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In plate 141 For the Sexes - the Gates of Paradise, copy D, Blake by asking: “Does thy God O Priest take such vengeance, as this” refers to the story of Count Ugolino as it is described in Dante’s Divine Comedy - Inferno Canto XIII (33). The subject of Blake’s preoccupation is the conflict between the Devourer and the Prolific as it was developed in The Marriage of Heaven and Hell in 1789. The conflict between the adverse forces of life, good versus evil, formed ‘two different kind of philosophies’- as...

The Renaissance is a pinnacle of European humanistic culture that can only be erased from human history at the risk of destroying the very meaning of history. Of the same evidence, however, is the fact that the rinascita was due to a series of political, cultural and social conditions that, emerging from the Italian land, were different in all countries where it was propagated, and almost absent, appearing in short, decorativ spurts, in others. What united them in the most concrete way was the generous idea of hum...

The paper examines Karel van Mander’s consistent descriptions of artistic incompetence, technical mediocrity, and creative failure in Het Schilder-Boeck – or The Book of Painting, first published in Alkmaar 1604 – in the attempt to understand the functionality of his remarks – from an aesthetic, ethical, and pedagogical standpoint – as cautionary tales for apprentices and young patrons. It will be argued that, by establishing a sharp distinction between “excellent masters” and “mediocre painters,вЂ...

Dante Alighieri’s Inferno 28 is the place of the sowers of discord and scandal who are responsible for causing a split within their own communities; among them in the ninth bolge of the eighth circle is Muhammad whose mutilated body represents the division he brought to Christianity. A historical contextualization of the Inferno, however, confirms that the hostility between Christianity and Islam had emerged earlier with the rise of Islam as a political power in the seventh century. This paper examines Medieval ...

This paper aims to give an overview on a starting research process. The research aims to study correlations between the Renaissance Revival garden design in Italy and Hungary. The turn of the 19th and 20th centuries is characterized by an urge to seek a definition of national identity and also by Historicism with the revival of former artistical styles all over in Europe. Evoking the Italian Renaissance in Hungary has historical roots and special meanings. Italian models appear in main artworks emerged in Renaissa...

The Renaissance of 19th-century historiography and of every period of intense artistic and intellectual activity called renaissance is characterized by the exploration of cultural heritage that it inherits and its appropriation, conquest, and revival through this exploration. We are referring to the Carolingian renaissance, the Ottoman, the 12th century one, and the Italian Renaissance with its chronological subdivisions and influences. Corresponding renaissances are also recognized in the Byzantine territory. The...

Along with paintings, drawings, and prints representing workshops and studios in sixteenth- and early seventeenth-century Europe, written sources also provide important information concerning the different typologies, functions, and organization of the creative and entrepreneurial spaces of the artist in early modern times. These spaces were often the stage of significant social and cultural exchanges with patrons, commissioners, and collectors, in which art-related explorations coexisted with science-oriented exp...

The most prominent period of Hungarian history in arts and science was during the reign of King Matthias (1443-1490). His humanist upbringing, his education and his political successes made him a renowned ruler of his time. In parallel with the emergence of Italian early Renaissance gardens, royal and ecclesiastical gardens were established in the Kingdom of Hungary. The numerous links well characterise and explain the affinity between early Renaissance gardens in Italy and Hungary. Alongside the king's bountiful ...

The general rationale of this article applies to the interest in the visualisation of the historical heritage during the Empire period in France, the trends of retrospectiveism in contemporary art and design, and the need to explore the phenomenon of 'grand style', the idea of which is emerging today in art salons around the world more often. The year 2021 marks the 200th anniversary of the Emperor's death. In this respect, women's costume of the beginning of the XIX century in France is still a relevant research ...