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Search: 978-619-7408-90-4Year: 2019Subject: ART & HUMANITIES: Section History of Artclear all
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6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

THE SACRIFICE, AS SOLUTION TO SOLVE THE CULTURAL CONFLICTS FROM BULGARIA. AN ANALYSE OF THE ICON "THE JUDGEMENT OF THE PONTIUS PILATE 1829"

(STEF92 Technology, 2019, I. S. Bora, I. Bora)

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The icon is defined in the orthodox tradition as the Bible of the low literate, reason for which, in just a few colors it is synthesized important attitudes and events. The look of the believer is inevitably attracted by the face of Jesus and/or of the saints, for finding out and memorize easier the message of the Evangel. The icon "The Judgement of the Pontius Pilate 1829", kept in the Alexander Nevsky Crypt Museum, is an atypical one: Jesus is hard to find between the negative characters, dressed atypical and ke...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

HARMONIC FORESHADOWS IN J. S. BACH'S CREATION

(STEF92 Technology, 2019, G. Bulancea)

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Bach's genius could be discovered rather in those features of musical language that are no longer contiguous to the pathway initiated by tradition, in those novel solutions which, in spite of displaying a high degree of novelty, are way ahead of their time, foreshadowing evolutions that will become habitual in another stylistic period. One of the elements of the musical language that Bach excels at is harmony which he masters like no other from among his contemporaries. Often a visionary through his manner of appr...

ART & HUMANITIES: Section History of Art2019
6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019
Publication

SHAPE AND COLOUR IN MIDDLE AGES PAINTING. PARTICULARITIES IN EASTERN AND WESTERN EUROPE

(STEF92 Technology, 2019, L. S. Cuciuc Romanescu)

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At the end of the Romanic period, painting was still considered a less important art, used only to decorate certain surfaces for which there were no broader or richer methods of coverage. The ordinary painter's duty was to only color the sculptures created by other hands or to decorate the walls. In this sittuation we can tell that the most appreciated form of painting was the one made by generations of monks in their writing rooms (scritoria). That was the place where they were illustrating their manuscripts with...

ART & HUMANITIES: Section History of Art2019
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