion and iconography art – it was a theological comment. It was a codified language of the transposes of religions essences and orders, into the form of architectural expression. This was in an East Christianity and this happens there up to this day. This pape...

Poland, as cultural and religious borderlands which are now, as in the past, a part of Latin, West Roman-Catholic, Greek-Slavic and East Orthodox culture, is a good place to apply comparative analyses of art of both Christian Churches: the Eastern and Western one. This paper presents selected examples of interaction between architecture, iconography and theology in contemporary sacred art of the last decade in Poland. It also shows the process of evolution of traditional spatial and functional structures and appli...

Poland is situated in the area of cultural and religious borderland, in the sphere of Greek-Slavonic and Latin influence. In the past, mutual contacts and attempts to exchange values were limited. Both churches, Roman Catholic and Orthodox, were structures of a rather closed character. However, examples of modern churches in Poland seem to prove that these separation tendencies of both Christian churches and cultures are now being reversed, which is not only a symptom of mutual dialogue, exchange of ideas, values ...